Sorry For The Delay | EP.127 | Moon Or Doom, Midnight Pleasures & Patience
-WHAT’S IN OUR CUP-
Sean: Incline Imperial POG
Joshua: Straightaway margaritas - Blanco Margarita, Margarita (Name Not Mentioned)
-AI SONG OF THE WEEK-
AI Song Of The Week: “Summer Finds the Time”
-CHAT WITH US-
• Guilty Midnight Pleasures
• NASA’s Moon Or Doom
• Read Into Reality
-CHAPTERS-
0:00:00 EP.127 Intro, No-Hat Joshua & Goat Detour
0:04:26 What’s In Our Cup - Imperial POG & Straightaway Margaritas
0:06:49 Sean’s Rant - Willy Wonka Remakes & Original Movie Respect
0:13:18 Airplane Seat Ethics - Reclining, Respect & First Class Pettiness
0:16:05 Guilty Midnight Pleasures - Cookies, PB&J, Apple Pies & Late Shopping
0:26:26 NASA’s Moon Or Doom - Moon Base Plans, Robots & Alien Theories
0:33:58 AI Song Of The Week "Summer Finds the Time"
0:38:46 Pick Your Poison - Names, Bugs, Photos & Toilet Water
0:43:43 Read Into Reality - Books, Goggles & Visual Reading Dreams
0:52:14 Fun Finds - Batman Ninja, Britney, Stitch & Faux Taxidermy
0:58:18 Dirty Fortune, Lucky Numbers, Patience Monologue & Frog Joke
-SOUND BITES-
• “This is a non-hatfish episode. Okay, everybody.” - Joshua reveals the forehead at last.
• “I’m drinking just an Incline Imperial Pug.” - Sean keeps the cup simple.
• “There are people out there who really enjoy the sequels and the remakes over the original movie.” - Sean opens the Willy Wonka grievance file.
• “For the love of God, people, just go out there, watch a hopper, watch a goat.” - Sean begs for original movies.
• “I don’t recline my seat on airplanes, by the way. But out of respect, I don’t do it.” - Sean explains his airplane code.
• “McDonald’s apple pies.” - Sean names his late-night weakness without hesitation.
• “There’s something about like laying in bed at night and just like scrolling through that endless shopping like network.” - Sean on midnight Amazon brain.
• “We’re supposed to be on the moon by like 2030.” - Joshua drops the moon-base timeline.
• “Would you rather be unable to say your own first name or have every bug you ever killed come back to life and infest your bedroom?” - Sean pulls a cursed Pick Your Poison card.
• “Through your words, the story comes alive through the goggles you’re wearing.” - Joshua pitches Read Into Reality.
-FORTUNE & FINDS-
Fortune: You were born under a lucky star, conceived under a freeway overpass.
Lucky Numbers: 5, 29, 37, 54, 59, 60, 62
Fun Finds / Value Finds:
Sean: Stitch Bitty Pop in his little spaceship car, plus a handmade faux-taxidermy fox wall piece.
Joshua: Batman Ninja Target Con Funko & Britney Spears Funko with the “You better work, bitch” bubble.
(Artwork Shoutout: Sean & the old lady’s faux-taxidermy stuffed-animal art pieces.)
Transcript
00:00 Welcome to episode 127 of Sorry for the
00:04
00:04 Delay. I'm your editor, Mia. This week,
00:06
00:06 Sean and Joshua chat about everything
00:08
00:08 from NASA's moonbased plan, oh no, more
00:10
00:10 alien talk to a short rant about movie
00:13
00:13 sequels and guilty midnight pleasures.
00:16
00:16 Food is not one of them. Plus, would you
00:19
00:19 rather give up saying your name or have
00:21
00:21 every bug you squished haunt you? All
00:23
00:23 that and more. Enjoy the show.
00:25
00:25 >> Hello and welcome to another episode of
00:28
00:28 Sorry for Little A. We are your hosts.
00:31
00:31 My name is Sean. Over there is Joshua.
00:33
00:33 And Joshua, this is episode
00:36
00:36 127. I've been saying it consistently
00:39
00:39 the past few weeks. Uh but it is an
00:41
00:41 oddnumbered episode, buddy. So this
00:43
00:43 episode may get a little odd. Uh and
00:46
00:46 with that being said, how you doing
00:48
00:48 today, buddy? How you doing this week?
00:50
00:50 How you doing in general in like the the
00:52
00:52 the antithesis of life words?
00:57
00:57 >> And and yeah, you really rolled that one
00:58
00:58 off. Well, didn't you?
00:60
00:60 >> Nailed it.
01:01
01:01 >> You nailed it. No, I'm actually I'm
01:04
01:04 doing well, Sean. It's It's another
01:06
01:06 beautiful day over here in uh what are
01:08
01:08 we? This isn't Southern California, bro.
01:10
01:10 I mean, I don't even know where you
01:12
01:12 >> California.
01:13
01:13 >> Central California. I don't even know.
01:15
01:15 Yeah. Um even though I did live in
01:17
01:17 Southern California for a while in San
01:18
01:18 Diego. Um but man, the weather's been
01:20
01:20 super super nice. And uh if y'all can't
01:24
01:24 tell if you're just listening, we are we
01:27
01:27 this is a non-hatfish episode. Okay,
01:30
01:30 everybody.
01:31
01:31 >> Oh, that's right. It doesn't have a hat
01:33
01:33 on. I just barely noticed that. Holy
01:36
01:36 [ __ ] Okay.
01:37
01:37 >> Okay. So, I I I just had to bring I had
01:40
01:40 to bring back, you know, the do for at
01:42
01:42 least one episode. And this is an odd
01:44
01:44 episode, so maybe it's fitting that I
01:46
01:46 just look a little bit more odd. I just
01:48
01:48 wanted to show off to everybody that I
01:49
01:49 do have a forehead. I I do legitimately
01:53
01:53 I'm not going to pull out the tape
01:55
01:55 measure to show you actually how big
01:57
01:57 this thing is or I'm not going to hit a
01:60
01:60 h a nail with my you know cuz I know
02:02
02:02 it's kind of big, you know. Um but yes,
02:04
02:04 my forehead exists. I'm not going to
02:06
02:06 hatch you in this episode. So this is
02:08
02:08 Joshua without a hat, everybody. A
02:10
02:10 little bit of a tan. So I'm feeling
02:11
02:11 good. Hit some golf balls today. I'm
02:13
02:13 ready to go. Um how about you Sean? How
02:16
02:16 you feeling? You know, I I just want to
02:19
02:19 put this out there. I rushed into this
02:21
02:21 episode. I I was running late on this
02:23
02:23 one, and Joshua has been kindly waiting
02:25
02:25 for me. And uh I did not realize when we
02:28
02:28 started that he was not wearing a hat.
02:30
02:30 That's how used to him having a hat I
02:33
02:33 am. Uh and for the record, uh he has
02:36
02:36 combed his hair and I have not. So, I'm
02:38
02:38 not going to take off my hat in
02:40
02:40 solidarity. So, there's that. Uh check
02:42
02:42 out one of the um what is it?
02:44
02:44 Valentine's Day episodes where I have my
02:47
02:47 hat off. You can check that one. There
02:49
02:49 you go. So, Joshua without his hat,
02:51
02:51 everybody. Hats off.
02:52
02:52 >> I mean, since you were so late, I just
02:54
02:54 have to ask, were you caught up in some
02:55
02:55 of those TSA lines? Is that so late? Was
02:58
02:58 it TSA? You know,
02:59
02:59 >> yeah, the the flight that I just got off
03:01
03:01 of um was kind of shitty to be honest
03:05
03:05 with you.
