-WHAT’S IN OUR CUP-
Sean: Freakshow Petite Sirah with glow-in-the-dark skeleton elephants
Joshua: 19 Crimes The Wolfman Red Blend, with fruity & chocolate notes
-AI SONG OF THE WEEK-
AI Song Of The Week: “Run Run” (Lyrics written by Sean, music created with AI.)
-CHAT WITH US-
• Quick Trip
• Sean’s Full Moon Adventure
• Let’s Find Frank
-CHAPTERS-
00:00 EP.157 Halloween Finale & Garage Skeletons
02:38 What’s In Our Cup - Wolfman Wine & Glowing Elephants
06:14 Halloween Shopping, Horror Movies & Traditions
12:34 Sorry For The Scare - Joshua’s $300 Invisible Art
15:00 Sean’s Halloween Artwork
18:13 Chat With Us - Portland, Adventures & Big Frank
18:48 Quick Trip - Portland Waterfalls, Gardens & Hills
22:00 Licorice Roses & Tiki Bar Adventures
24:31 Shaboozey Concert - Cowboy Sean’s Accidental Punch
29:41 Powell’s Books & Dungeon Crawler Carl
30:57 AI Song Of The Week - “Run Run”
36:40 Sean’s Full Moon Adventure - Evermore Manor
39:54 Floor 21, Chicago & Eli Mercer
46:53 Sean Becomes The Monster
48:08 Let’s Find Frank - Haunted Carnival Search
54:19 The Hell Mob - Big Frank’s Debts Revealed
57:56 Breaking The News To The Puppet
60:00 Big Frank’s Secret Romance
64:09 Fun Finds - Final Horror Funko Blind Boxes
66:51 Sean’s Patchwork Universal Monsters Collection
68:17 Fortune Against Humanity & Lucky Numbers
70:33 Halloween Gameplay, Season Finale & Hiatus
-SOUND BITES-
• “I’ve been more than sipping.” - Joshua admitting his Wolfman wine got a head start before the show.
• “I was not about to spend $300 on a piece of artwork I was going to show off right now for everybody.” - Joshua explaining his invisible Sorry For The Scare masterpiece.
• “I’ve never seen Cowboy Sean is what I’m getting at.” - Joshua demanding photographic proof of Sean’s concert outfit.
• “I don’t think that’s how that works. I’m the one who hit you.” - Sean wondering why the woman he accidentally punched apologized to him.
• “These are just pictures with a little bit of words on them.” - Sean defending his graphic novels against accusations of reading.
• “I stabbed a guy and I became the monster.” - Sean summarizing one terrible decision inside Evermore Manor.
• “I’m listening, but I’m not interpreting.” - Joshua processing Big Frank’s outstanding debts to the Hell Mob.
• “Sometimes the best way to save somebody is let them go.” - Joshua choosing emotional closure over negotiating with Hell’s criminals.
• “He was my lover.” - The unnamed puppet revealing Big Frank’s disappearance ruined their romantic future.
• “How do we have another Penny Wise?” - Joshua discovering a second clown but still no chase Funko.
-FORTUNE & FINDS-
Fortune: You will be fingered by a hot doctor who will whisper, “Your prostate is normal, sir.”
Lucky Numbers: 2, 6, 13, 29, 68, 15
Fun Finds / Value Finds:
Sean: Completes his patchwork Universal Monsters collection with Dracula, Invisible Man, Frankenstein & Bride of Frankenstein. Also picks up two Dungeon Crawler Carl graphic novels at Powell’s Books.
Joshua: Final horror Funko pulls reveal another Pennywise & Regan from The Exorcist. His $90 October gamble ends without a chase.
(Artwork Shoutout: Sean reveals Monster Under The Bed, Pumpkin Patch Witch, Vampire Sleepover, Ghost In The Rain, Spooky Carnival, Frog Wizard & Moon Monster. Joshua debuts “Mr. Invisible Non-existent,” his blank masterpiece after refusing a $300 software upgrade.)
Transcript
00:00 Welcome to episode 157 of Sorry for the
00:04
00:04 Delay. I'm your editor, Mia. This week,
00:07
00:07 Joshua celebrates Halloween with wolf
00:09
00:09 man wine, a six-foot rooster, and a
00:11
00:11 12-oot skeleton still living in his
00:13
00:13 garage. While Sean brings
00:15
00:15 glow-in-the-dark elephant wine, and
00:17
00:17 returns from Portland with a cowboy hat,
00:19
00:19 rose memories, and an accidental punch
00:21
00:21 at a show. Apparently, his dance moves
00:24
00:24 require a safety perimeter. Then, it's
00:26
00:26 Joshua's conveniently invisible artwork.
00:30
00:30 A haunted choose your own adventure
00:32
00:32 turning Sean into a monster. Plus, the
00:34
00:34 boys are on the hunt for Big Frank.
00:36
00:36 Happy Halloween and enjoy the show.
00:38
00:38 >> Hello and welcome to another episode of
00:41
00:41 Sorry for the Delay. We are your hosts.
00:43
00:43 My name is Sean. Right over there is the
00:46
00:46 ghoulishly, the ghastly, the man of the
00:49
00:49 hour, uh, spooky man Joshua over there.
00:52
00:52 Uh, and this is episode
00:55
00:55 157, my dude. This is what we like to
00:58
00:58 call the season finale, the Halloween
01:01
01:01 centricish episode. I don't know. We do
01:04
01:04 these once a year and then we take a
01:05
01:05 little break or a hiatus if you will.
01:07
01:07 And Joshua, this is uh as you put it uh
01:09
01:09 my Super Bowl. So, welcome to the Spooky
01:13
01:13 Thunderdome. Uh how are you doing this
01:16
01:16 fine week, buddy?
01:17
01:17 >> I mean, I I do consider this your Super
01:20
01:20 Bowl complete with like halftime show
01:22
01:22 and pregame, you know, pregaming along
01:24
01:24 the way. There's just going to be a
01:26
01:26 whole lot going in this episode. Um,
01:28
01:28 some of it will make sense as it usually
01:30
01:30 does. The rest of it might just crash
01:32
01:32 like a burning plane. Um,
01:35
01:35 >> but uh, uh, thank you for asking me how
01:37
01:37 I'm doing. To be honest, I don't know
01:40
01:40 how I'm doing because I have a 6ft [ __ ]
01:43
01:43 and a 12ft skeleton in my garage right
01:47
01:47 now. And I don't know which one I relate
01:49
01:49 to more,
01:50
01:50 >> the sixoot [ __ ] or the 12oot skeleton.
01:54
01:54 Um, but yeah, that's I have that in my
01:56
01:56 garage right now. Um, and why it's not
01:58
01:58 out in in front of my yard on Halloween
02:00
02:00 in TBD. So,
02:03
02:03 yeah. So, uh, that's what's going on in
02:06
02:06 my neck of the woods to be honest with
02:08
02:08 you.
02:09
02:09 >> Can't wait for those pictures to see how
02:11
02:11 that looked.
02:12
02:12 >> Yeah. Uh, yeah. So, stay tuned for that
02:15
02:15 one. Yeah. Pop those up. Um, but yeah,
02:17
02:17 man. I'm I'm feeling well, doing good.
02:19
02:19 El Nino totally hasn't washed me or my
02:23
02:23 car down the road yet.
02:24
02:24 >> So, staying afloat,
02:26
02:26 >> no pun intended.
02:28
02:28 >> Um, but doing well, doing good, starving
02:31
02:31 cuz food is really expensive. But other
02:32
02:32 than that, I'm thirsty. Uh, so maybe we
02:35
02:35 get into the uh what's in our cup.
02:38
02:38 >> Yes, buddy. Let's move right into what's
02:39
02:39 in our cup. So, what are you sipping on
02:41
02:41 this beautiful Halloween adjacent
02:44
02:44 episode? because we I know Halloween is
02:46
02:46 on Saturday, but we don't record uh
02:49
02:49 episodes on Saturday. So, this is the
02:51
02:51 official Halloween. So, happy Halloween,
02:53
02:53 everybody. Uh Joshua, what's in that
02:55
02:55 what's in that cup? What's in that
02:56
02:56 spooky?
02:56
02:56 >> Okay, so all right, I'm glad you asked,
02:58
02:58 Sean, because what is in my cup for
02:60
03:00 tonight's
03:02
03:02 fright night episode? Yours truly. You
03:04
03:04 know what? I'm be Yours truly is going
03:06
03:06 to be sipping on a Howling
03:09
03:09 99 Crimes
03:11
03:11 >> Wolfman
03:13
03:13 >> red blend. Everybody,
03:14
03:14 >> I was wondering if one of us was going
03:16
03:16 to pull this out. Okay, this is this is
03:18
03:18 a great
03:19
03:19 >> I love this.
03:20
03:20 >> So, this is what I'm sipping on. And
03:21
03:21 Sean, it's funny because, you know, if
03:23
03:23 you're barely tuning in or, you know,
03:25
03:25 it's your first episode, Sean likes to
03:26
03:26 ask me um what's the profile or what's
03:30
03:30 the notes? And I typically go, you know,
03:32
03:32 it's a it's a dark bottle with some red
03:35
03:35 liquid inside it. So, I'm going to try
03:37
03:37 and I don't really have to try too hard
03:38
03:38 because it it basically says it right on
03:40
03:40 the bottle. All I have to do is read it
03:41
03:41 off the screen. Um, which is usually
03:43
03:43 harder than reading it off the bottle.
03:45
03:45 Um, but uh the flavors you're supposed
03:48
03:48 to get out of this is rich and round
03:52
03:52 with soft fruity finish and chocolate
03:55
03:55 notes is what you're supposed to get out
03:56
03:56 of this lovely 99 Crimes bottle of wine.
04:01
04:01 So, I I'm not going to lie. I've already
04:03
04:03 opened this. Uh, look at uh
04:05
04:05 >> Have you been already sipping on it?
04:06
04:06 >> Uh, I've been more than sipping.
04:09
04:09 >> He's already drunk, ladies and
04:10
04:10 gentlemen.
04:10
04:10 >> I've kind of I don't think I'm drunk,
04:12
04:12 dude. It takes me takes me a little bit
04:13
04:13 more to get there.
04:14
04:14 >> What a little pour, though. I'll tell
04:15
04:15 you that right now.
04:16
04:16 >> What do you mean? This is a big glass,
04:18
04:18 buddy.
04:18
04:18 >> The [ __ ]
04:19
04:19 >> A big glass.
04:20
04:20 >> That's a babysiz pour.
04:22
04:22 >> Come on, man. Give me a break. Cheers,
04:24
04:24 buddy. This is what I'm sipping on. What
04:25
04:25 do you got going on over there, man?
04:27
04:27 >> Hell yeah, man. Well, I want to actually
04:28
04:28 see you sip it. Okay, I'm watching it.
04:31
04:31 All right. Beautiful. Beautiful soup. Do
04:33
04:33 you taste chocolate? Is there chocolate?
04:35
04:35 >> I taste more than chocolate. No, but
04:37
04:37 there's all kinds of love. Yeah, there's
04:38
04:38 all kinds of stuff going on this cup
04:40
04:40 right here.
04:42
04:42 >> Ladies and gentlemen, I think he's
04:43
04:43 drunk. I think this man's drunk. Um,
04:46
04:46 >> but Joshua, I I do have something that I
04:49
04:49 am sipping on as well. I'm sipping on a
04:50
04:50 red wine as well. Uh, this is by a a a
04:54
04:54 winery called Freak Show. Um, but I need
04:57
04:57 to turn off my lights real quick so you
04:59
04:59 can understand why I chose this one.
05:02
05:02 I've had this I haven't had this one
05:04
05:04 specifically. This is a petite Sarra um
05:06
05:06 blend. Uh, but there was a reason why I
05:09
05:09 picked it. And uh, I might be a casualty
05:12
05:12 to marketing, but let me turn off my
05:14
05:14 lights real quick. Uh, just so you can
05:16
05:16 see. I'll turn off one and hopefully
05:17
05:17 that's enough. Uh, but Joshua, this
05:20
05:20 bottle of Petite Sura. Actually, I'm
05:22
05:22 going to need both. Hang on. One second.
05:25
05:25 Hang on everybody. This bottle Joshua
05:28
05:28 glows in the dark.
05:30
05:30 >> Wow. Look at that. The VFX. Wow. That's
05:33
05:33 >> no VFX here, baby. But yeah, it glows in
05:35
05:35 the dark. Obviously, it's not the best.
05:37
05:37 You can't really see it, right? Um
05:39
05:39 >> I can't see you either.
05:41
05:41 >> I'm getting there. I'm getting there.
05:42
05:42 Hang on.
05:43
05:43 >> All right.
05:43
05:43 >> God damn. Can you imagine if I turn into
05:45
05:45 Big Frank? That'd be amazing.
05:47
05:47 >> I think you are Big Frank deep inside.
05:50
05:50 >> Anyways, so this is the bottle. So, when
05:52
05:52 you turn off the lights, these little uh
05:54
05:54 elephants turn into skeletons, which was
05:56
05:56 really [ __ ] cool, dude. Um, so this
05:58
05:58 is what I'm sipping on. I I could
05:60
06:00 describe the notes to you, but I believe
06:03
06:03 if I described the notes, um, I would be
06:06
06:06 talking even more than I'm going to be
06:07
06:07 talking this episode, so I don't want to
06:10
06:10 uh because I need Joshua to tell me what
06:13
06:13 his favorite Halloween activity has been
06:16
06:16 for this entire month. Joshua, what what
06:18
06:18 have you enjoyed doing, buddy? that
06:20
06:20 involved the spooky season this year.
06:22
06:22 >> I don't know if this is actually a thing
06:25
06:25 or an activity, but I really have been
06:28
06:28 enjoying the fact that everything I've
06:29
06:29 been spending money on is like 70 to 50%
06:32
06:32 off.