03:06
03:06 >> You know, I I didn't expect the ex the
03:09
03:09 amount of linage there. So, yeah, I was
03:13
03:13 stuck. I was stuck. What can I say? Was
03:14
03:14 stuck.
03:15
03:15 >> Was that Was that line from your from
03:17
03:17 like where you work to your car? Was
03:19
03:19 that the line that you had to get to?
03:21
03:21 Like was TSA then to get home?
03:24
03:24 >> No. No. Realistically, Joshua, I was
03:26
03:26 stuck uh watching a movie uh that was
03:29
03:29 pulling my attention. Uh I don't know if
03:31
03:31 you've seen the movie Goat.
03:33
03:33 >> Have you seen that movie?
03:34
03:34 >> No, I haven't. Is that animation?
03:36
03:36 >> It's an animated film uh that was
03:38
03:38 produced by uh Steph Curry himself uh
03:41
03:41 and a bunch of other people. But, you
03:42
03:42 know, it's like a kind of an homage to
03:45
03:45 his story
03:46
03:46 >> uh of him in the NBA. So, I was watching
03:48
03:48 that movie and I got a little
03:50
03:50 sidetracked and I forgot what time it
03:52
03:52 was. Uh, and so there's that.
03:54
03:54 >> So, you know, you got to make time for
03:55
03:55 The GOAT. So, sorry.
03:57
03:57 >> Yeah. I actually now that you now that
03:59
03:59 you you mentioned that it's the Steph
04:00
04:00 Steph Curry one. Somebody has told me
04:02
04:02 about this. They went and watched it in
04:04
04:04 theaters. They they highly recommended
04:06
04:06 the movie to me. I haven't seen it. So
04:07
04:07 apparently you're number two on the list
04:10
04:10 of of highly recommending this movie. So
04:13
04:13 maybe if you're listening, maybe try
04:14
04:14 watching The Goat.
04:16
04:16 >> Yeah, I give it a solid uh probably
04:19
04:19 seven seven out of 10 on this one.
04:21
04:21 Pretty good. Entertaining. Okay.
04:23
04:23 >> Fun.
04:23
04:23 >> Good movie for the kids. So
04:26
04:26 >> all right. So does that mean we should
04:27
04:27 just get straight away into our uh
04:30
04:30 what's in our cup?
04:31
04:31 >> Yeah, buddy. Let's do it. [ __ ] it. I'll
04:32
04:32 tell you what I'm drinking if you want
04:33
04:33 me to go first or you want to go first.
04:35
04:35 >> Go for it. Go for it, man. Go for it.
04:36
04:36 [ __ ] I'll go first. We'll switch it up
04:38
04:38 a little bit. We'll do some odd [ __ ]
04:39
04:39 We'll do some odd. Joshua's not wearing
04:41
04:41 a hat. I've already been drinking all
04:43
04:43 day, so there's like just alcohol inside
04:46
04:46 me at all times. Uh but buddy, just I
04:48
04:48 I'll keep it simple. Uh I'm drinking
04:50
04:50 just an Incline Imperial Pug. There it
04:52
04:52 is. Boom. Boom. Boom. Old staple. That's
04:54
04:54 what I got. So, that's why I wanted to
04:55
04:55 go first because it's just what I've
04:56
04:56 always been drinking. Uh so, what what
04:58
04:58 are you drinking, buddy?
04:60
04:60 >> No. for F forgive me for giving away the
05:02
05:02 uh the uh the segue I was trying to do
05:05
05:05 there with the uh trying to get
05:06
05:06 straightaway into it. I got the two uh
05:08
05:08 straightaway drinks right here.
05:11
05:11 >> I let this man sit down for 15 minutes
05:13
05:13 by himself and this is what he does.
05:15
05:15 That segue that that is going straight
05:18
05:18 away into my heart
05:19
05:19 >> straight away. So I got two of these
05:21
05:21 little gems. I got they're both they
05:23
05:23 both are margaritas. One's a blanco,
05:26
05:26 one's a a whole lot of a whole lot of
05:28
05:28 other something else. Um, so yeah, just
05:30
05:30 two little straightaways. They're both
05:31
05:31 margaritas. I'm not going to read the
05:32
05:32 back of them to you because nobody wants
05:34
05:34 to hear that [ __ ] They just want to
05:35
05:35 hear us get straight away into whatever
05:38
05:38 else we got going on.
05:39
05:39 >> Let's go. Buddy, can I just say you look
05:41
05:41 so handsome without a hat on. It's It's
05:44
05:44 quite nice. It's quite nice. I take back
05:46
05:46 everything I said. You're not a hatfish,
05:48
05:48 buddy. You're not. You're just a
05:50
05:50 >> You sure? I feel like you should be
05:51
05:51 nice.
05:51
05:51 >> Beautiful 75year-old man. I love it.
05:54
05:54 >> Was there a part in that movie, The
05:56
05:56 Goat, that just told you to be nicer to
05:57
05:57 people? Because if there was I think
05:59
05:59 feel like it touched you and I mean
06:01
06:01 that's why you're being nice right now.
06:02
06:02 >> The whole the whole movie is uh you know
06:04
06:04 trusting a team you know being yourself.
06:08
06:08 So yeah it did it did give me a new
06:10
06:10 perspective on life.
06:11
06:11 >> Uh it made me a little bit kinder uh
06:13
06:13 going forward. So there's that. Who
06:16
06:16 knows?
06:16
06:16 >> Hey well cheers buddy. Cheers.
06:18
06:18 >> Yeah. Cheers my dude.
06:18
06:18 >> Cheers to that. Just be kinder to people
06:20
06:20 I guess you know.
06:21
06:21 >> Cheers to everybody watching and
06:22
06:22 listening. We do really appreciate it.
06:23
06:23 Uh sorry for a little late out live. Uh,
06:25
06:25 come check it out if you want to watch
06:27
06:27 us in our beautiful non-hatfishing ways.
06:30
06:30 Uh, or buy some merch like this shirt
06:31
06:31 that I'm wearing. Uh, the forgotten
06:33
06:33 hiker shirt. Uh, one of Joshua's
06:35
06:35 favorites. Uh, one of probably not my
06:38
06:38 least one, but it's there. It's up
06:40
06:40 there. I like it. It's cool. I'll wear
06:42
06:42 it. Um, but yeah. Sorry for the lid
06:45
06:45 live, buddy. Shall I go on this rant
06:48
06:48 that I was telling you about earlier?
06:49
06:49 >> Yeah, we're I you know, be prepared
06:51
06:51 everybody because Sean's got a rant. I'm
06:52
06:52 going to have a rant right after Sean.
06:54
06:54 Um, we'll see if they meet somewhere in
06:56
06:56 the middle before we get into the chat
06:57
06:57 with this section. But Sean,
06:59
06:59 >> you said you had a rant. You said you
07:00
07:00 were coming in hot even though you're
07:02
07:02 like half asleep right now.
07:03
07:03 >> Didn't even notice I didn't have a hat
07:05
07:05 on. I know.
07:05
07:05 >> I I can't wait.
07:07
07:07 >> I can't wait till we get to the AI song
07:09
07:09 later in the later in the episode
07:10
07:10 because man, hopefully this this I hope
07:13
07:13 it I hope it perks you up a little bit
07:15
07:15 because I did something different with
07:16
07:16 this with this song.
07:18
07:18 >> I'm excited.
07:18
07:18 >> Um, but yeah, before we get to the song,
07:20
07:20 we do not want to get ahead of
07:22
07:22 ourselves. John, what is this rant
07:24
07:24 you're about to go on? Cuz I know the
07:25
07:25 people want to know.
07:26
07:26 >> So do I.