06:33
06:33 >> So maybe maybe my activity for Halloween
06:36
06:36 is buying all the [ __ ] that's overpriced
06:38
06:38 anyways at half or a third of the prices
06:40
06:40 it should be in the first place. So,
06:43
06:43 shopping. Uh, like I said, I got a big
06:46
06:46 ass [ __ ] in my garage and, uh, big old
06:48
06:48 skeleton and, uh, probably eating
06:51
06:51 eating, um, candy, too. I've been taking
06:54
06:54 advantage of the little candy bites. Got
06:56
06:56 some
06:58
06:58 >> Why you laughing at me?
06:59
06:59 >> You're just eating all the money that
07:01
07:01 you spent on the children. So, like
07:03
07:03 >> No. Well, these ones are gifted to me.
07:05
07:05 So, like I I have actually been Yeah.
07:07
07:07 So, I was the trick-or-treater and I was
07:10
07:10 gifted these candies and they're pretty
07:12
07:12 good. I got to try the You remember the
07:13
07:13 one you were talking about? The uh was
07:15
07:15 it the pumpkin? You said the peanut
07:17
07:17 butter uh
07:18
07:18 >> Oh, yeah. The peanut butter pumpkin. Um
07:20
07:20 it's not the the Reese's peanut butter
07:23
07:23 cup in the shape of a pumpkin.
07:25
07:25 >> Correct. I finally got to try that for
07:28
07:28 the first time. And you're right, it is
07:29
07:29 really really good.
07:31
07:31 >> It didn't last too long. Yeah. It didn't
07:33
07:33 last long in my car. I literally just
07:34
07:34 like I know you're supposed to take more
07:36
07:36 than one bite, but I just like literally
07:39
07:39 just put the whole thing in my mouth and
07:40
07:40 let it dissolve.
07:42
07:42 >> It was
07:43
07:43 >> Did you watch any spooky movies this
07:44
07:44 year? You watch anything?
07:45
07:45 >> Uh spooky movies. Yeah, we got back into
07:48
07:48 the the Jason's uh series. You
07:50
07:50 >> rewatched them?
07:51
07:51 >> Yeah. Started watching the Clear Was it
07:54
07:54 Clear Lake? Clear. What's that one? No,
07:56
07:56 Crystal Lake.
07:57
07:57 >> Crystal Lake.
07:58
07:58 >> Yeah. Started watching Crystal Lake.
07:59
07:59 That one's pretty freaky. That [ __ ]
08:01
08:01 just kills everybody. Um, and I have no
08:04
08:04 idea like how is she killing everybody
08:05
08:05 and nobody knows about it, but but like
08:07
08:07 dawn on me this is like back in the 80s
08:09
08:09 or 70s when forensics and
08:11
08:11 >> dude,
08:12
08:12 >> yeah, you can literally just like kill
08:13
08:13 somebody and have blood on your hands
08:14
08:14 and they're just like, um, you didn't do
08:16
08:16 it. Prove it. You know, like kind of
08:18
08:18 like,
08:18
08:18 >> what are you talking about? I didn't do
08:19
08:19 that. I didn't touch them.
08:20
08:20 >> Yeah. So, Crystal, like that's if if
08:22
08:22 nobody uh listening has seen that yet,
08:24
08:24 you should check that out. It's actually
08:25
08:25 pretty cool. Um, yeah. So, just kind of
08:28
08:28 reliving some of the nostalgia of the
08:30
08:30 the the old school and watching some of
08:32
08:32 the new. But
08:33
08:33 >> nice, man.
08:34
08:34 >> What about yourself?
08:35
08:35 >> I saw the uh I saw that Back Rooms movie
08:37
08:37 uh for the first time.
08:38
08:38 >> Back rooms.
08:39
08:39 >> Yeah. Did you ever watch Did you watch
08:40
08:40 the Back Rooms? It just recently came
08:42
08:42 out.
08:42
08:42 >> I only know a couple Back Room movies
08:44
08:44 and you got to be 18 or older to go
08:46
08:46 watch them. So, I don't know.
08:48
08:48 >> Talking about the same thing or are we
08:50
08:50 on different
08:51
08:51 >> No, it's a it's a movie. It's definitely
08:53
08:53 a movie. Uh
08:54
08:54 >> Well, these are movies, too. I mean,
08:56
08:56 come on. Like there's acting involved.
08:59
08:59 Come on, be nice. They tried.
09:01
09:01 >> Listen, I I they tried. They tried,
09:03
09:03 right?
09:03
09:03 >> Exciting autographs at one point.
09:05
09:05 >> It was good in the first half of that
09:07
09:07 movie, and then the second half of that
09:08
09:08 movie, they didn't know what they wanted
09:09
09:09 and uh it just got
09:12
09:12 I can say weird, but the point of the
09:14
09:14 back rooms is that it's always weird. Um
09:16
09:16 it just the plot, they lost the plot and
09:19
09:19 it just fell short. Like you wanted more
09:21
09:21 of the first half of the movie than the
09:22
09:22 last half of the movie. And so it was
09:25
09:25 meh. Uh, but I do plan on seeing uh
09:27
09:27 Obsession soon. I've heard that's a a
09:30
09:30 really good movie. Uh, to see it. I've
09:32
09:32 seen that.
09:32
09:32 >> So, yeah. No, that is a good one.
09:34
09:34 >> That's a scary movie. Come on.
09:36
09:36 >> Yeah, I I seen that a while ago, though.
09:38
09:38 So, I was recalling re more recent, you
09:41
09:41 know, but I've seen Obsession. Yeah,
09:42
09:42 that one's pretty wicked.
09:43
09:43 >> Yeah. Um,
09:44
09:44 >> so I'm going to watch that one. So,
09:45
09:45 hopefully I enjoy that. Uh, and then I'm
09:47
09:47 gonna do my regular spooky season uh
09:49
09:49 traversal of uh Over the Garden Wall and
09:52
09:52 then uh some Nightmare Before Christmas
09:54
09:54 and then the Charlie Brown special uh
09:57
09:57 and whatever else I feel like. Maybe
09:58
09:58 some Halloween Town, maybe some
09:59
09:59 Beetlejuice. Uh I might watch
10:02
10:02 Beetlejuice, too, because Jenna Ortega
10:04
10:04 is like my my childhood crush now. Um
10:07
10:07 even with
10:08
10:08 >> Okay, so it sounds like you watch the
10:09
10:09 same [ __ ] over and over again. when you
10:11
10:11 watch the same [ __ ] over and over. Do
10:13
10:13 you do you look for things that you
10:15
10:15 hadn't noticed the other 400 times you'd
10:17
10:17 seen it before?
10:18
10:18 >> Uh yeah, for sure. That's what I'm I'm
10:20
10:20 looking for little details, you know?
10:21
10:21 I'm looking for little like future
10:23
10:23 callbacks or foreshadowing, right? Um
10:26
10:26 because I I don't know if people know
10:27
10:27 this about me. Hi, I'm Sean. This is
10:29
10:29 Joshua. You're two new best friends. Uh
10:30
10:30 but I don't tend to watch movies again
10:32
10:32 on repeat other than like cars, right?
10:35
10:35 So, I don't I don't watch movies until I
10:37
10:37 forget about them and then I go, "Oh, I
10:39
10:39 haven't seen this movie." Or I forget
10:40
10:40 that I even saw the movie. Uh, and then
10:43
10:43 I'll watch it and be like, "Oh, that was
10:44
10:44 pretty good." You know? Uh, so I don't
10:46
10:46 rewatch movies. But when I do re-watch
10:48
10:48 them, I will look for small stuff like
10:49
10:49 that. So that way I keep myself
10:51
10:51 entertained because it's hard for me to
10:53
10:53 stay entertained in a movie knowing the
10:56
10:56 plot and knowing where the story is
10:57
10:57 going, you know? So,
10:58
10:58 >> can I ask you about Cars real quick?
11:00
11:00 >> Sure.
11:02
11:02 So I I think it's I believe it's Cars 3
11:04
11:04 where they introduce the ones with the
11:05
11:05 electric cars. Is that the one? Am I am
11:07
11:07 I am I correct? Am I spot on with that?
11:09
11:09 Yeah.
11:10
11:10 >> Um I I tell me if this is true or not.
11:13
11:13 So the voice actor of the electric car
11:16
11:16 got busted for uh for saying he liked to
11:20
11:20 eat people or bite people or
11:22
11:22 cannibalism. Am I
11:24
11:24 >> I think that might be true, but I I'm
11:27
11:27 not 100% sure. So I live in the fantasy
11:30
11:30 world of cars, right? I don't live
11:32
11:32 outside of the world of cars, right? So
11:34
11:34 if they if something has happened with
11:36
11:36 their voice actors, I cannot confirm nor
11:39
11:39 deny, but I am saying that does sound
11:42
11:42 relatively true
11:44
11:44 >> in all of the world news, you know. So
11:46
11:46 like there's that.
11:47
11:47 >> Uh so so wait, so you do not condone
11:50
11:50 cannibalism?
11:53
11:53 >> Like you're okay with it, right? You're
11:54
11:54 not even as a voice actor like you're
11:56
11:56 not cool with it.
11:56
11:56 >> You're on a deserted island. [ __ ]
11:58
11:58 happens, right? Got to go Lord of the
12:00
12:00 Flies on each other.
12:02
12:02 >> Then, yeah, you know, I might eat a leg
12:04
12:04 or two. I'm not going to stop anybody
12:06
12:06 from doing it, right? I mean, there's
12:08
12:08 situations where you may need to consume
12:11
12:11 human flesh. It's not saying that that's
12:13
12:13 bad.
12:14
12:14 >> No, I just had to ask cuz you said you
12:16
12:16 like cars and I just was curious, you
12:18
12:18 know, if you knew that fun fact cuz I
12:19
12:19 did not know that fun fact, didn't.
12:21
12:21 >> Thanks for that fun fact.
12:22
12:22 >> Yeah, there you go. I mean, it's
12:23
12:23 Halloween. People eat people around
12:24
12:24 Halloween time, don't they? Like, isn't
12:26
12:26 that a thing?
12:26
12:26 >> That's true. zombies,
12:27
12:27 >> you know. Serial killers, zombies, it's
12:29
12:29 all over the place.
12:30
12:30 >> Zombie, all
12:30
12:30 >> stalkers, you know.
12:32
12:32 >> Yeah.
12:34
12:34 Anyways, speaking of all that fun
12:36
12:36 Halloween stuff, buddy, hey, let's show
12:38
12:38 off some artwork that we did this week.
12:40
12:40 Uh, considering that this is probably
12:43
12:43 going to be the last episode, uh Joshua
12:45
12:45 and I may come on next week for like a
12:46
12:46 short like, hey, we're going to take a
12:48
12:48 hiatus and then maybe show off some
12:49
12:49 stuff real fast. Um, but for the moment,
12:52
12:52 this is probably going to be the last
12:54
12:54 episode. So, let's show off some of the
12:55
12:55 art that we did for Sorry for the Scare.
12:58
12:58 Uh, and if you want to see everything,
12:59
12:59 if we don't have another episode, sorry
13:01
13:01 for the Delay.live, go ahead and click
13:03
13:03 on that website. In the top left corner,
13:05
13:05 you'll see the Sorry for the Scare
13:07
13:07 little, uh, navigation bar. You can see
13:09
13:09 all the photos that we did, um,
13:11
13:11 including Joshua's when he eventually
13:12
13:12 sends them to Mia and she can put them
13:14
13:14 on the website.
13:15
13:15 >> Yeah. I feel like I should show mine off
13:16
13:16 first though, this episode.
13:17
13:17 >> Sure.
13:18
13:18 >> Because you you've been showing all your
13:19
13:19 Okay. Well, because I worked really hard
13:21
13:21 on this.
13:22
13:22 >> I'm excited. Okay. So, so let let me
13:25
13:25 know what you think. Okay. You ready for
13:26
13:26 it?
13:26
13:26 >> Wait for it.
13:27
13:27 >> Which prompt is for this one? What is
13:28
13:28 this?
13:29
13:29 >> Um, this this one's just called Mr.
13:31
13:31 Well, you know, I had to make it my own.
13:34
13:34 >> It's called just it's called Mr.
13:36
13:36 Invisible Non-existent.
13:37
13:37 >> Like, this is this is this is, you know,
13:40
13:40 this is real special. So, let me let me
13:42
13:42 hit the button. Okay.
13:44
13:44 >> Okay.
13:46
13:46 >> You see it?
13:48
13:48 >> No.
13:49
13:49 >> Okay. Let me try.
13:50
13:50 >> Oh, it's because you didn't have one. Is
13:51
13:51 that Is that the problem?
13:53
13:53 Oh, okay. Got it. So, there there you
13:56
13:56 go, folks. Uh Joshua cannot even do
13:59
13:59 homework for the final week of the the
14:01
14:01 podcast.
14:02
14:02 >> Wait, let me let me Hey, let me explain
14:04
14:04 myself. Let me explain myself. Okay.
14:06
14:06 >> Explain yourself. Yeah.
14:07
14:07 >> Okay. I tried. I hit the button. Nothing
14:10
14:10 showed up. I already told you nothing
14:11
14:11 there. It's Mr. Invisible. I already I
14:12
14:12 already explained to you the artwork
14:14
14:14 that I had to present. But the honest
14:16
14:16 truth is the uh program that I was using
14:20
14:20 I I I downloaded the trial version and
14:23
14:23 uh the trial version has expired and I
14:29
14:29 was not about to spend $300 on a piece
14:32
14:32 of artwork I was going to show off right
14:34
14:34 now for everybody. So I'm sorry. Um so
14:38
14:38 if I can give you a reason to drink,
14:40
14:40 that's it. I wasn't going to spend $300
14:42
14:42 on one piece of artwork. I'm sorry. I
14:44
14:44 will come up with something better next
14:46
14:46 time. But that's my piece of artwork for
14:49
14:49 episode 100. An apology, an explanation,
14:53
14:53 and a sip of wine. But that's what I got
14:56
14:56 for you, Sean. I am sorry, buddy.
14:59
14:59 >> That's fine. Let me go and share my
15:00
15:00 screen with Joshua. And for those of you
15:02
15:02 watching, keep on watching. Uh let me
15:03
15:03 show off the artwork that we did for
15:05
15:05 this week. Uh here it is. Sorry for the
15:08
15:08 scare. This is day 21. Monster Under the
15:11
15:11 Bed. Uh, this was Joshua's personal
15:14
15:14 favorite because he is a little monster
15:15
15:15 under the bed.