07:26
07:26 >> So Joshua, if we could connect your rant
07:30
07:30 to my rant, I would be quite amazed, my
07:33
07:33 dude. Uh, so this happened to me a few
07:36
07:36 days ago, and I don't know why it stuck
07:39
07:39 with me so much. But Joshua, we're going
07:43
07:43 to talk about a movie. Specifically,
07:48
07:48 a movie that has been remade, I think
07:52
07:52 three times, if not four times.
07:55
07:55 >> All right,
07:55
07:55 >> Joshua. The movie that I'm talking about
07:57
07:57 right now is Charlie and the Chocolate
07:60
07:60 Factory.
08:01
08:01 >> Have you seen the original?
08:04
08:04 >> Yes. I I I'm not old enough to have
08:07
08:07 grown up off the I'm not that old. All
08:09
08:09 right, guys. Um, but I did see the
08:12
08:12 original movie before I saw all the
08:15
08:15 other remakes. That's true. That's a
08:16
08:16 fact.
08:17
08:17 >> All right. Thank you. Thank you. Uh, now
08:19
08:19 I understand, let me say this right now.
08:21
08:21 I understand that there is Willy Wonka
08:24
08:24 in the Chocolate Factory, right? Is one
08:25
08:25 of the remakes, right? And then they do
08:27
08:27 another remake that has T what is it?
08:30
08:30 Uh, Timothy Salamander or whatever. Um,
08:34
08:34 but what I'm talking about,
08:36
08:36 >> he's broken everybody. Joshua, the the
08:39
08:39 rant I'm getting on, I don't know why it
08:41
08:41 upset me so much, but there are people
08:42
08:42 out there who really enjoy the sequels
08:47
08:47 and the remakes over the original movie.
08:52
08:52 I don't know why this bugs me so much.
08:56
08:56 Maybe it's because Johnny Depp was kind
08:59
08:59 of just halfassed in that movie. Or
09:02
09:02 maybe it's because Mr. Salamander just I
09:05
09:05 couldn't nail couldn't nail the
09:07
09:07 original. Like I I don't know, man. It
09:10
09:10 just it just bugged me to no end knowing
09:14
09:14 that people just kind of disregard the
09:18
09:18 original Charlie in the Chocolate
09:19
09:19 Factory, my dude. Like I don't know. I
09:22
09:22 don't know. Has has anything ever upset
09:25
09:25 you so much to the point where you're
09:26
09:26 just like, you know what? I I just can't
09:28
09:28 talk to you anymore because your opinion
09:30
09:30 on this is null and void, you know. Is
09:33
09:33 there is there something like that for
09:35
09:35 you?
09:37
09:37 >> Um,
09:39
09:39 no. I don't know. I I think I tend to
09:40
09:40 just be open years with everything. It's
09:42
09:42 It's hard to get me to go off on
09:44
09:44 something like this because
09:46
09:46 I don't I think you could remake a movie
09:49
09:49 like that a bunch of times, you know,
09:50
09:50 and it's fine.
09:51
09:51 >> Can you though? Can you though?
09:53
09:53 >> I I think it's fine.
09:54
09:54 >> I don't think you can.
09:55
09:55 >> I don't think you can at all. Like
09:57
09:57 there's no way that you can make you can
09:59
09:59 remake that movie and expect it to hit
10:02
10:02 the same peaks as the original, you
10:05
10:05 know, like you it is the ultimate cash
10:07
10:07 grab when you're remaking a movie like
10:10
10:10 that. Like there's no there's who who
10:12
10:12 wants this? Who wants who wanted that in
10:14
10:14 the first place?
10:16
10:16 >> Mhm.
10:16
10:16 >> I didn't I didn't, buddy. I didn't sign
10:18
10:18 up for that. I didn't. So I don't think
10:21
10:21 you can. Well, I don't know who I mean,
10:24
10:24 get producers, directors, people that
10:26
10:26 got money basically sit around and go,
10:28
10:28 you know, it's been a while since we
10:29
10:29 made a Charlie in the Chocolate Factory
10:31
10:31 movie.
10:32
10:32 >> You know, Johnny Depp's hot right now.
10:34
10:34 You know, he hasn't beat somebody up
10:36
10:36 yet.
10:36
10:36 >> Sorry, Johnny. Um,
10:39
10:39 but uh yeah, sorry. Uh, you know what I
10:42
10:42 mean? Like, who's relevant? I don't
10:44
10:44 know. I mean,
10:45
10:45 >> I I do get tired of remakes of movies
10:47
10:47 like like is there original movie
10:48
10:48 anymore? I don't know. But I think it
10:52
10:52 just comes down to just being patient
10:53
10:53 with uh things that are coming out, you
10:56
10:56 know? It's got to be patient, man.
10:58
10:58 >> Listen, I just watched two original
10:60
10:60 movies. I watched Hoppers, uh the new
11:02
11:02 Pixar film, and then I watched The Goat,
11:06
11:06 uh which is the Steph Curry produced
11:08
11:08 movie. And let me tell you, both of
11:12
11:12 those movies better than any of the
11:16
11:16 Charlie and the Chocolate Factory
11:17
11:17 sequels. Hands to the [ __ ]
11:20
11:20 ground, ass up. All right. Better better
11:23
11:23 than any of them. The problem is,
11:26
11:26 Joshua, I think I think I came down to
11:27
11:27 this the conclusion to this.
11:30
11:30 >> The problem with sequels is that they're
11:33
11:33 comforting to people, somebody, right?
11:36
11:36 >> Okay.
11:36
11:36 >> And when you make you're going with
11:37
11:37 this,
11:37
11:37 >> original movies,
11:39
11:39 >> people tend not to
11:42
11:42 watch them as much as a sequel. And
11:45
11:45 that's obviously why they make sequels,
11:47
11:47 right? So, for the love of God, people,
11:50
11:50 just go out there, watch a hopper, watch
11:53
11:53 a goat, you know, watch some original
11:56
11:56 IP, so that way we can get more original
11:59
11:59 ideas and less sequels. That's all I'm
12:02
12:02 saying. That's all I'm saying. [ __ ] the
12:04
12:04 Willy Wonka sequels. Awful. God awful.
12:08
12:08 I'll stand by that.
12:10
12:10 >> We'll make it a law, but I'll stand by
12:12
12:12 my facts on that.
12:14
12:14 That's a I mean, but man, that golden
12:16
12:16 ticket metaphor is so nice, right?
12:18
12:18 >> There's there's always like one golden
12:20
12:20 ticket out there for somebody. And who's
12:21
12:21 gonna who's going to grab that golden
12:23
12:23 ticket? What genuine person? Cuz the the
12:26
12:26 little boy, he was a genuine had came
12:28
12:28 from nothing. He got that golden ticket
12:30
12:30 and somebody
12:32
12:32 baby from the slums.
12:33
12:33 >> It's a great It's a great story. It's a
12:35
12:35 great story. I I do love the story, but
12:37
12:37 um I I'm I'm kind of not
12:39
12:39 >> to be remade
12:41
12:41 >> in the same camp of Sean. I would I'd
12:43
12:43 say go ahead and remake it. [ __ ] it.
12:44
12:44 >> No, you're you're full. You're full.
12:47
12:47 Sign off right now. You're done. You're
12:48
12:48 done. You're cooked. Get out.
12:50
12:50 >> I think that's enough ranting though.
12:52
12:52 That and I don't want to do another
12:53
12:53 rant. I'm sorry, Sean. I have I have a
12:55
12:55 rant, but I'm just going to save it for
12:56
12:56 next week.
12:57
12:57 >> I'm just going to save it.
12:58
12:58 >> Find a segue, could you? I know. My rant
12:60
13:00 was lay out there left field. No, I
13:02
13:02 know. No,
13:02
13:02 >> it's weird. No,
13:03
13:03 >> it just has to I mean, it had to do with
13:05
13:05 patience and it has to do with the
13:08
13:08 people that have it or don't have it.
13:12
13:12 Okay. Wait, can I ask you a question
13:14
13:14 real quick on this patience thing?
13:18
13:18 >> Joshua, you've flown in a plane,
13:19
13:19 correct?
13:21
13:21 >> Oh [ __ ] Here we go. Here we go with
13:23
13:23 your G. Okay. All right. Let's go. Come
13:25
13:25 on. You don't even know what I'M GOING
13:26
13:26 TO ASK.
13:27
13:27 >> I DON'T ASK.
13:29
13:29 >> Let's go. It's an odd episode. Let's
13:31
13:31 keep going with this [ __ ]
13:33
13:33 >> Joshua, you've flown in a plane. I know
13:35
13:35 you have. I've been there with you. Um
13:37
13:37 >> Okay.
13:39
13:39 Is it okay to recline your seat on an
13:43
13:43 airplane?
13:45
13:45 >> Absolutely.
13:46
13:46 >> Absolutely.
13:47
13:47 >> I mean, what that feature exists for a
13:48
13:48 reason, right?
13:49
13:49 >> Okay. Okay. So, you're one of the people
13:51
13:51 who will recline their seat.
13:54
13:54 >> No, I won't do it all the way, though. I
13:55
13:55 I won't go full I won't go full extend,
13:58
13:58 you know?
13:58
13:58 >> Okay.
13:59
13:59 >> Yeah. I I'll do like a half click,
14:02
14:02 whatever whatever that means. If that's
14:03
14:03 If they give me three clicks, I'll go
14:05
14:05 like one back. I won't go full because I
14:06
14:06 because I know what's going to happen
14:07
14:07 behind me. Someone's going to put their
14:08
14:08 knee in the back of my seat. There's
14:10
14:10 It's just going to get awkward. It's
14:12
14:12 going to get weird.
14:13
14:13 >> So, I I tend to just do a slight ju a
14:17
14:17 subtle enough to take the edge off my
14:18
14:18 back,
14:19
14:19 >> you know, just the stress to to kind of
14:21
14:21 kick that down a little bit.
14:22
14:22 >> Okay.
14:23
14:23 >> I don't I don't I don't make it in my
14:25
14:25 living room, you know? I just don't, you
14:26
14:26 know, I'll take my shoes off and [ __ ]
14:27
14:27 and just like super comfortable.
14:29
14:29 >> Yeah. I don't recline my seat on
14:31
14:31 airplanes, by the way. But
14:32
14:32 >> you can't out of respect. 9 feet tall.
14:33
14:33 >> I mean, out of respect. I don't do it.
14:35
14:35 Not Not because I don't know how. Right.
14:38
14:38 I don't I sometimes I don't know where
14:39
14:39 the button is. I'll admit that. I'm a
14:40
14:40 I'm a big man. Um but I don't do it out
14:44
14:44 of respect, you know. But I will say
14:46
14:46 this. After flying first class, I'll
14:49
14:49 recline my seat back. I don't give a
14:51
14:51 [ __ ]
14:52
14:52 >> because those people in first class,
14:54
14:54 those people in first class are snoody.
14:56
14:56 They're bougie as [ __ ] You just want to
14:58
14:58 punch them in the face, you know?
14:60
14:60 >> I'm I'm I'm up there in first class. I'm
15:02
15:02 up there in first class
15:04
15:04 >> out of hard work, right? Those people
15:06
15:06 are in first class because they just
15:08
15:08 were handfed it, right? So, I'm
15:10
15:10 reclining my seat every [ __ ] time in
15:12
15:12 first class, buddy. It's like my little
15:13
15:13 stick. My little stick to the man.
15:17
15:17 >> That's fine. I mean, if you paid for the
15:19
15:19 seat, then [ __ ] it. I mean, then why not
15:21
15:21 go all the way back? You paid for it.
15:24
15:24 >> All right. So, that's it. That's it. So,
15:25
15:25 I got no more rants. I'm sorry.
15:27
15:27 >> Okay. No more rants. I'm going to save
15:29
15:29 my even if I even if I remember for next
15:32
15:32 week. But, let's move on to the chat
15:33
15:33 with this section. Um Sean, since you
15:35
15:35 are still waking up and I clearly am
15:38
15:38 awake for it appears that way. U I'm
15:41
15:41 going to go over the topics for today
15:43
15:43 which I think these are all of my top I
15:46
15:46 have no idea Sean
15:48
15:48 joke about it. They're all your topics.
15:50
15:50 I didn't come up ladies and gentlemen. I
15:51
15:51 didn't come up with [ __ ] this week. I'm
15:53
15:53 sorry. You got a few rants out of me and
15:55
15:55 we're just going to vibe with Joshua
15:56
15:56 today. Like that's what's happening.
15:58
15:58 >> [ __ ] All right. Here we go. Sean, for
16:01
16:01 our first topic for the chat with the
16:03
16:03 section, if the buttons actually work,
16:05
16:05 is guilty midnight pleasures. I don't
16:08
16:08 want you to tell me I just want you to
16:10
16:10 think before we get to this topic about
16:12
16:12 your guilty midnight pleasures. Okay?
16:15
16:15 And you listening because I know we all
16:16
16:16 got them. So, please feel free to just
16:18
16:18 start thinking about them when we get
16:20
16:20 back to that topic. And number two on
16:23
16:23 this list is NASA's Moon or Doom.
16:28
16:28 Oh man. I don't know if you've heard
16:29
16:29 about this whole NASA thing going on,
16:31
16:31 but we got uh $30 billion of somebody's
16:34
16:34 money that's either going to be a boom
16:37
16:37 or a mother effing doom when we get to
16:40
16:40 that one.
16:41
16:41 >> Yeah, it's going to be fun. And this was
16:43
16:43 just a brainstorm idea. I was I was at
16:45
16:45 work today and I started talking to one
16:47
16:47 of these open-minded individuals and
16:48
16:48 they were just listening to me as I was
16:51
16:51 dehydrated, hadn't eaten any food, I hit
16:53
16:53 golf balls, I'm I'm sunble bleached. And
16:56
16:56 I just started ranting and I you know
16:58
16:58 what I did? I pulled out my little I got
16:59
16:59 my two little thumbs. I'm like, "Let me
17:01
17:01 write this down on my phone and maybe
17:03
17:03 it'll turn into a trillion dollar idea."
17:05
17:05 And uh if you're listening, maybe this
17:08
17:08 can be one of your ideas or maybe it
17:09
17:09 exists and you can just um tell me where
17:12
17:12 I can find it. But uh we'll get back to
17:13
17:13 that. All right, Sean. Guilty Midnight
17:17
17:17 Pleasures. I know we have them.
17:20
17:20 >> For some people it involves Vaseline,
17:23
17:23 but that's not what I'm talking about.
17:25
17:25 >> Jeez. Yeah. not talking about those type
17:26
17:26 of midnight pleasures cuz I know where
17:28
17:28 you automatically are going you're
17:30
17:30 halfway through your drink and you just
17:31
17:31 you already want to rub and tug and we
17:32
17:32 haven't even started talking about this
17:33
17:33 yet.
17:36
17:36 >> Okay,
17:37
17:37 >> John
17:39
17:39 I'm going to name off of a few
17:43
17:43 midnight pleasures midnight or guilty
17:45
17:45 pleasures and I just want to know if you
17:47
17:47 like agree with these or just feel free
17:50
17:50 to give me extra after I name name these
17:53
17:53 off. Sean,
17:54
17:54 >> would you put food at the top of your
17:57
17:57 guilty midnight pleasure?