15:16
15:16 >> True.
15:17
15:17 >> Day 22 was pumpkin patch witch. Uh,
15:20
15:20 Joshua, I did base the witch off of a
15:23
15:23 future photo of you um as a witch. So,
15:27
15:27 there you go. That's a self-portrait of
15:28
15:28 you, buddy.
15:28
15:28 >> I like the fuzzy neon you did there.
15:30
15:30 >> That aspect. That was good. Yeah,
15:32
15:32 >> little motion blur. I love that.
15:33
15:33 >> Mhm.
15:35
15:35 >> Day 23 is vampire sleepover. And I don't
15:38
15:38 think I made this clear in this drawing.
15:40
15:40 Uh, but this vampire on the right hand
15:42
15:42 side is giving a pillow to the vampire
15:44
15:44 inside the coffin. So, it doesn't look
15:47
15:47 like a pillow. And I think I I probably
15:49
15:49 could have done better, but you know,
15:50
15:50 rush for time on these, right?
15:52
15:52 >> It's almost like a Yeah. Yeah, you're
15:54
15:54 right. It does look like a pillow.
15:56
15:56 >> It's like a handkerchief. Got a cold.
15:60
16:00 >> All right. Day 24 was Ghost in the Rain.
16:03
16:03 Pretty simple on this one, man. I do
16:05
16:05 love the aspect that I have a little uh
16:06
16:06 a little uh uh jacko-lantern like handle
16:10
16:10 bit there. Uh even though the the
16:12
16:12 umbrella is just being held on by
16:14
16:14 gravity of the ghost. I guess he's just
16:16
16:16 holding it with no arms. So there
16:18
16:18 there's that. Uh and then uh day 25 is
16:22
16:22 spooky carnival. Uh this one I wanted to
16:26
16:26 spend more time than I had on this one.
16:28
16:28 So it's not completed, but it's the best
16:32
16:32 that I'm going to get it. So, there's
16:34
16:34 Spooky Carnival. And then, uh, day 26
16:37
16:37 was frog wizard. Uh, another, uh,
16:40
16:40 rendition of Joshua, I like to believe,
16:42
16:42 on this one. U,, he's just a beautiful
16:45
16:45 frog wizard. What What more can I say?
16:47
16:47 Uh, and then the last one for Monday is
16:49
16:49 going to be Moon Monster. Uh, this
16:53
16:53 Joshua, I tried to make a werewolf as a
16:55
16:55 candy corn, and it it looks cat-like and
16:60
16:60 pig-like. Uh, and not so much wolflike.
17:03
17:03 Uh, would you agree with that one?
17:06
17:06 >> I see like a mouse. Not going to be a I
17:08
17:08 see a mouse.
17:09
17:09 >> See that, too, honestly. Yeah, I can see
17:11
17:11 that.
17:12
17:12 >> Yeah, there's something about it. Yeah,
17:13
17:13 I see mouse.
17:15
17:15 >> There you go. Sorry for the scare. Uh,
17:17
17:17 if you guys want to join us for this,
17:20
17:20 uh, by the time this episode comes out,
17:22
17:22 uh, there will be a few days where you
17:23
17:23 can hit us, uh, with the drawings that
17:26
17:26 you do, uh, we go all the way up until
17:28
17:28 Halloween. And so, if you do want to
17:29
17:29 make one, uh, sorry for a little late
17:31
17:31 outlive or add us on, sorry for the
17:33
17:33 delay pod on most of the socials. So,
17:35
17:35 feel free. Joshua, there you go. That
17:38
17:38 was the artwork for the week.
17:42
17:42 >> I'm just so exhausted, buddy. Yeah, I
17:44
17:44 was going to say feel free to use my
17:45
17:45 past cuz I I didn't put a piece of
17:47
17:47 artwork up for it. So, I'm sorry. Again,
17:49
17:49 I'm sorry, man. I just I could not pull
17:52
17:52 the trigger on the program. I'm sorry.
17:54
17:54 >> It's okay. It's okay.
17:55
17:55 >> So,
17:57
17:57 >> um
17:57
17:57 >> I know there's free programs out there,
17:58
17:58 but I'm cheap. Even free sometimes is
18:00
18:00 expensive for me. Okay.
18:01
18:01 >> Yeah, he's he's don't even bother.
18:04
18:04 >> I lost my train of thought for a second.
18:06
18:06 Uh but I think we're going right to the
18:08
18:08 chat with this section. Shall we chat it
18:10
18:10 up, buddy?
18:10
18:10 >> Let's go.
18:12
18:12 >> Let's do it. For those of you who are
18:13
18:13 new here, hi. Thank you for sticking
18:15
18:15 with us through that. Um,
18:18
18:18 nice. Uh, sorry. We do this thing called
18:20
18:20 chat with us, uh, which are the topics
18:22
18:22 for the week. Uh, and Joshua got a
18:24
18:24 little bit, uh, festive with it. He has
18:26
18:26 a little, uh, zombies, uh, ticking
18:29
18:29 scroll bar, so feel free to read that,
18:31
18:31 uh, while I read you the topics that
18:32
18:32 we're going to be talking about for the
18:33
18:33 week. They are followed. Number one is
18:35
18:35 Quick Trip. Uh, number two is Sean's
18:38
18:38 Full Moon Adventure. And then number
18:41
18:41 three, we alluded to it last week, uh,
18:43
18:43 but we're gonna find Big Frank. So,
18:46
18:46 let's find Frank. With that being said,
18:48
18:48 Joshua, hey, quick trip report. Okay.
18:52
18:52 >> I just got back with with the old lady
18:54
18:54 from the wonderful town of Portland,
18:57
18:57 Oregon. Uh, we went down there for her
18:59
18:59 birthday. Uh, and we were able to do a
19:02
19:02 whole bunch of things. Uh, this is just
19:04
19:04 going to be a quick trip report. Mia's
19:06
19:06 going to cut in some photos as I talk
19:07
19:07 about this stuff. Uh, but we went to
19:10
19:10 this beautiful uh waterfall, buddy, with
19:14
19:14 a this scenic arch bridge. Um, do I
19:18
19:18 remember what it was called? Hell no. I
19:20
19:20 don't pay attention to names of things.
19:22
19:22 Uh, but there's a picture of it. Thanks,
19:23
19:23 man. I appreciate that. Uh, it was
19:25
19:25 really [ __ ] cool, though, dude. Uh,
19:27
19:27 like it was super easy to get to. You
19:29
19:29 literally pull off the highway and you
19:31
19:31 park and you go under the you literally
19:33
19:33 walk under the highway and as soon as
19:35
19:35 you come out of walking under the
19:37
19:37 highway, the waterfall is right there
19:39
19:39 and it is surrounded by like this
19:41
19:41 beautiful walking path like paved
19:44
19:44 walking path and then it's like it's
19:46
19:46 like paved pretty much all the way up to
19:49
19:49 the bridge and then
19:50
19:50 >> Wait, was it paved? Wait,
19:51
19:51 >> it was paved. Okay. Yeah, cuz I got I
19:54
19:54 got confused because there's a certain
19:55
19:55 point where the pave path becomes a dirt
19:57
19:57 path and you can continue going up the
19:59
19:59 up the hill.
19:60
19:60 >> Tongue twister. Holy [ __ ]
20:01
20:01 >> Tongue twister. Yeah, dude. Uh but we
20:03
20:03 saw that bridge. We saw the waterfall.
20:05
20:05 It was beautiful. Highly recommend. Uh
20:07
20:07 super easy to I The only reason I felt
20:09
20:09 winded and almost wanted to die was
20:11
20:11 because we went further than the bridge.
20:13
20:13 So once you pass that bridge, you can go
20:15
20:15 further up. And we did that for about
20:17
20:17 two of the 11 switchbacks that they had.
20:20
20:20 Uh and I said no more. and I just gave
20:22
20:22 up and we walked back down and then we
20:24
20:24 had lunch at the uh restaurant that was
20:27
20:27 right there. It was okay. I didn't hate
20:28
20:28 it. Uh the old lady got a free uh creme
20:31
20:31 brulee out of it cuz it was a birthday
20:32
20:32 so that was nice. Um but then after that
20:35
20:35 we went to the Japanese garden which was
20:39
20:39 freaking amazing. Uh I saw a bunch of
20:41
20:41 koiish Joshua. Some of those [ __ ]
20:42
20:42 koiish were were thick buddy. They were
20:46
20:46 they were monsters bro. They were
20:48
20:48 >> like if you saw them in the ocean, you
20:51
20:51 probably would freak the [ __ ] out,
20:52
20:52 right? They were huge. Uh, but that
20:54
20:54 place is super super cool. Very like
20:58
20:58 >> just calm, mellow vibes, right? It's a
21:01
21:01 Japanese garden. There was lots of
21:02
21:02 water. There was lots of earth. Made you
21:04
21:04 feel at one with nature. Um, but I will
21:07
21:07 say this, uh, big complaint I have about
21:09
21:09 Portland is that just like San
21:12
21:12 Francisco, uh, everywhere you go, uh, is
21:15
21:15 a hill. And this is
21:18
21:18 >> this does this also includes going up to
21:21
21:21 the Japanese garden. Uh the Japanese
21:23
21:23 garden has like three switchbacks uh to
21:27
21:27 get up to it. Uh and they are a pretty
21:30
21:30 big incline and I was exhausted before
21:32
21:32 getting to the set of like 30 stairs
21:35
21:35 that you have to walk up uh to actually
21:37
21:37 get into the Japanese garden. And then
21:39
21:39 once you're in the Japanese garden,
21:41
21:41 that's right, Joshua, there's more hills
21:44
21:44 and more up and downs and it's just it's
21:46
21:46 it's crazy, but that's that's me being
21:49
21:49 lazy. Uh other than that, it was be
21:51
21:51 highly enjoyed it. Would recommend. Nine
21:53
21:53 out of nine, right? Uh, a really cool
21:56
21:56 thing though is once you once we were
21:58
21:58 done with that, the Japanese garden is
22:01
22:01 located in front of the Portland Rose
22:05
22:05 Garden like uh test like they how do I
22:09
22:09 explain this better? They test a bunch
22:11
22:11 of different uh varieties of roses,
22:14
22:14 right? So, there's like anywhere from
22:16
22:16 like big huge flowering roses to little
22:19
22:19 mini roses. They test different
22:21
22:21 fragrances in roses. They they do a
22:23
22:23 whole bunch of this stuff and it's for
22:25
22:25 free. You can walk through these gardens
22:27
22:27 and you can smell the roses. Literally
22:29
22:29 smell the roses and
22:31
22:31 >> you know, look at them. It's really
22:33
22:33 cool. Uh I bring this up because I was
22:35
22:35 really looking forward to this and
22:37
22:37 people kept saying that October was like
22:39
22:39 the off season, right? This is the
22:40
22:40 offseason. You're not going to see any
22:41
22:41 roses, right? Uh Joshua, there were so
22:43
22:43 many [ __ ] roses still there. Uh it
22:46
22:46 made me so freaking happy. Uh it was
22:49
22:49 great. I want to point out a rose in
22:52
22:52 particular. I don't have a photo of it
22:53
22:53 cuz I I just [ __ ] forgot in the
22:55
22:55 moment, but there was a rose called
22:58
22:58 white licorice, Joshua. And I [ __ ] you
23:01
23:01 not, buddy. I know licorice is your
23:04
23:04 favorite candy of all time. Uh, this
23:07
23:07 rose, Joshua, this rose, when you put
23:09
23:09 your little face right up to it and you
23:11
23:11 gave it a big old whiff with your big
23:12
23:12 old sniffer, it smelt like a [ __ ]
23:16
23:16 licorice. It smelt like a licorice,
23:20
23:20 dude. I I couldn't explain it. And so I
23:22
23:22 had the old lady smell it and she was
23:24
23:24 like, "Oh my god, that smells like a
23:25
23:25 licorice." And I was like, "It does
23:27
23:27 smell like a licorice." And it was
23:29
23:29 really [ __ ] cool and I want that
23:30
23:30 rose. Uh, but I don't think they sell
23:32
23:32 that rose. So it was just awesome. It
23:35
23:35 was just It was cool that a plant could
23:36
23:36 smell like that considering you know
23:39
23:39 what roses smell like, right? You smell
23:40
23:40 roses all the time.
23:42
23:42 >> Yes. And there's like hundreds of
23:43
23:43 varieties of roses. Yes.
23:45
23:45 >> Yeah. Yeah. And this one smelt like a
23:47
23:47 [ __ ] licorice. It's crazy, dude.
23:49
23:49 [ __ ] crazy.
23:50
23:50 >> Um,
23:50
23:50 >> I've seen this before. I I know what
23:51
23:51 you're talking about. I've seen this.
23:53
23:53 Yeah, I've experienced this.
23:54
23:54 >> Oh, wow. Look at you, [ __ ] lucky
23:56
23:56 bastard.
23:57
23:57 >> Um, but after that, we went to a tiki
24:01
24:01 bar. Uh, again, I [ __ ] I'm blanking
24:03
24:03 out all the names because I'm trying to
24:04
24:04 just give a quick uh but the tiki bar is
24:06
24:06 really cool. There's a picture of it.
24:07
24:07 Uh, their drinks were [ __ ] awesome,
24:09
24:09 Joshua. They This tiki bar had so many
24:11
24:11 [ __ ] drinks in it that I was
24:13
24:13 overwhelmed trying to figure out what I
24:15
24:15 wanted. Uh, but both the drinks I got
24:18
24:18 were spectacular. And I don't think you
24:19
24:19 go wrong in that tiki bar with any one
24:21
24:21 of those drinks. It was just really
24:22
24:22 small and intimate. So keep that in mind
24:24
24:24 if you're visiting. Uh because there is
24:26
24:26 not a lot of space and it does get
24:28
24:28 pretty packed in there. The final thing
24:31
24:31 that we did on this trip, Joshua, is we
24:32
24:32 went to go see Shabuzzi. Uh that was
24:35
24:35 kind of like the big reason why we were
24:36
24:36 going. And let me just say Shabuzzi put
24:38
24:38 on a [ __ ] performance, man. It was
24:41
24:41 great. Uh I had a great time. I got to
24:43
24:43 wear a beautiful cowboy hat and a jean
24:47
24:47 black jacket. I was very stylish. Uh,
24:50
24:50 >> did you buy this just for?