17:59
17:59 >> Guilty. [ __ ]
18:00
18:00 >> Are one or one of them? Are one of them?
18:02
18:02 Food. Doesn't have to be number one. No
18:04
18:04 particular.
18:04
18:04 >> First of all, you have to this. Do I
18:07
18:07 feel guilty about eating at midnight?
18:09
18:09 No, I do not.
18:11
18:11 >> So then, no, I would not put that on my
18:13
18:13 list, right? But if you're asking a
18:15
18:15 healthy Sean if I would feel guilty
18:18
18:18 about eating at midnight, yes. Yes, I
18:19
18:19 would put that on my list of things. you
18:21
18:21 shouldn't be eating late, right? Causes
18:23
18:23 indigestion. Your body can't really help
18:26
18:26 yourself with that. But, uh, you know,
18:28
18:28 yeah, I would put that on my list for
18:29
18:29 sure.
18:30
18:30 >> Okay. So, for anybody who wants to know,
18:32
18:32 you know, what Sean is cooking up at
18:34
18:34 midnight,
18:36
18:36 >> uh, for all the subscribers and,
18:38
18:38 everybody listening, maybe you're
18:39
18:39 watching, Sean, what would you put on
18:40
18:40 your plate at midnight for one of your
18:42
18:42 guilty pleasures or unhealthy? Sean,
18:45
18:45 what do you put?
18:46
18:46 >> Um, it depends on my amount of laziness,
18:49
18:49 right? If I if I just had a long workday
18:51
18:51 and I'm just like tired and I just want
18:54
18:54 to eat something at like midnight, I'll
18:57
18:57 [ __ ] I'll open up a bag of cookies,
18:59
18:59 you know? I'll eat some chocolate chips,
19:01
19:01 you know, or maybe a a little gussento,
19:04
19:04 a little Mexican sweet treat, you know,
19:06
19:06 or if I'm really in the mood or I just
19:09
19:09 had a [ __ ] day, you know, I'll take part
19:11
19:11 taking a little bit of that burb, you
19:13
19:13 know, open up a can of open.
19:16
19:16 >> You're drinking. You're drinking your
19:17
19:17 midnight pleasure.
19:19
19:19 >> I mean, nowadays,
19:21
19:21 >> it's fine. Yeah. Okay.
19:23
19:23 >> All right.
19:24
19:24 >> Um, so what what I did last night cuz I
19:27
19:27 I worked a late night shift last night.
19:29
19:29 I got up around like 10 o'clock and I
19:30
19:30 was like, "Fuck, dude. Do I go fast
19:32
19:32 food? What do I do? Do I go to the local
19:33
19:33 taco truck?" No.
19:35
19:35 >> I almost took a picture of it, but I
19:37
19:37 didn't want to like totally alienate
19:38
19:38 myself and just like let everybody know
19:40
19:40 what I put in my mouth around midnight
19:42
19:42 last night. Um, I I had myself a fat
19:46
19:46 peanut butter jelly and to top it off, I
19:49
19:49 had some hot Cheeto puffs with
19:51
19:51 >> Oh [ __ ] dude. Let's go.
19:52
19:52 >> With like a Celzer water. That was my
19:55
19:55 That was my midnight guilty pleasure.
19:57
19:57 Yeah, last night. That was That was my
19:58
19:58 go-to.
19:60
19:60 >> Can I I just remembered one. Uh
20:02
20:02 McDonald's apple pies.
20:05
20:05 McDonald's apple pies. Those are like my
20:07
20:07 guilty like I just got off of work late
20:10
20:10 and if I can like some So here's the
20:12
20:12 thing with those pies.
20:13
20:13 >> They're elusive at night. You know, they
20:14
20:14 don't make a lot of them for the evening
20:17
20:17 crowd like myself. So sometimes I'll get
20:19
20:19 in there, right? I'll be just like I
20:21
20:21 just want a pie right now. I'm craving
20:22
20:22 sugar. The diabetes is hitting me,
20:24
20:24 right? And I just want that sugar rush.
20:26
20:26 I'll go there and sometimes I don't have
20:28
20:28 them and I got to be like, well, I don't
20:30
20:30 want anything then and I got to do that
20:32
20:32 awkward little drive where you drive
20:33
20:33 through the drive-thru without picking
20:35
20:35 up anything. It's one of those
20:36
20:36 situations, but yeah, definitely
20:38
20:38 McDonald's apple pie is a nice one.
20:40
20:40 >> All right, so we both agree food food's
20:42
20:42 not I mean it's not great like you said
20:44
20:44 indigestion and all. It's not great, but
20:45
20:45 we were doing it. Okay, how about this
20:47
20:47 one, Sean? For a midnight guilty
20:48
20:48 pleasure, how about a movie? Like a late
20:49
20:49 night movie?
20:51
20:51 >> No. So, no, I can't. No. So, I don't
20:54
20:54 >> No,
20:55
20:55 >> I don't watch a lot of movies. I don't
20:57
20:57 like that's not my thing. Like, I'll
20:60
20:60 rather listen to late night music,
21:02
21:02 right? I would rather like watch late
21:04
21:04 night YouTube, but I wouldn't say it's
21:06
21:06 my guilty pleasure, you know, like just
21:08
21:08 in a movie in general. Nah, not doing
21:11
21:11 it. Not on my list.
21:12
21:12 >> Okay. Movie is definitely my guilty
21:14
21:14 pleasure. I will just put a movie on and
21:15
21:15 just fall asleep to it.
21:17
21:17 >> Yeah, totally. I I
21:19
21:19 >> Yeah, I I love movies. Um I put this one
21:22
21:22 right under movies. You can let me know.
21:23
21:23 Some people watch this [ __ ] I don't
21:25
21:25 know if the crowd that listens to this
21:28
21:28 >> uh actually pays attention to these
21:29
21:29 things or if they're even on anymore,
21:31
21:31 but how about infomercials? Do you pay
21:32
21:32 attention to infomercials anymore?
21:34
21:34 >> I don't think I mean I know infomercials
21:36
21:36 are a thing still, but I don't think
21:38
21:38 I've watched an infomercial since like
21:40
21:40 Girls Gone Wild. Like those dude way
21:43
21:43 back in the day like
21:46
21:46 >> or maybe the last one I saw was Shamwow.
21:48
21:48 I think that was the last memorable one
21:50
21:50 that I remembered is Shamwow. You know
21:52
21:52 that little thing where like you clean
21:53
21:53 the the guy?
21:54
21:54 >> I I was I was never a big infomercial
21:57
21:57 person, but I mean, hey, if you need a
21:59
21:59 like nine slice toaster, you can find
22:01
22:01 one at like two in the morning. If you
22:04
22:04 need a toaster that'll do like nine
22:05
22:05 slices of bread at one time. So, just
22:08
22:08 stay blade enough, you'll probably find
22:09
22:09 that [ __ ] Um, the last one on my list,
22:11
22:11 h how and hey, I'm just gonna be I'm
22:13
22:13 gonna be very upfront right here. I do
22:16
22:16 this one too much. And uh clearly if you
22:19
22:19 look around the background you you'll
22:20
22:20 know exactly what I'm talking about. Um
22:22
22:22 how about Amazon purchases you don't
22:24
22:24 need.
22:26
22:26 >> That's a that's yeah that's definitely a
22:28
22:28 good one. I've recently stopped that. I
22:30
22:30 mean recently in like the last few
22:32
22:32 months I've stopped doing that. Uh
22:33
22:33 mainly because I'm in debt and I need to
22:35
22:35 stop. So but yeah definitely I'd put
22:38
22:38 that one on my list for sure. There's
22:39
22:39 something about like laying in bed at
22:41
22:41 night and just like scrolling through
22:43
22:43 that endless shopping like network. I
22:47
22:47 think I think it's funny because Oh, go
22:48
22:48 ahead.
22:49
22:49 >> Oh, I'm sorry. I was going to relate it
22:50
22:50 to you remember that uh speaking of
22:52
22:52 infomercials and like TV. Uh do you
22:54
22:54 remember the channel QVC?
22:57
22:57 >> Absolutely. Yes, I do.
22:58
22:58 >> Yeah. It's like it's like that except
22:60
22:60 not on the TV. It's just in the palm of
23:02
23:02 your hand now. It's like it's that same
23:05
23:05 feeling where you're just kind of
23:06
23:06 looking through and you're like, "Oh
23:07
23:07 [ __ ] I want that." You know?
23:10
23:10 >> Yeah. I I I'm totally guilty of the
23:12
23:12 Amazon late night. And it's funny
23:14
23:14 because
23:15
23:15 >> I will literally sit there and just go
23:17
23:17 page after page after page and just look
23:20
23:20 at Amazon stuff and then look around my
23:22
23:22 kitchen.
23:22
23:22 >> I'm like, "Man, do I need another thing
23:25
23:25 for my espresso machine?" Or, "Man, do I
23:27
23:27 really need more golf balls?" Or, "Man,
23:30
23:30 do I really need towels?" You There's
23:33
23:33 always a point in late night shopping
23:34
23:34 where you just start looking at [ __ ] you
23:36
23:36 really know you don't need. Like, it's
23:38
23:38 like like Christmas themed socks. You're
23:41
23:41 like, "Those are cool." you know, and
23:43
23:43 you've been looking on Amazon for the
23:44
23:44 last 30 minutes and just literally just
23:47
23:47 now you're looking at [ __ ] Um,
23:49
23:49 >> yeah.
23:50
23:50 >> Yeah. So, I out of all of those, Sean,
23:52
23:52 what which one would you say is your
23:54
23:54 biggest
23:56
23:56 >> biggest guilty pleasure?
23:58
23:58 >> Pleasure. Midnight pleasure.
23:60
23:60 >> Um, I'd probably say
24:01
24:01 >> or maybe one I didn't mention. How about
24:02
24:02 that? How I mean, you can feel free.
24:04
24:04 >> Oh, well, I mean, you covered you pretty
24:06
24:06 much hit all the bases. Um, but there's
24:10
24:10 God there's nothing that I really feel
24:11
24:11 guilty about. I'm just not I'm a I'm a
24:14
24:14 here and now kind of person, you know?
24:16
24:16 I'm not like a here and later kind of
24:18
24:18 person. Like I'm not I'm not getting
24:19
24:19 jealous over or guilty about anything,
24:23
24:23 especially late at night. But
24:26
24:26 >> I mean, I guess I would say
24:28
24:28 >> I guess the one that's not on the list
24:30
24:30 would probably be gaming late at night.
24:32
24:32 >> Okay, there you go. That's I feel about
24:34
24:34 that one. Like because
24:36
24:36 >> it's actually really good.
24:37
24:37 >> Like sometimes I feel like if I'm like
24:40
24:40 right now if I was to be gaming at like
24:42
24:42 11 o'clock at night, I would feel guilty
24:44
24:44 about that knowing that I have to like
24:46
24:46 work tomorrow or like you know I is this
24:49
24:49 really like a good use of my time kind
24:51
24:51 of thing. Um yeah, I would say gaming
24:54
24:54 would probably be up there for me on the
24:56
24:56 guilty ones. So
24:56
24:56 >> it's a good I didn't that didn't even
24:58
24:58 make the list, but I used to game
24:59
24:59 constantly. I got hours and hours and
25:01
25:01 hours
25:03
25:03 of gaming under my belt. I don't I don't
25:05
25:05 have as much say probably music playtime
25:09
25:09 as you do.
25:10
25:10 >> Yeah.
25:10
25:10 >> Late at night. Um
25:13
25:13 but I mean I don't know if uh maybe
25:17
25:17 music should be one of my things.
25:19
25:19 >> Yeah. I mean you do listen to a lot of
25:21
25:21 the late night music though. I'll tell
25:22
25:22 you that. I know that for a fact.
25:25
25:25 >> Okay. All right, buddy. Well, that's
25:26
25:26 what that's that's my guilty and if
25:28
25:28 anybody actually has some fun guilty
25:31
25:31 midnight pleasures. I would certainly
25:32
25:32 like to know because maybe I maybe I
25:34
25:34 want to try one out and and please don't
25:36
25:36 put anything like really naughty or
25:38
25:38 because one of our moderators or
25:40
25:40 somebody's probably gonna be like, "Hey,
25:40
25:40 Joshua, try this one." You know,
25:43
25:43 >> it's going to be me. I'm be I'm going to
25:45
25:45 be the one who's putting that in there
25:46
25:46 for you.
25:48
25:48 >> Yeah. So, there you go. Yeah, Sean.
25:51
25:51 That's what I have. Unless you want to
25:52
25:52 move on. Unless you want to get into
25:53
25:53 something else. I mean, we're almost at
25:55
25:55 that special time of the episode. Or we
25:57
25:57 just move on to NASA's
25:60
25:60 moon or
26:01
26:01 >> we could move on to NASA's I I honestly
26:04
26:04 don't know about the NASA thing. So, I
26:08
26:08 am very curious on this one. Like,
26:10
26:10 >> are we sending people into space? Is
26:12
26:12 that what we're doing?
26:14
26:14 >> Like, I would hope so.
26:16
26:16 >> I like we are we landing on the moon
26:18
26:18 again maybe, right?
26:22
26:22 possibility. I I really don't know.
26:24
26:24 >> I don't I don't know anything about this
26:25
26:25 one.
26:26
26:26 >> Okay. So, the episode or you want to go
26:28
26:28 into a song? What do you want to do,
26:30
26:30 man?
26:31
26:31 >> I mean, is the song about NASA?
26:35
26:35 >> The song is definitely not about NASA.
26:37
26:37 >> Then let's talk about NASA for a second
26:39
26:39 then.
26:40
26:40 >> Okay, let's go to NASA. [ __ ] it. All
26:41
26:41 right, here we go. Let's go to NASA,
26:42
26:42 man. Um, well, we don't have that many
26:44
26:44 topics, so we figure, hey, might as well
26:45
26:45 put a song in the middle. But you want
26:46
26:46 to [ __ ] talk about NASA? Let's
26:48
26:48 >> talk about NASA. I'm I'm too curious to
26:50
26:50 know about NASA right now and what's
26:52
26:52 happening.
26:53
26:53 >> Okay, so NASA, if you if if uh if you're
26:56
26:56 [ __ ] living on this planet Earth and
26:57
26:57 you haven't heard about this, well,
26:59
26:59 guess what? NASA has planned to put a
27:02
27:02 base on the moon, everybody
27:04
27:04 >> on ah so I was kind of right. Okay.
27:07
27:07 >> Yeah. Yeah, you are kind of right. And
27:09
27:09 you're not only right, the amount of
27:11
27:11 rights it's going to cost everybody,
27:13
27:13 about $30 billion is going to be a whole
27:15
27:15 lot of rights for us to get there. Um,
27:18
27:18 so I got it up over here on chat and
27:21
27:21 people can fact check me, do whatever
27:22
27:22 the hell you want to do, but there's
27:23
27:23 like multiple phases to what's going to
27:25
27:25 go. They're, you know, they really tried
27:26
27:26 to simplify this. They're they're trying
27:28
27:28 to break this down into three phases.