24:52
24:52 >> Oh, yeah. Yeah, we we bought we bought
24:54
24:54 an outfit to dress up for the show.
24:56
24:56 Yeah. Pop the fit. Yeah. Um,
24:58
24:58 >> do you have a picture of this?
24:59
24:59 >> I do. I can put it in there. And me go
25:01
25:01 ahead and put that fit in there.
25:02
25:02 >> I don't think I've ever seen you in a
25:03
25:03 cowboy hat like
25:05
25:05 forehead and up. Like, you don't have to
25:07
25:07 show your f if you just want to do
25:08
25:08 forehead and up. I just want to see the
25:09
25:09 style of hat,
25:10
25:10 >> you know? Yeah, it's a pretty hat.
25:12
25:12 Whatever. Whatever you want to do.
25:13
25:13 Whatever you want. I want to see.
25:13
25:13 >> I'll show a full pick. I don't give a
25:14
25:14 [ __ ] I've never seen Cowboy Sean is
25:16
25:16 what I'm getting at.
25:18
25:18 >> Yeah, for sure. I'll have uh I'll have
25:19
25:19 chat make them skinnier, though, so that
25:20
25:20 it doesn't embarrass me.
25:21
25:21 >> Yeah, whatever. You know,
25:23
25:23 >> but we had a great time, buddy. So, we
25:25
25:25 did that and then uh there was there was
25:27
25:27 probably a few other things that were
25:28
25:28 doing we did, but I I can't remember
25:30
25:30 all. Oh, we saw an art museum that was
25:32
25:32 really cool. Uh their their art museum
25:34
25:34 was pretty big, too. Like, and it was
25:36
25:36 actually better than the Seattle Art
25:37
25:37 Museum. Controversial take on that one.
25:39
25:39 Uh but it was really fun.
25:41
25:41 >> Why is that controversial? I mean, art
25:43
25:43 galleries are the art community, the art
25:45
25:45 community is uh real uh stubborn about
25:47
25:47 whose art museums are better, you know?
25:50
25:50 So, I'm just saying Portland's was
25:52
25:52 better than Seattle. I'm standing on
25:54
25:54 that by 10 toes. So, whatever that
25:56
25:56 >> I mean, I I went to DC. There's a whole
25:57
25:57 lot of art in there. So, I mean, I don't
25:59
25:59 I don't get it. And people people would
26:01
26:01 say that DC's art museum was probably
26:03
26:03 better than Portland's and Seattle's
26:05
26:05 combined, right? So, there's people out
26:06
26:06 there who would say these things. I'm
26:08
26:08 saying from personal preference, the
26:10
26:10 Portland Art Museum was better than the
26:12
26:12 Seattle Art Museum. It was nice. I had a
26:14
26:14 good time. It was fun.
26:16
26:16 >> That's good. That's that's it's a fair
26:17
26:17 assessment and it's your assessment. You
26:19
26:19 own that.
26:20
26:20 >> So, if somebody shits on you, just
26:22
26:22 swallow the [ __ ] It's fine.
26:23
26:23 >> No, I'm going to delete the comment and
26:25
26:25 block them. Like,
26:26
26:26 >> all right.
26:27
26:27 >> Uh, no [ __ ]
26:29
26:29 >> All right.
26:30
26:30 >> That's all right. So, Shabuzzi was good.
26:32
26:32 I mean, I I still want to see Shabuzzi
26:34
26:34 live. I haven't gotten to see um been
26:36
26:36 out much. Hey, this guy works a lot. Um
26:40
26:40 I haven't been out to see concerts or
26:42
26:42 anything like that, any live music. So,
26:44
26:44 Shabuzzi live
26:47
26:47 10 out of 10.
26:48
26:48 >> I would say always room for improvement.
26:51
26:51 >> How close were you? 10.
26:53
26:53 >> How how close were we?
26:54
26:54 >> Uh we were probably uh 20 seats back
26:58
26:58 from the pit. So, like I'm the general
27:00
27:00 like the very the floor level, right?
27:02
27:02 >> It's not VIP thing. VIP. No, just on
27:06
27:06 just on an aisle seat. Oh [ __ ] that
27:07
27:07 does remind me.
27:08
27:08 >> As I was as I was dancing, right? I was
27:11
27:11 in my seat, you know. I was, you know,
27:12
27:12 you dance. No, I wasn't. I didn't stand
27:15
27:15 up to D. Look at me. I don't stand up to
27:16
27:16 do anything, buddy. I was sitting in my
27:18
27:18 seat. I was like doing my arms, right? I
27:20
27:20 was like [ __ ] doing the jerky jerks,
27:23
27:23 right? Um, Shabuzzi was making a comment
27:26
27:26 uh like thanking people like who are
27:29
27:29 with him now and people from the past
27:31
27:31 like people like me who've listened to
27:32
27:32 his music for a very long time. And I
27:34
27:34 turned to the old lady and I was like
27:37
27:37 >> he's talking about me. And as I'm saying
27:40
27:40 that, I'm like swinging aggressively,
27:42
27:42 but because I have my head turned,
27:44
27:44 >> I don't see people coming down.
27:46
27:46 >> Don't tell me you punched somebody. You
27:48
27:48 [ __ ] punched somebody, didn't you?
27:50
27:50 So, as I turn and I say he's talking
27:52
27:52 about me, I swing my fist into this poor
27:57
27:57 girl's shoulder.
27:58
27:58 >> Oh, no. You knuckle the chick in the
28:01
28:01 head.
28:01
28:01 >> No, it wasn't in the head. Thank God.
28:04
28:04 And it wasn't hard to dip her. You
28:06
28:06 punched her in the tit. What'd you do?
28:08
28:08 Like, what are you?
28:08
28:08 >> I punched I punched her in the shoulder
28:10
28:10 and I immediately turned and I said,
28:13
28:13 "I'm so sorry. I'm so sorry." And then
28:15
28:15 she apologized to me and I was like, "I
28:17
28:17 don't think that's how that works. I'm
28:18
28:18 the one who hit you. I'm sorry. Tell the
28:20
28:20 judge. Tell it to the judge, man.
28:22
28:22 >> Exactly. Oh, it was dark. She didn't
28:24
28:24 know who I was, so it's fine. Don't
28:25
28:25 worry about it. Uh, anyways, people and
28:28
28:28 uh that was a Yeah, that was that was a
28:31
28:31 moment.
28:33
28:33 >> Damn, dude. You're over there punching
28:34
28:34 people, having a good time.
28:36
28:36 >> Yeah. What can I say, dude? You know,
28:38
28:38 get a little alcohol in me and I get a
28:40
28:40 little tipsy. All right.
28:41
28:41 >> Yeah. Well, see, you're braver than I'm
28:42
28:42 when I dance, I'm just kind of I move
28:44
28:44 the shoulders, you know, maybe a couple
28:45
28:45 little hip thrusts. I'll loosen the
28:47
28:47 belt, you know, take it back a couple
28:48
28:48 notches so I can I can get a little hip
28:51
28:51 flexors in there, you know, just just a
28:53
28:53 little bit. Just a little bit, you know.
28:55
28:55 >> Yeah, I get
28:55
28:55 >> get the wiggle get the wiggles out.
28:58
28:58 >> Get the wiggles out. That's another
28:59
28:59 Sorry for little exclusive quote. I
29:02
29:02 don't know what episode that was, but
29:03
29:03 now it's in there twice.
29:06
29:06 >> Let's go. I'm glad you had a good time,
29:08
29:08 man. I mean, live music's great. I I
29:09
29:09 need to get back out there. I need to
29:10
29:10 see some live music. I'm a little bummed
29:12
29:12 about that, but
29:13
29:13 >> you know, uh, spoiler alert. We should
29:15
29:15 we probably should do pe speak speak of
29:17
29:17 music at the end of the year I think we
29:19
29:19 should do a Spotify rap.
29:21
29:21 >> Oh Spotify rap. I think you you said you
29:23
29:23 were back on the Spotify.
29:25
29:25 >> Oh I'm so I'm so back on it. I mean I'm
29:27
29:27 I'm back door side door. You know I'm
29:30
29:30 doing everything right now. I'm I'm I'm
29:33
29:33 flooded with music and I'm loving it.
29:35
29:35 Maybe that's why I'm glowing
29:37
29:37 >> literally cuz it's hot and I'm sweating
29:39
29:39 in here
29:40
29:40 >> but I'm back on it.
29:41
29:41 >> You know what that your glowing reminded
29:43
29:43 me of something. We went to the dashits
29:46
29:46 uh brew like tap room. Do you know what
29:48
29:48 doshit is Joshua? The the beer
29:50
29:50 >> dog shits.
29:51
29:51 >> Doits the brewery. Anyways, they make a
29:55
29:55 beer called Mirror Pond. It's [ __ ]
29:57
29:57 delicious. We went there. That was cool.
29:59
29:59 But I remembered that we went to the
30:01
30:01 biggest bookstore in like I want to say
30:03
30:03 the United States cuz it's [ __ ] huge.
30:05
30:05 >> Here you go again. Here you go. You're
30:07
30:07 going to piss somebody off. Now you're
30:09
30:09 saying bookstores. I'm saying right now,
30:11
30:11 this bookstore, Powell's Powell's
30:13
30:13 bookstore in Oregon,
30:15
30:15 >> [ __ ] huge,
30:16
30:16 >> overwhelming,
30:18
30:18 but amazing, dude. You any book you can
30:20
30:20 think of, [ __ ] is there. All
30:22
30:22 right. You want a book about
30:23
30:23 Teletubbies, you can find one, right? I
30:25
30:25 was able to get two of the dungeon
30:27
30:27 crawler Carl graphic novels at that
30:29
30:29 place. Uh, and it was it was great. Had
30:31
30:31 a good time.
30:31
30:31 >> You're reading again. I like
30:33
30:33 >> No, these are graphic novels, Joshua.
30:34
30:34 These are just pictures with a little
30:36
30:36 bit of words on them. All right. I don't
30:37
30:37 [ ] read. Adult [ ] read
30:40
30:40 >> hard covers. Got it.
30:41
30:41 >> No, these are soft paperback covers, but
30:43
30:43 yeah, it's close enough. So,
30:45
30:45 >> okay,
30:45
30:45 >> that's it. That's all I got. No more
30:46
30:46 trip report. I'm done trip reporting on
30:48
30:48 trip report.
30:49
30:49 >> I'm done tripping on your trip report.
30:50
30:50 >> It's great time. A good time. I think I
30:53
30:53 need a little break from talking though,
30:54
30:54 buddy. So, I think
30:55
30:55 >> Yeah, you do. Jeez.
30:56
30:56 >> I think I'm going to throw it off to an
30:57
30:57 AI song. Uh again, this this is my Super
31:01
31:01 Bowl. Uh this is a if you don't like the
31:03
31:03 sound of my voice, uh stick around
31:06
31:06 because you're gonna hear a lot more of
31:07
31:07 it. Uh
31:09
31:09 >> yeah,
31:09
31:09 >> this is a full moon Sean episode this
31:12
31:12 week. Amazing.
31:13
31:13 >> Love it, buddy.
31:15
31:15 >> So, this song, buddy, this song was
31:17
31:17 written by me, uh produced with AI, uh
31:21
31:21 as we do here. So, if you're not a fan
31:23
31:23 of that, go ahead and skip ahead. I
31:24
31:24 mean, doesn't really change the outcome
31:26
31:26 of anything that's about to happen for
31:27
31:27 you. Uh, but this song is called Run
31:30
31:30 Run. Uh, and this one is my Halloween
31:34
31:34 send off. Uh, a little another's little
31:37
31:37 storytelling uh, song by me because, you
31:40
31:40 know, that's my mo on this. But Joshua,
31:42
31:42 here you go. Run, run. Uh, feel free to
31:45
31:45 stick around for those of you who want
31:46
31:46 to stick around and listen to it.
31:47
31:47 >> Yeah, stick around.
31:48
31:48 >> Joshua, let me turn this down so I don't
31:50
31:50 blow your [ __ ] ears out. Give me a
31:51
31:51 second. There we go. And then I'm going
31:53
31:53 to do a little snap here. And here you
31:54
31:54 go, guys. Enjoy.
32:08
32:08 When the moon comes out
32:11
32:11 and the spooks come up,
32:15
32:15 the kids grab their bags and hit the
32:19
32:19 town.
32:21
32:21 Focused on the chase
32:24
32:24 for those little bags of sweets.
32:28
32:28 Not one of them sees what's hidden in
32:31
32:31 the trees.
32:35
32:35 Run little children, run, run, run.
32:38
32:38 Something in the shadows is having some
32:41
32:41 fun. You can knock on every door. You
32:43
32:43 can beg for one more. But you better get
32:45
32:45 home before the night is done. Run,
32:48
32:48 little children. Don't look back.
32:51
32:51 There's a pair of yellow eyes right on
32:53
32:53 your track. Candy in your hand. But you
32:56
32:56 don't understand. There's something in
32:58
32:58 the woods dressed all in black.
33:03
33:03 Down on Maple Street, little shoes keep
33:06
33:06 the beat. Plastic mask and pillowcases
33:08
33:08 move from place to place. Mrs. Miller
33:10
33:10 gives out chocolate. Old man Jones gives
33:12
33:12 gum. But from somewhere past the street
33:13
33:13 lights comes a slow and steady hum. One
33:15
33:15 kid says, "Did you hear that?" Another
33:17
33:17 says, "Hear what?" Then the branches
33:19
33:19 start to shaking and the whole group
33:21
33:21 starts to run.
33:27
33:27 Run little children run.
33:30
33:30 Something in the shadow is having some
33:32
33:32 fun. You can knock on every door. You
33:34
33:34 can beg for one more, but you better get
33:37
33:37 home before the night is done. Run
33:40
33:40 little children, don't look back.