27:30
27:30 Okay, so phase one is supposed to be the
27:32
27:32 build, test, learn. Okay, this is
27:34
27:34 supposed to happen, I guess, this year,
27:36
27:36 sometime in 2026 through 2028. So
27:40
27:40 between now, right now, I don't know
27:42
27:42 when this episode comes out. [ __ ] Maybe
27:44
27:44 they've launched something by the time
27:45
27:45 this episode has come out. Um, but
27:48
27:48 between now
27:49
27:49 >> and 2028, we're supposed to be getting
27:52
27:52 robots up there. We're supposed to be
27:54
27:54 getting rovers up there. We're supposed
27:55
27:55 to be setting up communications for
27:57
27:57 scientific research for the next two
27:59
27:59 years.
27:59
27:59 >> No [ __ ] way, dude. You think we have
28:01
28:01 robots advanced enough for us to send up
28:04
28:04 there to do to start building a base?
28:08
28:08 Like, is that You think so? You think
28:10
28:10 so?
28:12
28:12 >> I don't know. I mean that that's the
28:13
28:13 next what the next two years is supposed
28:14
28:14 to be like and we're spending a bunch of
28:16
28:16 money on it so who knows could be
28:18
28:18 possibility.
28:19
28:19 >> Okay.
28:20
28:20 >> I mean and then uh on to okay let's and
28:23
28:23 the cool thing about this is they've
28:24
28:24 actually given a timeline. Normally NASA
28:26
28:26 doesn't really give a whole lot of
28:27
28:27 timelines about [ __ ] like this because
28:30
28:30 they kind of just want to like get money
28:31
28:31 and do whatever they want to do. Um,
28:33
28:33 >> yeah.
28:35
28:35 >> But, uh, I guess phase two in the lateh
28:39
28:39 2020s, I don't even know what that
28:40
28:40 actually [ __ ] means, you know,
28:42
28:42 because phase two
28:42
28:42 >> for dates and timelines.
28:44
28:44 >> Yeah, they really made that one
28:46
28:46 apparent, right? So, I guess this should
28:48
28:48 should probably happen after 2028
28:51
28:51 because that's when the build, test,
28:53
28:53 learn phases. Um,
28:56
28:56 so there's supposed to be another So,
28:57
28:57 phase two, right? Construction of semi
28:59
28:59 what? inhabited structures, uh,
29:02
29:02 pressurized rovers, more power systems,
29:05
29:05 uh, nuclear fusion, uh, reactors. I
29:08
29:08 guess they're planning on doing these
29:10
29:10 kind of things up there, too.
29:11
29:11 >> On the moon,
29:12
29:12 >> are we going to blow up our moon? Is
29:14
29:14 that what's going to happen?
29:16
29:16 >> Okay, so I I I mean, maybe that's
29:18
29:18 actually
29:20
29:20 there's movies about that [ __ ] Um,
29:23
29:23 >> so that's phase two. Phase three is
29:25
29:25 basically you're setting up cargo uh and
29:27
29:27 capable human landing systems and then
29:30
29:30 we're basically supposed to be on the
29:32
29:32 moon by like 2030.
29:34
29:34 >> In a base that robots built with nuclear
29:37
29:37 reactors.
29:38
29:38 >> Mhm.
29:39
29:39 >> Tell me why that doesn't sound safe.
29:41
29:41 >> Tell me why it doesn't sound safe at
29:43
29:43 all. At all.
29:46
29:46 >> I have no idea. But I I I kind of of the
29:49
29:49 mind that maybe maybe what if we're
29:53
29:53 playing this moon base because we know
29:54
29:54 something's coming.
29:57
29:57 >> Oh, like a preeminative like a
30:01
30:01 I want I wanted to say strike, but it's
30:03
30:03 not a strike. I guess it's like a a move
30:05
30:05 a preventative move from like an outside
30:07
30:07 force. That's what you're thinking? Like
30:09
30:09 an alien force on the other side?
30:12
30:12 >> So yeah. Again, this is one of the
30:13
30:13 things I was talking to somebody at work
30:15
30:15 about and I was like the thing about the
30:17
30:17 planet Earth. There's there's so many
30:21
30:21 um amateur astronomers out there. People
30:23
30:23 just like a giant telescope. There's
30:25
30:25 billionaires pointing their telescopes
30:26
30:26 up the sky. There's a bunch of people in
30:28
30:28 LA. [ __ ] ton of money just pointing
30:31
30:31 their, you know, in Hawaii and all these
30:32
30:32 places. They got they got amateur, you
30:34
30:34 know, people looking at stars all the
30:35
30:35 time. Um, I kind of feel like if some
30:38
30:38 [ __ ] was going to come towards the
30:39
30:39 Earth,
30:41
30:41 >> we would probably find out before they
30:42
30:42 even wanted us to know, just because
30:44
30:44 there's too many people looking up at
30:46
30:46 the sky now.
30:46
30:46 >> Yeah. Too many people know the truth. I
30:48
30:48 see that. I see that. Yeah.
30:51
30:51 >> Yeah. So, I don't know. If the planet's
30:53
30:53 coming to an end, they're planning on
30:55
30:55 putting something on the moon. It's
30:56
30:56 going to cost a whole lot of money.
30:58
30:58 I read some of the comments and they're
30:60
30:60 just like, "Why don't you fix the planet
31:02
31:02 with 20 billion, $30 billion before you
31:04
31:04 put something on the moon?" I get it.
31:06
31:06 Research, I love space, but I don't
31:09
31:09 know. Sometimes I think a little
31:10
31:10 backwards and I go, you know what? Maybe
31:11
31:11 that money would be better spent on
31:13
31:13 infrastructure and putting its own green
31:17
31:17 blue ball back together rather than
31:19
31:19 trying to get to the moon.
31:20
31:20 >> Yeah. Do you think our I mean obviously
31:22
31:22 the our blue and green ball is uh
31:25
31:25 probably too far gone to fix with $ 32
31:29
31:29 billion.
31:30
31:30 >> Like
31:30
31:30 >> I mean it's not enough. I mean it's
31:33
31:33 never enough, bro. It's never enough.
31:35
31:35 >> Never enough money to fix anything.
31:38
31:38 >> But can I can I just go back on this
31:40
31:40 alien thing real quick? Just real quick.
31:41
31:41 >> Okay, let's go back to aliens. Let's go.
31:44
31:44 I don't even think I brought up aliens.
31:45
31:45 But
31:46
31:46 >> isn't there a theory though that on the
31:48
31:48 moon there are like alien beings? You
31:51
31:51 know, that live in the moon shadow.
31:53
31:53 >> Oh yeah, I've heard about this.
31:55
31:55 >> If we build this base, maybe they're
31:58
31:58 connected. Maybe like one and two are
32:00
32:00 connected. Like maybe we're just like,
32:04
32:04 you know what, these people, these
32:05
32:05 beings, sorry, I didn't mean to call you
32:08
32:08 people. I don't know how you identify.
32:10
32:10 uh these beings right on the moon
32:14
32:14 are becoming hostile. You know, the
32:18
32:18 government knows it and now they're
32:20
32:20 going to set up a way to stop them from
32:23
32:23 doing whatever nefarious acts that
32:25
32:25 they're doing, right? Maybe the moon
32:27
32:27 people are the one who are abducting us,
32:30
32:30 probing our anuses, finding out our
32:32
32:32 secrets, you know, and now we're finally
32:35
32:35 at the point we're just like, "No means
32:37
32:37 no. Stop. we're going to fix this
32:40
32:40 problem.
32:41
32:41 Maybe that's the solution. Maybe maybe
32:43
32:43 it's not maybe it's not an outside
32:46
32:46 universal uh universal threat, right?