33:42
33:42 There's a pair of yellow eyes right on
33:44
33:44 your track. Candy in your hand, but you
33:47
33:47 don't understand. There's something in
33:49
33:49 the woods dressed all in black.
33:54
33:54 The kids stop to catch their breath. The
33:56
33:56 street goes still. A cold wind rolls
33:59
33:59 down Cemetery Hill. One by one, the
34:02
34:02 doors all close and something starts
34:05
34:05 laughing where nobody goes.
34:10
34:10 Go, go, go, go, go, go. Tommy dropped
34:13
34:13 his candy. Sally lost her shoe. Bobby
34:15
34:15 swore the thing behind them was at least
34:17
34:17 6'2. They tore across the graveyard, cut
34:20
34:20 behind the five and dime. Never knew
34:22
34:22 that old black shadow had BEEN FOLLOWING
34:24
34:24 THE WHOLE TIME. THEY FINALLY REACHED
34:26
34:26 their houses, safe beneath the light.
34:28
34:28 Then somebody whispered softly.
34:33
34:33 Same time tomorrow night.
34:38
34:38 Run little children, run.
34:42
34:42 Halloween night has only just begun.
34:44
34:44 Keep your candy by your side. Keep your
34:46
34:46 bedroom window tight and pray the thing
34:48
34:48 outside is only having fun.
34:51
34:51 Run, little children, don't look back.
34:54
34:54 There's a pair of yellow eyes right on
34:56
34:56 your track. When the moon hangs low,
34:59
34:59 there's one thing you should know.
35:01
35:01 Something always follows when you bring
35:03
35:03 the candy home.
35:07
35:07 Happy Halloween, kids.
35:10
35:10 Now check the trees.
35:19
35:19 All right. Hell yeah, buddy. Happy
35:23
35:23 Halloween, everybody. If you made it
35:24
35:24 this far, thank you for joining us. Uh,
35:26
35:26 sorry for the late out live. Come check
35:27
35:27 us out. Get this merch. Still kind of
35:29
35:29 sick. Need the money. Got to afford
35:32
35:32 medicine. Money is the only medicine I
35:34
35:34 can afford. So, there you go. Josh,
35:36
35:36 how'd you feel about that song this
35:37
35:37 week?
35:37
35:37 >> That's another good one. I mean, Sean,
35:39
35:39 you have a way with like theme, bop,
35:42
35:42 what whatever you call that genre you
35:44
35:44 do. Um, you have a way with it and it's
35:47
35:47 fun. It's lifting. It's very time
35:50
35:50 appropriate. Um, but I think you're
35:53
35:53 tired. I think I think I think you're
35:54
35:54 tired and um I might have to take the
35:58
35:58 quarters back.
35:59
35:59 >> I think it's time for you to take the
36:01
36:01 quarters back. I'm ready to have one
36:04
36:04 less responsibility on my plate is the
36:06
36:06 the thing here. So, yes, Joshua, come
36:09
36:09 December, I I expect a solid run of
36:13
36:13 great quarters
36:14
36:14 >> uh being in the juke box.
36:16
36:16 >> Yeah.
36:17
36:17 >> What What kind of music do people play
36:18
36:18 in December?
36:19
36:19 >> You're going to tell us.
36:22
36:22 >> Are you expecting like Santa reindeer?
36:24
36:24 >> I don't know what to expect. I honestly
36:27
36:27 last year you had some music that I just
36:29
36:29 questioned uh my entire life. I still
36:31
36:31 question to this day. Uh so I honestly I
36:34
36:34 don't know. I don't know what to expect.
36:36
36:36 So Uh the only thing I can expect is
36:39
36:39 Sean's full moon adventure. Uh maybe
36:42
36:42 maybe I can't expect this one, but uh
36:44
36:44 here we go. Uh this is Sean's Full Moon
36:46
36:46 Adventure. This is going to be something
36:48
36:48 I have to share with you guys. Uh so if
36:50
36:50 you are just listening, uh you can feel
36:52
36:52 free to listen. I don't know how well
36:54
36:54 it's going to work. Joshua just sent me
36:55
36:55 this. I don't know what is happening. So
36:58
36:58 it's just an adventure that I have to
36:59
36:59 read aloud. Uh but if you want to watch
37:02
37:02 and follow along, sorry for little live.
37:04
37:04 Come check it out. Uh, I'll go and share
37:06
37:06 my screen and you can explain the whole
37:08
37:08 process.
37:08
37:08 >> You didn't tell everybody. This is a
37:09
37:09 story I created for you.
37:11
37:11 >> I was waiting for you to tell.
37:13
37:13 >> Okay. All right. Yeah. So, this is a a
37:15
37:15 story I specifically created for Sean
37:18
37:18 that has specific outcomes for Sean as
37:23
37:23 he say reads along or he goes through
37:26
37:26 the story. So, um,
37:28
37:28 >> series of choices.
37:30
37:30 >> Yeah, basically. Yeah. Choose your own
37:32
37:32 adventure basically. Yeah. Sean, why go
37:34
37:34 any further? There you go, Sean. Feel
37:35
37:35 free.
37:36
37:36 >> All right. This is called Evermore
37:37
37:37 Manor.
37:39
37:39 If the floors do not contain rooms, they
37:42
37:42 can they they contain entire realities.
37:46
37:46 Let's enter the manor, ladies and
37:48
37:48 gentlemen. All right. Holy [ __ ] Here we
37:52
37:52 go. About to read a lot.
37:53
37:53 >> Mhm. A little bit reading.
37:54
37:54 >> Okay. The threshold. Two staircases, one
37:58
37:58 invitation. A vast gallery rises beneath
38:00
38:00 a glittering chandelier. Staircases
38:03
38:03 sweep upward to your left and your
38:05
38:05 right, but the masked skeleton, that is
38:07
38:07 not a skeleton. Uh, the masked skeleton
38:10
38:10 butler at their feet offer no passage
38:13
38:13 with identical unchanging grins. Both
38:19
38:19 extend a hand toward the brass elevator.
38:21
38:21 Above its doors, a single number glows.
38:24
38:24 The invitation is clear. Approach the
38:26
38:26 elevator or turn back into the night and
38:28
38:28 let whatever waits outside decide your
38:30
38:30 fate. I have two options. Approach and
38:32
38:32 enter the elevator. I'm too scared. Take
38:35
38:35 me back outside. Or obviously I'm going
38:36
38:36 to click on too scared. Uh want to see
38:39
38:39 what happens. So here we go. I'm too
38:41
38:41 scared. Death. I have clicked the
38:44
38:44 button. It says death is inevitable. Uh
38:47
38:47 and it is on my gravestone. Us right
38:50
38:50 there. It's over. That's it. That's all.
38:52
38:52 As far as you get. Yep.
38:53
38:53 >> Moving on. Next topic. Sean, you didn't
38:56
38:56 make it any further. You died.
38:59
38:59 >> No. Let's give it a Let's give it
39:00
39:00 There's an option. So, there's two
39:01
39:01 options I have. One option is the end,
39:03
39:03 and then the the second option is give
39:05
39:05 me a second chance. Return to the
39:06
39:06 elevator. So, I'm going to go ahead and
39:07
39:07 return to the elevator. Uh, and I'll go
39:09
39:09 ahead and enter the elevator cuz why
39:11
39:11 not? It's spooky season. I'm feeling in
39:13
39:13 the mood. So, here we go. Nice little
39:15
39:15 transition there. Cool. Uh, where? Oh,
39:17
39:17 sorry. Choose a floor. Enter a reality.
39:19
39:19 Where will the elevator take you? The
39:22
39:22 brass buttons are cold and refuse to
39:23
39:23 move. All except 21. Warm beneath your
39:27
39:27 fingertip. It pulses once. Somewhere
39:30
39:30 inside the panel, a lock clicks. Open.
39:34
39:34 The butler. The butlers are still
39:37
39:37 waiting behind you. Well, will you
39:40
39:40 return to them or press a button or
39:42
39:42 press the one button to be waiting for
39:44
39:44 you?
39:44
39:44 >> You always have the option to go back.
39:46
39:46 You always have if you don't want to
39:48
39:48 continue.
39:48
39:48 >> That's what you mean.
39:49
39:49 >> Um I mean, I guess I have nothing else
39:51
39:51 to choose other than 21. So, [ __ ] it.
39:54
39:54 Uh, in the words of that one kid, 21.
39:58
39:58 So, here you go. Uh, the clock begins.
40:02
40:02 Sorry. Floor 21, story one. The clock
40:04
40:04 begins. Eli Mercer is 21. Afraid of only
40:09
40:09 one thing. Running out of time. Quiet
40:12
40:12 around strangers, he he comes alive when
40:15
40:15 curiosity gives him somewhere new to go.
40:18
40:18 Raised with the freedom to explore, he
40:20
40:20 is ready to leave home. Even if his
40:24
40:24 confidence sometime ruins
40:28
40:28 confidence sometimes runs ahead of his
40:29
40:29 courage, he wants a life of his own, but
40:32
40:32 worries he will waste it choosing where
40:35
40:35 it begin where to begin. On the morning
40:38
40:38 he leaves, three letters are waiting at
40:40
40:40 the breakfast table. Begin the story or
40:43
40:43 turn the I mean there's no I mean I
40:45
40:45 guess I'm just I'm just here with this
40:47
40:47 guy apparently. So we're beginning the
40:48
40:48 story. Here we go. Chapter 1. Three
40:51
40:51 letters. Morning arrives before Eli is
40:54
40:54 ready.
40:56
40:56 In a quiet neighborhood, a blood red
40:58
40:58 sunrise spills across the rooftops and
41:01
41:01 through Eli Mercer's bedroom window.
41:05
41:05 Before the day is over, the life he
41:07
41:07 knew, the life he knows will be gone.
41:10
41:10 Okay. Hold. I got to scroll. Okay. As he
41:13
41:13 opens his eye, I was like, "Where the
41:15
41:15 [ __ ] What's happening?"
41:16
41:16 As Eli opens his eyes, the ceiling seems
41:19
41:19 lower, the walls closer as though his
41:22
41:22 childhood bedroom is slowly closing in
41:24
41:24 on him. He throws back the covers and
41:26
41:26 buries into and hurry, sorry, he throws
41:29
41:29 back the covers and hurries into the
41:31
41:31 shower, letting the hot water steady his
41:34
41:34 breathing before getting dressed and
41:36
41:36 heading downstairs. Okay. The smell of
41:39
41:39 breakfast draws him to the dining room
41:41
41:41 where he stops beside his usual chair.
41:44
41:44 On the table next to his plate.
41:48
41:48 Oh, sorry. Uh, he stops beside his usual
41:51
41:51 chair. On the table next to his plate
41:53
41:53 lie three envelopes. Each bear his name.
41:56
41:56 He reaches for one, then hesitates.
41:59
41:59 Yesterday, he had no idea where he was
42:01
42:01 going. This morning, someone seems to
42:03
42:03 have decided for him. Oh, okay. So, I
42:06
42:06 got three choices. I can open a letter
42:08
42:08 from Chicago, Bridgeport, or
42:10
42:10 Mediterranean.
42:12
42:12 Um,
42:14
42:14 I don't know any of these. So, I'm going
42:16
42:16 to go
42:16
42:16 >> Meridian.
42:17
42:17 >> Meridian. I don't know that place, so
42:18
42:18 I'm going to go with Chicago.
42:20
42:20 >> It's made up. Meridian's made up,
42:23
42:23 >> right?
42:25
42:25 >> An invitation from Chicago. The city
42:28
42:28 already knows your name. The Vesper
42:30
42:30 group believes your gift is not
42:32
42:32 something that can be taught. The
42:34
42:34 ability to enter a room as a stranger
42:37
42:37 and leave as the person everyone
42:38
42:38 remembers. Chicago is offering you a
42:41
42:41 place in its nightife and a chance to
42:43
42:43 move through it as if it is always
42:46
42:46 belong to you. Arrive before sunset. The
42:51
42:51 uh the night will be the night will
42:54
42:54 introduce itself. Okay. Uh choosing
42:56
42:56 Chicago.
42:58
42:58 Holy [ __ ] More words. Here we go.
43:02
43:02 Chapter one. Chicago. They already know
43:05
43:05 your name.
43:05
43:05 >> Sorry, it's Yeah. Yeah. Sorry.
43:07
43:07 >> By the time Eli reaches Chicago,
43:10
43:10 daylight is slipping between the
43:12
43:12 buildings. He follows the address in his
43:15
43:15 letter to crowd to a crowded corner bar
43:19
43:19 where someone moves a coat from the
43:21
43:21 empty stool beside them.
43:23
43:23 >> This is perfect for you as
43:25
43:25 >> I'm glad you picked Chicago, actually.
43:27
43:27 >> Within minutes, he is trading stories
43:29
43:29 with strangers. For the first time all
43:31
43:31 day, he stops checking the time. Then
43:34
43:34 the bartender sets a drink down in front
43:36
43:36 of him. Your friend already paid. Across
43:39
43:39 the street, a man beneath a uh the man
43:41
43:41 beneath a broken awning raises his
43:44
43:44 glass. Eli has never seen him before.
43:47
43:47 Beside him, a woman at the bar slips Eli
43:50
43:50 a black invitation. Private party
43:53
43:53 downstairs. They've been asking when
43:55
43:55 you'd arrive.
43:57
43:57 stay at the bar and ask you about the
43:59
43:59 drink or follow the woman to the
44:01
44:01 underground party. Um,
44:05
44:05 [ __ ] man. I
44:07
44:07 If it's General Ortega, I'm following.
44:09
44:09 So, we're going.
44:12
44:12 >> The final choice. Chicago.
44:13
44:13 >> This is it. This is it.
44:14
44:14 >> A place a place kept for you. Eli
44:18
44:18 follows the woman down a narrow
44:20
44:20 staircase. The music fades with each
44:22
44:22 step until he can hear only heels. only
44:25
44:25 her heels and his own breathing. Behind
44:28
44:28 an unmarked door, a long table has been
44:31
44:31 set for a party that has not begun. The
44:34
44:34 guests look up together. One empty chair
44:36
44:36 waits at the far end.
44:39
44:39 His name is printed on a place on the
44:41
44:41 place card. Beneath it lies a photograph
44:44
44:44 of this very table. Every chair is
44:47
44:47 occupied, including his. Eli is smiling
44:49
44:49 in the picture. Behind him stands the
44:51
44:51 man from the awning.
44:54
44:54 one hand resting on his shoulder. "Sit
44:56
44:56 down," the woman says. Eli glances back
44:59
44:59 toward the stairs. "Someone is coming
45:01
45:01 down then." Slowly, the guest lower
45:05
45:05 their eyes. A long carving knife lies
45:08
45:08 beside the untouched supper. Across the
45:11
45:11 room, an emergency door stands. The
45:14
45:14 emergency door stands slightly open. The
45:17
45:17 approaching footsteps stop just be
45:19
45:19 beyond the entrance. Eli has time to
45:21
45:21 reach the knife or try the other door.
45:25
45:25 All right, I can choose uh slip through
45:26
45:26 the emergency door or take the knife and
45:28
45:28 face the arriving guest. Uh this is a
45:31
45:31 fight orflight situation, so I'm going
45:33
45:33 to go to say I've already come this far.
45:36
45:36 >> I want to see some titties. Uh take the
45:38
45:38 knife. Here we go. The final hour.
45:41
45:41 Chicago
45:42
45:42 guest of honor. Eli grips the carving
45:44
45:44 knife. The man from the awning enters
45:47
45:47 and the face the faces of the seated
45:50
45:50 guests blur across his features one
45:52
45:52 after the other when he reaches for Eli.
45:55
45:55 Eli drives the knife forward. The man
45:57
45:57 collapses against the empty chair. His
45:59
45:59 last breath leaving the room utterly
46:01
46:01 silent. Eli drops the knife.
46:05
46:05 The guests look from
46:07
46:07 the body to him. Slowly they stand at
46:10
46:10 the head of the table. The woman draws
46:12
46:12 out out of out his chair. Your place is
46:15
46:15 ready. He means to refuse.
46:19
46:19 He means to refuse, but the smell of
46:21
46:21 supper has changed.
46:24
46:24 He can hear every heartbeat in the room.
46:27
46:27 In the photograph beneath his place
46:29
46:29 card, the man behind the chair is gone.
46:31
46:31 Eli is still smiling. He sits and the
46:34
46:34 guests lower their eyes. The creature
46:37
46:37 that entered the dining room is dead.
46:38
46:38 Eli has taken its place. Whatever passed
46:41
46:41 between the remains is a mystery, but
46:43
46:43 the result is certain. The sole creature
46:46
46:46 now sits at the head of the table
46:47
46:47 wearing Eli Mercer's face. The guests
46:50
46:50 are waiting for their new host to feed.
46:53
46:53 Eli becomes the creature. The end.
46:57
46:57 Okay. I stabbed a guy and I became the
47:00
47:00 monster.
47:01
47:01 >> So, there's three there's three
47:03
47:03 potential endings to this and so you
47:05
47:05 just happen to choose this one. So you,
47:08
47:08 Sean, for Halloween, have become the
47:11
47:11 monster.
47:13
47:13 >> Oh, that's kind of nice. I do like the
47:15
47:15 creature. So cool.
47:17
47:17 >> Yeah. So you became
47:19
47:19 >> Go back in here real quick. Uh and then
47:20
47:20 I'm going to go I'm too scared I'm going
47:22
47:22 to die.
47:24
47:24 >> Right.
47:27
47:27 >> All right. Uh so all all the choose your
47:30
47:30 Here's the thing. I love choose your
47:32
47:32 adventures and I just wanted for this
47:34
47:34 episode on Halloween for you to choose
47:35
47:35 your adventure. And I'm kind of happy
47:37
47:37 that you did become the monster. Again,
47:40
47:40 there's three other possibilities. And
47:42
47:42 uh it's cool that we figured out for
47:44
47:44 Halloween you are actually the monster.
47:47
47:47 >> So, I'm not going to spoil what the
47:49
47:49 other what the other options were, but
47:50
47:50 uh they're pretty fun. So, there you go.
47:53
47:53 >> Hey, go figure. I'm a monster. What can
47:55
47:55 I say?
47:55
47:55 >> Sorry for all the words from the from
47:57
47:57 the freak in the sheets. Really?
47:59
47:59 >> I can't wait because now I have more
48:00
48:00 words. So, let's [ __ ] move on to this
48:03
48:03 final topic, buddy.
48:04
48:04 >> Sorry. Yeah. Let's go ahead and find
48:08
48:08 Frank. Last week, we had a special guest
48:10
48:10 on with us. Um, I'm going to go ahead
48:13
48:13 and tell you right now that they are
48:15
48:15 still here. Uh, they never did leave.
48:18
48:18 Uh, they are watching me currently uh in
48:21
48:21 hopes and prayers that we can find Frank
48:24
48:24 Buddy. So, if you didn't listen to us
48:26
48:26 last week, feel free to pause this right
48:28
48:28 now in this moment and go ahead and
48:30
48:30 watch last week's episode. Well, you
48:32
48:32 will find that we had a wonderful guest
48:34
48:34 on who needs help finding our best and
48:37
48:37 dearest friend, Big Frank. Uh, who seems
48:40
48:40 to be in some more trouble. Now, Joshua,
48:44
48:44 we are going to find Big Frank, and
48:46
48:46 we're going to figure out for you, Mr.
48:48
48:48 Puppet over there, um, what happened.
48:52
48:52 So, in order to do that, we were sent to
48:54
48:54 Sorry for Little Outlive. Uh, and Joshua
48:58
48:58 on that website, uh, you can't find this
49:01
49:01 anymore. Uh, but you could find it at
49:05
49:05 one point in time, uh, when this came
49:06
49:06 out.
49:07
49:07 >> Uh, this here, Find Big Frank, Joshua,
49:11
49:11 >> uh, this is a Find Big Frank. So, there
49:16
49:16 are seven different options on here,
49:18
49:18 buddy. We have the haunted house, the
49:21
49:21 corn maze,
49:22
49:22 uh, the carnival, right? the graveyard,
49:27
49:27 the pumpkin patch, or the haunted toy
49:30
49:30 store. Now, you're going to pick one of
49:32
49:32 these, buddy. And we're going to search
49:34
49:34 for Big Frank. We have to find eight
49:37
49:37 Easter eggs that are embedded in this.
49:41
49:41 >> Uh, and then we also obviously have to
49:42
49:42 find Big Frank, and we have to do that
49:45
49:45 at least once in order for this to
49:47
49:47 continue.
49:48
49:48 >> Easy peasy.
49:49
49:49 >> Which one would you like to choose,
49:50
49:50 buddy?
49:51
49:51 >> Let's go to the third. How
49:51
49:51 >> you feeling?
49:52
49:52 >> Uh,
49:54
49:54 Carnival. Yep.
49:56
49:56 >> Okay. So, the way this works is pretty
49:59
49:59 much a a clicking point. Uh so, we can
50:03
50:03 just randomly click things, buddy. Uh to
50:06
50:06 find the Easter eggs or if you have any
50:07
50:07 ideas where you want to click first, the
50:09
50:09 uh tell me.
50:10
50:10 >> Well, Easter eggs. Is there a list of
50:11
50:11 Easter eggs or like what when
50:13
50:13 >> there is a list of So, you can see down
50:15
50:15 here there's a list of hidden Easter
50:17
50:17 eggs.
50:17
50:17 >> Okay. Hidden Easter eggs in each
50:18
50:18 location. Uh find for yourself. Uh where
50:22
50:22 are the Easter eggs? Uh,
50:23
50:23 >> so I can I can show you where the Easter
50:25
50:25 eggs are. I have that button uh coded in
50:28
50:28 here. Uh or you can just we can just
50:30
50:30 click around until we find one. Uh but
50:32
50:32 it's up to you.
50:33
50:33 >> Am I supposed to find Big Frank? Because
50:34
50:34 he's right there center stage singing.
50:37
50:37 >> Oh yeah, we he is right there. Yes, we
50:39
50:39 can we can wait to click him. You're
50:41
50:41 right. That is definitely Big Frank.
50:43
50:43 >> Uh so I'm glad we found him. He's he's
50:44
50:44 safe for the moment.
50:46
50:46 >> Um
50:47
50:47 >> let's uh let's see if we can find other
50:49
50:49 uh
50:49
50:49 >> So this is like a Where's Waldo? Like
50:51
50:51 what's what am I looking for for Easter
50:52
50:52 eggs?
50:53
50:53 >> Yeah, we're just looking for we're
50:54
50:54 looking for big flashlight. Am I
50:56
50:56 supposed to be finding you?
50:59
50:59 >> Uh where are supposed to be little
50:60
50:60 Easter eggs at
51:00
51:00 >> the bar?
51:02
51:02 >> You know, like what a guy, you know,
51:05
51:05 what am I supposed to find? Like where
51:07
51:07 are my list?
51:08
51:08 >> Oh, wait. There was one. There's one
51:09
51:09 right there. What is that one? That one
51:11
51:11 was uh cryptic prizekeeper. And the
51:15
51:15 thing for that one, hang on. I can read
51:16
51:16 that one. Um, win a spooky plush and
51:20
51:20 receive a complimentary curse. Batteries
51:23
51:23 and exorcism sold separately. So, that's
51:26
51:26 a that's that one.
51:27
51:27 >> Okay, that's
51:28
51:28 >> fun. Oh, there's another one. Okay. Uh,
51:32
51:32 Candy Monster Midway.
51:33
51:33 >> Monster Midway, right?
51:34
51:34 >> Yeah. The only booth where the prizes
51:36
51:36 might eat the customer. Sweet Tooth
51:38
51:38 Society approved.
51:40
51:40 >> I like it. Okay.
51:41
51:41 >> I see two big Franks. There's another
51:43
51:43 big Frank down there on the ring toss of
51:45
51:45 terror. Uh, no. He's He's like Big
51:48
51:48 Frank's adjacent cousin. The same.
51:50
51:50 >> Okay. There's only one Big Frank.
51:51
51:51 >> Yeah, there's only one Big Frank. Oh,
51:53
51:53 this is another one. Okay. Uh, Madam
51:56
51:56 Morbidia. She predicts your future. More
51:59
51:59 side quests, more
52:02
52:02 >> and an exceptionally
52:04
52:04 or an exceptional delay. All right,
52:06
52:06 cool.
52:07
52:07 >> Not for the delay.
52:09
52:09 >> For the delay.
52:10
52:10 >> Okay.
52:10
52:10 >> All right. Nothing there. And then your
52:12
52:12 other Okay. What was that? Uh, monster
52:14
52:14 bumper cars.
52:15
52:15 >> Okay.
52:16
52:16 >> Vampires and werewolves have settled
52:18
52:18 their differences through recreational
52:21
52:21 collisions. All right.
52:23
52:23 >> Got it.
52:24
52:24 >> Uh, nope. Nothing here. Nothing here.
52:26
52:26 Nothing here. Nothing here. Uh, we need
52:28
52:28 four more. Apparently, there's four more
52:29
52:29 things that we can find. Um, so I'm just
52:33
52:33 I'm just clicking now. I'm just [ __ ]
52:34
52:34 Oh, there we go. What was that one? Uh,
52:37
52:37 funnel cakes. Economics.
52:38
52:38 >> Economics.
52:39
52:39 >> Oh, yeah. Economics. Sorry.
52:41
52:41 $6 for a fried dough. Sean has
52:44
52:44 questions. Very financial questions.
52:47
52:47 Yeah, honestly.
52:48
52:48 >> I mean, that sounds about right for
52:50
52:50 >> Yeah.
52:50
52:50 >> Bunch of dough at a fair.
52:54
52:54 >> All right, let's see. Anything up here?
52:55
52:55 There's a ticket guy. Uh, haunted
52:58
52:58 carousel. Anything up here in the
52:59
52:59 haunted carousel? No. Sorry for the
53:01
53:01 delays up here. That's pretty cool.
53:02
53:02 Pumpkin king. Oh, yeah. Was that one?
53:05
53:05 Uh, pumpkin king ferris wheel. Ferris
53:07
53:07 wheel. Pumpkin King's ferris wheel. It
53:10
53:10 goes around, it goes up, and somewhere
53:13
53:13 at the top, Joshua is com is comparing
53:16
53:16 pumpkins weights or comparing pumpkin
53:19
53:19 weights. Okay, that's funny. Uh, we need
53:23
53:23 two more. Where would the other two be?
53:25
53:25 >> Uh, rewind. No. Sorry for the scare. Oh,
53:28
53:28 look at that. Sorry for the scares
53:29
53:29 mentioned. It's pretty cool. I found
53:31
53:31 one. Um, horror funhouse. A fun house
53:34
53:34 full of mirrors. Every reflection
53:37
53:37 insists it's the original. Sounds like a
53:40
53:40 chat, you know.
53:42
53:42 >> So, they made the Easter eggs big and
53:44
53:44 bold and neon.
53:46
53:46 >> Uh, some of them. Yeah. Oh, there's
53:49
53:49 Frank. Sorry, I clicked Frank. So, level
53:51
53:51 clear. Uh, Frank is doing his little
53:52
53:52 victory dance, which is great.
53:55
53:55 >> Um,
53:56
53:56 >> okay. So, he automatically took us to
53:57
53:57 the next one.
53:58
53:58 >> No, no, sorry. I I meant to stay in
53:60
53:60 there. Yeah. So, we're fine.
54:01
54:01 >> Um, but there is one more Easter egg
54:03
54:03 that we got to find. I don't I don't
54:05
54:05 know where it could be. Joshua, should
54:06
54:06 we just use a hint? Should we look up a
54:08
54:08 little hint here?
54:08
54:08 >> Let's Let's hit a hint. Yes, I'm down
54:10
54:10 for hints.
54:11
54:11 >> Let's hit a hint. So, show Easter eggs.
54:13
54:13 Where did we miss? Oh, we missed it
54:14
54:14 right here because it's like very click
54:15
54:15 adjacent. So, here you go. Oh, [ __ ]
54:19
54:19 Okay. Well, here you go. Um, Big Frank
54:23
54:23 has been taken. The missing monster
54:27
54:27 wasn't lost. He was repossessed at
54:30
54:30 midnight. The Hell Mob, a familyrun
54:32
54:32 criminal organization operating straight
54:35
54:35 out of hell, arrived with international
54:38
54:38 collection notice bearing Big Frank's
54:40
54:40 name. So Joshua, I you remember earlier
54:43
54:43 this year, buddy, you sent a bunch of
54:44
54:44 souls in. Uh it looks like they received
54:47
54:47 the souls. Exact payment received. Okay.
54:50
54:50 Camp verified. No souls missing. Joshua
54:54
54:54 paid what was told to pay. Okay, cool.
54:57
54:57 Unfortunately, the mob claims that the
54:59
54:59 payment was only settled one of Big
55:02
55:02 Frank's debts.
55:04
55:04 The their ledger still lists certain uh
55:08
55:08 sorry, centuries of interest,
55:11
55:11 unpaid microphone rentals, and a fog
55:14
55:14 machine charge that nobody can explain.
55:17
55:17 >> Uh the Hell Mob's ruling is that Big
55:20
55:20 Frank is now the property of the mob.
55:23
55:23 His permission to visit. Sorry for the
55:26
55:26 delay on Halloween has been revoked.
55:29
55:29 Okay. Effective immediately. Uh Joshua
55:32
55:32 did provide the correct number of souls.
55:34
55:34 The mob took them anyway. Uh then took
55:36
55:36 Frank. Uh the case isn't closed. It is
55:40
55:40 just transferred to collection. Okay.
55:43
55:43 Well,
55:44
55:44 um Joshua,
55:47
55:47 >> yes.
55:49
55:49 I don't think I don't think we're going
55:52
55:52 to be finding Big Frank.
55:55
55:55 >> Why would we not find Big Frank? What? I
55:57
55:57 mean, what happened? Like,
55:59
55:59 >> Joshua, the mob has taken them. Are you
56:01
56:01 not reading what what is happening here?
56:03
56:03 >> I'm listening, but I'm not interpreting.
56:05
56:05 No.
56:06
56:06 >> So, if we don't get him back, he's gone.
56:08
56:08 >> Joshua, the mob has taken Big Frank, and
56:11
56:11 they are not giving him back. Like, they
56:13
56:13 are they they have him now.
56:15
56:15 >> So, we don't get to go on another
56:16
56:16 adventure to look for him. Is it?
56:18
56:18 >> No, that's it, buddy. That is That is
56:21
56:21 it. So, at midnight, the Hell Mob, a
56:24
56:24 family run criminal organization,
56:26
56:26 straight out of hell, arrived
56:29
56:29 and collected big. It
56:30
56:30 >> was that that quick.
56:32
56:32 >> It was that quick, buddy. It was that
56:33
56:33 quick. Um I I don't know how we're going
56:37
56:37 to explain this to our puppet friend,
56:38
56:38 Joshua. And our puppet friend is here
56:41
56:41 right now. I
56:44
56:44 I I don't even know what to what to say
56:47
56:47 to him really. Um
56:50
56:50 Joshua, do you do you want to explain
56:52
56:52 this to him?
56:53
56:53 >> I mean, he's he's standing right here. I
56:55
56:55 can I can grab him. Go. Come on.
56:56
56:56 >> You know, from these two puppets to that
56:58
56:58 puppet, um I think I think we're going
57:01
57:01 to be just fine. Look, you know,
57:03
57:03 Halloween comes around once every single
57:05
57:05 year.
57:06
57:06 >> Yeah. But
57:07
57:07 >> as far as I know, puppets never die as
57:09
57:09 long as somebody shoves their fist up
57:11
57:11 inside them.
57:12
57:12 >> That's true.
57:12
57:12 >> They they will always have a life as
57:15
57:15 long as they have a fist
57:17
57:17 >> to shove inside them.
57:18
57:18 >> Um
57:19
57:19 >> Joshua, but how are we going to explain
57:23
57:23 to him that his best friend is no longer
57:27
57:27 able to visit us because he was
57:29
57:29 kidnapped by the mob?
57:31
57:31 >> I mean, we could do this through
57:32
57:32 torture. We could do this through like a
57:35
57:35 love letter.
57:36
57:36 We could do this through um uh just
57:40
57:40 getting really drunk.
57:42
57:42 >> We have a lot of There's There is a lot.
57:44
57:44 >> Okay, listen. I'm gonna bring I'm going
57:46
57:46 to bring He's right here. Right. He's
57:48
57:48 coming up right now. He's up like he's
57:50
57:50 coming. He's
57:51
57:51 >> We're all adults here.
57:52
57:52 >> He's here. He's here.
57:56
57:56 >> Buddy,
57:59
57:59 I don't know how to tell you this, so
58:01
58:01 I'm going to make Joshua do it. Joshua,
58:04
58:04 tell our little friend what has just
58:05
58:05 happened.
58:06
58:06 >> Okay. All right, little friend. Because
58:08
58:08 I forgot your name already. Um, for one,
58:11
58:11 I I I you know, you might be mad about
58:13
58:13 Big Frank, but I'm going to let you know
58:14
58:14 right now, you need a goddamn haircut
58:16
58:16 before we get into Big Frank's
58:17
58:17 situation.
58:18
58:18 >> Wait, what? Big Frank,
58:20
58:20 >> you know your boy, Big Frank?
58:22
58:22 >> Yeah.
58:23
58:23 >> Well, this guy ain't coming back.
58:26
58:26 >> What? What do you mean?
58:29
58:29 >> You know, you know, you know where Big
58:30
58:30 Frank's from?
58:31
58:31 You know, you know where he's from? Do
58:33
58:33 you do you hell? Okay. Yeah. Well,
58:36
58:36 that's exactly where he belongs and
58:37
58:37 that's where exactly where he backed to.
58:39
58:39 I don't want you to be upset about it
58:40
58:40 either.
58:43
58:43 That's [ __ ] up, buddy.
58:46
58:46 So, you're saying that you're saying Big
58:49
58:49 Frank's not coming back?
58:51
58:51 >> I mean, what I'm saying is the shoe
58:52
58:52 didn't fit up here, but it fits really
58:54
58:54 well down there. So, he needs to go
58:57
58:57 back. And um don't be sad, you know,
58:60
58:60 comes around every year. It's Halloween.
59:02
59:02 You'll get over it.
59:03
59:03 >> But you guys said you were going to save
59:05
59:05 him. What What am I going to do now? He
59:09
59:09 was
59:09
59:09 >> Hey, you know what?
59:10
59:10 >> He's my best friend.
59:13
59:13 >> I don't know if you've been around long
59:14
59:14 enough, but I've been told, you know,
59:15
59:15 sometimes the best way to save somebody
59:16
59:16 is let them go. And uh this is what
59:19
59:19 we're going to do. We're going to let
59:20
59:20 Big Frank go. And uh he's with a group
59:22
59:22 of people that that really want to take
59:24
59:24 care of him. I mean, I'm sure they'll
59:25
59:25 they'll, you know, make sure he's well
59:28
59:28 nourished.
59:28
59:28 >> Who took him? Where who took who took
59:31
59:31 Big Frank?
59:32
59:32 >> Uh, Big Frank is in in uh strong hands.
59:35
59:35 You know, he will be tied up for a bit.
59:38
59:38 Um, and he might not even be able to
59:40
59:40 speak. You know, where he's going, there
59:41
59:41 isn't cell service. So,
59:45
59:45 >> that also might explain why he didn't
59:46
59:46 answer you when he called, to be fair.
59:49
59:49 >> Yeah.
59:51
59:51 Um,
59:53
59:53 well, if if I won't be able to see Big
59:55
59:55 Frank, then then I have to let you know
59:58
59:58 something.
59:60
59:60 Big Frank, he he wasn't just my friend,
60:03
60:03 Joshua.
60:05
60:05 He
60:09
60:09 He was my lover.
60:12
60:12 We were going to spend the rest of our
60:13
60:13 lives together.
60:16
60:16 Okay. Well, let me tell you something
60:16
60:16 about lovers, okay? You know, that's
60:18
60:18 what pictures are for. All right. Take a
60:20
60:20 [ __ ] selfie. get over it. You know,
60:24
60:24 write write a letter. I'm sure you got
60:26
60:26 I'm sure you got a few texts that you
60:27
60:27 can look that you can lean on, you know,
60:28
60:28 if you need to rub one out or, you know,
60:31
60:31 tie some braids, too. You have long
60:33
60:33 hair. You can do do enough of that. I
60:35
60:35 don't know if your thumbs work the way
60:36
60:36 mine does, but you can you can work it
60:38
60:38 out. Okay. Um All right. Listen, puppet.
60:42
60:42 Big Frank was taken by the mob. Uh and
60:45
60:45 there's no way that we're going to get
60:46
60:46 him back. Josh was kind of bitter
60:48
60:48 because he had to sell all of his souls.
60:50
60:50 uh for Big Frank and they told him to
60:53
60:53 [ __ ] off basically. So, uh
60:56
60:56 >> I mean,
60:57
60:57 >> Big Frank is is is not coming back,
60:59
60:59 dude. So, I
61:03
61:03 >> I think that's the best we can give you.
61:05
61:05 I'm sorry. You know, life is tough. You
61:08
61:08 know, sometimes, like Joshua said, maybe
61:10
61:10 maybe you do got to move on. You know,
61:12
61:12 maybe we got to move on sometimes,
61:13
61:13 right? Maybe you got to have new
61:15
61:15 adventures. You know, you can't always
61:17
61:17 stick to the same routine sometimes,
61:19
61:19 man. like, you know, sometimes you just
61:21
61:21 got to grow up. So,
61:23
61:23 >> you know, sometimes little guy, little
61:25
61:25 little green furry guy, grab your name.
61:27
61:27 Um, sometimes the best pages are the
61:30
61:30 pages that haven't been written yet. Um,
61:32
61:32 so pull yourself a [ __ ] brand new
61:35
61:35 pencil, sharpen that [ __ ] put some
61:37
61:37 brand new words on the blank page you
61:39
61:39 got, and um, we'll write a new chapter.
61:42
61:42 You'll be fine. You know, there's other
61:44
61:44 furries out there like you. There's
61:45
61:45 furries in this world. I don't know how
61:47
61:47 furry this as furry is where you're
61:48
61:48 from, but we'll find you a couple.
61:50
61:50 >> Hell, too, Joshua. So, like I'm sure
61:52
61:52 there are
61:53
61:53 >> hair. They're pretty cool.
61:55
61:55 >> Hair is probably tough in hot places,
61:57
61:57 but we we'll get you somebody who has a
61:60
62:00 lot, you know.
62:02
62:02 >> Well, thanks guys. I mean, it we were
62:05
62:05 going to get married and stuff, so that
62:06
62:06 that's kind of sucky, but I think you're
62:09
62:09 right. You know, you people people they
62:12
62:12 they they kill people, I guess, and they
62:15
62:15 they move on.
62:16
62:16 >> No, no.
62:16
62:16 >> So, that's pretty that's pretty cool.
62:18
62:18 >> Nobody said kill. Nobody said kill.
62:20
62:20 >> Oh, that was just me.
62:23
62:23 >> So, he was tight.
62:24
62:24 >> Anyways, um guys, thank you for trying
62:28
62:28 to find Big Frank. I mean, tech
62:30
62:30 technically you did find Big Frank, but
62:33
62:33 I I I appreciate you guys looking. Um, I
62:38
62:38 think I think I'm gonna I think I'm
62:42
62:42 going to go for a little while. Um,
62:45
62:45 Sean, are you okay if I stay in your
62:47
62:47 closet? I don't have anywhere else to
62:49
62:49 go. Yeah, buddy. That's that's that's
62:53
62:53 fine. Maybe we'll figure something out
62:55
62:55 for the future and you can come back on
62:57
62:57 and say hi or something. I'm I'm sorry,
63:00
63:00 man. We just can't afford to get Big
63:02
63:02 Frank out. You know, it's Halloween.
63:04
63:04 It's my favorite time of the year. So,
63:06
63:06 like realistically, do we really try? I
63:09
63:09 don't know. But, you know, let's move
63:12
63:12 on.
63:14
63:14 Okay. Well,
63:18
63:18 Joshua, thank thanks for looking, buddy.
63:20
63:20 Um,
63:21
63:21 >> you're welcome.
63:22
63:22 >> For the record, I still have teeth, you
63:24
63:24 [ ] [ ] So, [ ] you. [ ] your
63:27
63:27 face. And [ __ ] this sex show of a
63:31
63:31 podcast.
63:32
63:32 Pump it out, [ __ ] Actually, not that.
63:37
63:37 >> He's pretty angry, buddy. We barely
63:40
63:40 found Big Frank and we discovered he was
63:42
63:42 in the mob. So, you know, it's fine, I
63:45
63:45 guess.
63:46
63:46 >> I'll keep him with me. I'll keep him
63:47
63:47 company. We'll figure it out. We'll
63:49
63:49 figure it out together.
63:51
63:51 >> Josh,
63:51
63:51 >> if there's anybody that needs a fist up
63:52
63:52 him, it's that guy. So, uh,
63:55
63:55 >> listen, he I don't know what stirred you
63:56
63:56 the wrong way with him, but he he's
63:58
63:58 nothing but a saint, buddy. Nothing but
63:60
63:60 a saint.
64:00
64:00 >> Hey, he found the right closet to get
64:02
64:02 into. I'll tell you that right now.
64:03
64:03 Yours is the perfect one. You're out
64:05
64:05 there punching people at concerts.
64:06
64:06 You're going to shove a fist up that
64:07
64:07 guy, too. It's fitting.
64:09
64:09 >> Hell yeah. Joshua, let's end this
64:11
64:11 Halloween special. Uh let's go ahead and
64:15
64:15 do our final fun finds and fortunes and
64:18
64:18 lucky numbers of this year's Sorry for
64:22
64:22 the delay season. Uh I don't even know
64:24
64:24 what season you would even classify.
64:25
64:25 This is what year three for us, buddy.
64:27
64:27 Year three on this podcast that we
64:28
64:28 >> This is the year of the bot. Honestly,
64:30
64:30 AI's taking over. This is the year of
64:33
64:33 >> season three of Sorry for the delay.
64:35
64:35 Joshua, hit us with your fun finds,
64:37
64:37 buddy.
64:38
64:38 >> All right. Uh, you got to pick. I only
64:40
64:40 have only two left. The horror finds. I
64:42
64:42 really feel like one of these will be a
64:43
64:43 chase. I'm not even going to have you
64:44
64:44 pick cuz we're just going to [ __ ]
64:45
64:45 open them both.
64:46
64:46 >> We'll find out.
64:48
64:48 >> Mhm.
64:48
64:48 >> All right. We got one box to unopen or
64:51
64:51 to unopen. Wait, it is still unopened.
64:55
64:55 >> How does that work? How do we unopen the
64:56
64:56 box?
64:57
64:57 >> Um, all right. Tore it off. Flipping it
64:60
64:60 back.
65:01
65:01 I don't even know who that is.
65:03
65:03 >> Either do I. I'm pull the box. We have
65:06
65:06 How do we have another Penny Wise? I
65:07
65:07 don't get it. Did I get two Penny Wisees
65:09
65:09 in the same box?
65:11
65:11 >> Is it a duplicate or is it a different
65:13
65:13 uh pose? Maybe different pose.
65:15
65:15 >> Um it might be a different pose. I don't
65:19
65:19 >> Oh my god. Is it the same one? How did
65:21
65:21 they put the same one? I'm not even
65:23
65:23 going to get up right here. I'll let you
65:25
65:25 know if that's the chase later, but I
65:27
65:27 highly doubt it. Oh, I know. There's two
65:28
65:28 Penny Wisees actually. Oh,
65:30
65:30 >> there's one there's one holding the
65:31
65:31 balloon.
65:32
65:32 >> I should show it off. There's one
65:33
65:33 holding the balloon and there's another
65:34
65:34 one that's just posing.
65:36
65:36 >> Oh, okay. I see it. I see it in the
65:37
65:37 corner.
65:38
65:38 >> All right. So, that's fair. They didn't
65:39
65:39 they didn't totally rip us off, but they
65:40
65:40 kind of did cuz they did the same
65:41
65:41 character. That's still interesting, but
65:43
65:43 little bit.
65:43
65:43 >> All right, number two. That's all we had
65:45
65:45 left.
65:46
65:46 >> And uh let me get into this really
65:49
65:49 quick, everybody. Again, an unopened
65:52
65:52 tightly sealed.
65:54
65:54 Uh let's go here. Let's give it a rip.
65:57
65:57 How does that work?
65:59
65:59 >> There we go. And that is a green. Who is
66:02
66:02 the green? The green is Reagan, I guess.
66:07
66:07 Show you the back.
66:08
66:08 >> Reagan. Oh, okay.
66:09
66:09 >> And uh unfortunately everybody, that $90
66:14
66:14 that I spent, $89 did not reveal a
66:18
66:18 chase.
66:19
66:19 >> But that's okay because this is only
66:21
66:21 what uh season two, season three, and
66:24
66:24 >> season three, baby. I'm not putting a
66:26
66:26 guarantee on it, but I I I'm going to.
66:29
66:29 One of these episodes, we're going to
66:30
66:30 pull something good. And uh stay tuned
66:32
66:32 for that,
66:33
66:33 >> buddy. Everything you pull is great, my
66:35
66:35 dude. You There's no There's not a loser
66:37
66:37 in the bunch, man. So, you know, keep
66:40
66:40 pulling. Keep pulling the tug.
66:42
66:42 >> Keep giving the old tuggy. Teach me how
66:44
66:44 to tuggy. Yeah.
66:45
66:45 >> Teach me how to tuggy, baby. Uh you want
66:47
66:47 to see all my fun finds now?
66:48
66:48 >> Yeah. Let's check it out, dude. Let's
66:50
66:50 Let's go. What do you got?
66:51
66:51 >> Hell yeah. So, I got a new completed
66:53
66:53 collection. The final set of my
66:56
66:56 Universal Monster characters. Uh, I got
66:58
66:58 to pull them out because I forgot to get
66:59
66:59 them earlier. So, give me one second
67:01
67:01 here. Hang on.
67:03
67:03 Oh, my balls. Oh, [ __ ] Hang on. Almost
67:08
67:08 almost got it. There you go. There you
67:11
67:11 go. There it is.
67:12
67:12 >> John's studio is kind of small.
67:15
67:15 >> A lot of square footage going on.
67:16
67:16 >> It's real tiny in here. Okay. So, uh,
67:19
67:19 Universal Monsters. I have a whole
67:22
67:22 [ __ ] completed set again. This time
67:25
67:25 instead of the anime versions, Joshua, I
67:28
67:28 have Patchwork versions of the Universal
67:31
67:31 Monster characters. So, this is uh
67:34
67:34 Dracula and the Invisible Man in
67:38
67:38 Patchwork form. Sorry, right there.
67:41
67:41 Patrick form.
67:44
67:44 Beautiful. Look at that. Look at that.
67:45
67:45 >> I love those. I really do. Button eyes.
67:48
67:48 >> [ __ ] sick. Yeah,
67:49
67:49 >> that patchwork. So, there's those two.
67:51
67:51 And then, uh, to show off the last one.
67:53
67:53 So, you got to have one without the
67:55
67:55 other, or you can't have one without the
67:56
67:56 other. Uh, but this is Frankenstein and
67:59
67:59 the Bride of Frankenstein. Look at that.
68:02
68:02 >> Perfect. Not a bad way to end a
68:05
68:05 Halloween episode.
68:06
68:06 >> Hell yeah, dude. And then they all uh
68:07
68:07 there's a whole set right there. So,
68:09
68:09 there you go. So, those are my fun
68:11
68:11 finds. My final ones of the Halloween
68:13
68:13 season.
68:15
68:15 Buddy, we've come to the end of this
68:17
68:17 wonderful episode. Let's do a fortune
68:20
68:20 and some lucky numbers and then we can
68:22
68:22 get the hell out of here and spend
68:24
68:24 Halloween holding each other in the
68:26
68:26 comfort of our own beds. Uh really
68:29
68:29 caressing each other to be honest.
68:32
68:32 >> Yeah. Uh I think it's only proper I
68:34
68:34 don't know if we did a fortunes against
68:35
68:35 humanity last time, but I think it's
68:37
68:37 only proper for the very last episode of
68:39
68:39 October to just do something that's a
68:41
68:41 that should be a little
68:43
68:43 >> um provocative, should be a little
68:46
68:46 suggestive, buddy. So, we're going to go
68:48
68:48 with the fortunes against humanity. And
68:49
68:49 thank you again for misfortunes u for
68:52
68:52 providing these laughable and lovable
68:54
68:54 fortunes on almost every one of these
68:57
68:57 episodes. 157. Jesus.
69:02
69:02 All right, let's crack this open. All
69:04
69:04 right.
69:07
69:07 All right, everybody. Your misfortune,
69:11
69:11 your fortune against humanity fortune
69:14
69:14 for September 27th, episode 157 is as
69:19
69:19 followed.
69:22
69:22 You will be fingered by a hot doctor who
69:25
69:25 will whisper, "Your prostate
69:29
69:29 is normal, sir."
69:33
69:33 Hey, you know, you want to hear
69:34
69:34 something funny about this real quick?
69:37
69:37 As the old lady and I were driving to
69:39
69:39 Portland,
69:40
69:40 >> she made a reference or a joke that uh
69:43
69:43 because it's my birthday coming up and
69:45
69:45 I'm turning 35 for those of you who
69:47
69:47 don't know. Hey, thank you for the heavy
69:48
69:48 wishes. But she was like, hey, you need
69:51
69:51 to get a finger up your butt.
69:52
69:52 >> Uh and I was like, what? I was like, I'm
69:55
69:55 too young for that. I'm pretty sure it's
69:57
69:57 45. And I was like, next time I see
70:00
70:00 Joshua, I'm going to have to remind him,
70:02
70:02 hey buddy, it's time for you to get a
70:04
70:04 finger up your butt. So that makes me
70:07
70:07 laugh that we had something that just
70:09
70:09 connects the universe of life together,
70:12
70:12 dude. So that's that's wonderful. And
70:14
70:14 with that being said, let me give the
70:15
70:15 people their seven lucky numbers. Here
70:17
70:17 they are. Use them for whatever
70:18
70:18 nefarious reasons you would like,
70:19
70:19 especially on Halloween. They are as
70:22
70:22 followed. 2 6 13 29 68 and 15. Once
70:26
70:26 again, your seven lucky numbers are 2 6
70:28
70:28 13 29 68 and 15. Joshua, we're at the
70:33
70:33 end of this freaking Halloween
70:35
70:35 spectacular episode, and I got to say
70:38
70:38 one last thing before I hand you off the
70:39
70:39 reigns. Hey, we are putting out a
70:42
70:42 gameplay uh video on Halloween, which is
70:45
70:45 on Saturday. So, please feel free watch
70:48
70:48 it. Joshua carves a pumpkin blindfolded,
70:51
70:51 everybody. He carves a a pumpkin
70:54
70:54 blindfolded. It's amazing. So, check it
70:57
70:57 out. Buy this shirt for me, please.
70:60
71:00 Joshua, I will hand you off the reigns,
71:02
71:02 my dude. This is the Monday after
71:05
71:05 Halloween for most of the people uh when
71:09
71:09 they watch this short. Uh but those of
71:11
71:11 you listening right now, hey, thank you
71:12
71:12 for listening on a Tuesday. We
71:13
71:13 appreciate that. Or whenever the [ __ ]
71:14
71:14 you're listening to this. Uh buddy, what
71:17
71:17 do you have left to say?
71:18
71:18 >> Hey, hello everybody. And uh I hope
71:20
71:20 everyone listening and those of you
71:22
71:22 watching, some of you are new
71:24
71:24 subscribers, and if you're not, go ahead
71:26
71:26 and hit that button. Um but thank you
71:27
71:27 for listening. Thank you for watching. I
71:29
71:29 hope you guys had a excellent Halloween
71:33
71:33 and uh we will see you next episode
71:37
71:37 uh 158.
71:41
71:41 >> Thank you. You weren't I like how you
71:42
71:42 weren't specific on when that is.
71:44
71:44 >> Oh, well,
71:45
71:45 >> you're just like you're like cuz it's
71:46
71:46 not going to be next week. I'll tell you
71:47
71:47 that.
71:48
71:48 >> Next week. Yeah, it's not going to be
71:49
71:49 next week. It's definitely not going to
71:50
71:50 be next week. Uh
71:51
71:51 >> yeah,
71:52
71:52 >> for sure. Uh, I was gonna say something
71:54
71:54 about selfexamination
71:56
71:56 is okay, but you'd have to watch the
71:58
71:58 episode to know what I mean by uh self
71:60
72:00 exa. Yeah. Yeah. Uh, something wrong
72:03
72:03 with a finger up the butt is what I'm
72:04
72:04 getting at. Nothing wrong with that.
72:06
72:06 >> There you go.
72:07
72:07 >> Joshua, once again, thank you for a
72:10
72:10 great season 3, buddy. I appreciate you.
72:12
72:12 Thank you for being here with me this
72:14
72:14 entire year. Um, I know we're not at the
72:16
72:16 end of the year yet. We usually save
72:18
72:18 that for December, but I am very happy
72:20
72:20 to be here with you doing this for the
72:22
72:22 past three [ __ ] years, which is
72:24
72:24 incredible. Um, means a lot to me. Uh,
72:28
72:28 and for the record, everybody, for the
72:31
72:31 record,
72:33
72:33 >> Joshua does love me.
72:35
72:35 >> He's made it known. He's told me
72:36
72:36 multiple times over chat and direct
72:39
72:39 messages when he's drunk.
72:40
72:40 >> Makes me happy.
72:42
72:42 Now, buddy, with that being said, one
72:45
72:45 last thing for you. Joshua, did you hear
72:49
72:49 about the ghost who got kicked out of
72:51
72:51 the haunted house?
72:53
72:53 No, I I didn't. No,
72:56
72:56 >> he had no spirit.
73:01
73:01 Ladies and gentlemen, we will see you
73:04
73:04 next week. Happy [ __ ]
73:07
73:07 Halloween.
73:10
73:10 We out. the deuces.
73:13
73:13 Woo!
73:17
73:17 We're going to get [ __ ] up tonight.
73:20
73:20 Yeah, we are, puppy. Yeah, we are.
73:48
73:48 Super Bowl, baby.
73:52
73:52 >> You think Super Bowl would be better if
73:53
73:53 they did it on Halloween?
73:57
73:57 >> No, because I think the perfect Super
73:58
73:58 Bowl is on Valentine's Day like they're
74:00
74:00 doing this coming year. Like because
74:02
74:02 then it's like, you know, if you have
74:04
74:04 those couples who don't like spending
74:06
74:06 football, like you have the couples who
74:08
74:08 argue when the husband or the boyfriend
74:10
74:10 watches football and then to have that
74:12
74:12 day be ruined because there's the Super
74:14
74:14 Bowl, like the football of all football
74:16
74:16 games, right? On Valentine's Day. I love
74:18
74:18 that. I love that aspect, you know.
74:20
74:20 >> So capture Valentine's Day with the
74:21
74:21 Super Bowl.
74:22
74:22 >> Yeah, they should. I mean, it's every
74:24
74:24 February and it only it's like once
74:26
74:26 every like what, three, four years that
74:27
74:27 it happens on Valentine's Day. So, I
74:30
74:30 think that's a missed market, missed
74:32
74:32 opportunity really.
74:33
74:33 >> Maybe that's the intended thing behind
74:36
74:36 it, you know, to to capture that day
74:37
74:37 back for the men
74:39
74:39 >> or the people just really like football,
74:41
74:41 I guess. Whatever. I mean, [ __ ] we
74:43
74:43 requested it off, so I'm going to watch
74:45
74:45 it matter who's playing.