32:49
32:49 Maybe it's an internal
32:51
32:51 threat on our moon. So, I kind of I
32:55
32:55 talked myself into it. I feel a little
32:56
32:56 safer. I'm okay with it, buddy. I'm okay
32:59
32:59 with this.
32:59
32:59 >> I mean, there's resources on the moon.
33:00
33:00 Maybe we just tap into it. Maybe, you
33:02
33:02 know, we totally just crush our planet
33:04
33:04 and crush the one that keeps us
33:06
33:06 together, too. Why not just take us take
33:07
33:07 it?
33:07
33:07 >> Hey, [ __ ] it. If we all go, we all go
33:09
33:09 together, you know.
33:10
33:10 >> Yeah.
33:10
33:10 >> Probably probably better than what we're
33:12
33:12 in right now. I'll tell you that.
33:14
33:14 >> You know what's not better than where we
33:15
33:15 are right now, buddy?
33:17
33:17 >> Absolut.
33:19
33:19 >> The AI song for the week. Joshua has
33:23
33:23 hinted that he's got something a little
33:25
33:25 different this week and I can't wait to
33:27
33:27 hear it. Joshua, introduce it. Let us
33:29
33:29 let us know. I'm going to fix my
33:31
33:31 >> Okay. Well, while Sean Well, Sean last
33:34
33:34 week gave me [ __ ] for over introducing
33:39
33:39 last week's AI song.
33:40
33:40 >> No, I loved it. You over introduced it.
33:43
33:43 I think I thought it was great. I
33:44
33:44 enjoyed it.
33:45
33:45 >> You gave You gave last week's song too
33:46
33:46 much personality. You gave it too much
33:48
33:48 description. You just went too far.
33:51
33:51 >> Just kidding. Sean supported that song
33:52
33:52 100%. Um, but this week, I'm just
33:56
33:56 keeping it simple. The song of the week
33:58
33:58 is called Summer Finds the Time. This is
34:02
34:02 different because Sean said Sean also
34:04
34:04 said, "I I kind of was stuck in a rut."
34:06
34:06 >> This is true.
34:07
34:07 >> The music and just just kind of how
34:08
34:08 everything was going. And
34:10
34:10 >> I think it's about time I get out of the
34:12
34:12 shadows
34:14
34:14 >> and and I I produce a song that feels
34:17
34:17 more like summer. The kind of song I
34:19
34:19 want Sean to roll down his windows.
34:21
34:21 Kind of like a rain dance song, you
34:23
34:23 know, but for the summer. any more rain
34:26
34:26 >> for the but for the summer though. So
34:28
34:28 when this when Sean plays this in his
34:30
34:30 car when you're listening when you play
34:31
34:31 this in your song in your car right now
34:34
34:34 I want the clouds to open up for Sean.
34:37
34:37 >> I want the clouds to open up for the
34:38
34:38 rest of us and I want the sign the sun
34:40
34:40 to just beam in. All right. And I think
34:43
34:43 this song may may get us there. It's not
34:46
34:46 fast. It's not hard. It's not going to
34:48
34:48 you know hurt the hurt the car next to
34:50
34:50 you. You know what I mean? Um it's no
34:53
34:53 foul language. But, uh, I hope you enjoy
34:56
34:56 it. It's summer. It's fun. It's It's a
34:58
34:58 lot different than than the last like
35:00
35:00 five or six songs. So, sit back, enjoy.
35:03
35:03 Summer finds the time. There you go,
35:05
35:05 Sean. This is your uh summer rain dance
35:07
35:07 or summer sun song.
35:09
35:09 >> All right, ladies and gentlemen. Let's
35:11
35:11 [ __ ] get it.
35:22
35:22 Sunset on the shoreline.
35:25
35:25 Waves whisper low like they know our
35:27
35:27 names. You laugh at something simple
35:30
35:30 and suddenly the world don't feel the
35:32
35:32 same. No wait on a moment.
35:36
35:36 Just two souls catching the same warm
35:39
35:39 breeze.
35:41
35:41 Letting the daylight fade out slow.
35:43
35:43 Feeling lighter than we felt in weeks.
35:46
35:46 And the sky turns violet. Something real
35:50
35:50 is rising in the air.
35:54
35:54 No labels, no promises, just a vibe we
35:58
35:58 both can share.
36:02
36:02 Oh,
36:04
36:04 summer found us. It gave us just enough
36:08
36:08 heat to unwind. Moving easy
36:12
36:12 and shaking off the weight we left
36:14
36:14 behind. No story to write, just two
36:18
36:18 souls vibing right here. Summer found us
36:22
36:22 and it feels good to be alive tonight
36:30
36:30 on fire flame on the shorine.
36:33
36:33 Friends pulling up with the speakers
36:35
36:35 loud. You slide into the circle
36:38
36:38 like you've always been a part of this
36:40
36:40 crowd. No need for direction,
36:43
36:43 just good energy in the fire glow.
36:48
36:48 Feet in the sand. The rhythm in our
36:51
36:51 bones, letting every little worry go.
36:54
36:54 Maybe it's just a season.
36:56
36:56 Maybe it's just the heat.
36:59
36:59 But damn, it feels refreshing finding
37:01
37:01 someone who lets me breathe. No pressure
37:04
37:04 on tomorrow.
37:06
37:06 No need to define the vibe. Just a
37:09
37:09 summer kind of freedom that reminds us
37:12
37:12 we're alive. A summer found us.
37:16
37:16 Gave us just enough heat to unwind.
37:19
37:19 Moving easy. Baby, shaking off the way
37:22
37:22 we left behind. No story to ride. Just
37:27
37:27 two souls driving right. Someone found
37:30
37:30 us. And it feels good to be alive
37:33
37:33 tonight.
37:35
37:35 Oh,
37:51
37:51 >> damn. All right, buddy. [ __ ] Look at
37:54
37:54 you glasses on right now.
37:55
37:55 >> You, buddy. That was pretty [ __ ]
37:60
37:60 good, my dude. That's a That's a good
38:02
38:02 refresher on the AI radio, you know?
38:05
38:05 It's it's it's a good summer jam. It'll
38:07
38:07 put your shades on. Uh it'll make you
38:10
38:10 want to just freaking move the shoulder.
38:12
38:12 I kind of It was kind of short, though.
38:13
38:13 Like I was expected a little bit more. A
38:16
38:16 little bit of length, you know. But hey,
38:18
38:18 short and sweet. I appreciate that [ __ ]
38:20
38:20 buddy. Appreciate that.
38:21
38:21 >> I mean, you know, I had to put the
38:22
38:22 shades on for a reason. You know, it's
38:24
38:24 getting it's getting sunny in here. It's
38:25
38:25 getting bright. The vibe is getting
38:27
38:27 getting good. So, stay tuned. There's
38:29
38:29 going to be more of that. Let's give
38:31
38:31 more good vibes. Sorry for delay. These
38:33
38:33 AI radio song. It's gonna get good.
38:36
38:36 >> We're just vibing out.
38:38
38:38 >> Yeah, buddy.
38:38
38:38 >> There you go, Sean.
38:39
38:39 >> I loved it. Honestly, it was really
38:41
38:41 good. I enjoyed that one more than last
38:43
38:43 week's one. So, there's that.
38:44
38:44 >> Uh,
38:44
38:44 >> there you go.
38:46
38:46 >> Buddy, hang on. Before we move on, I
38:48
38:48 want to give you a little pick your
38:49
38:49 poison real quick because uh
38:50
38:50 >> Okay. All right.
38:51
38:51 >> I'm excited.
38:52
38:52 >> Hold on. Let Let me put my seatelt on.
38:54
38:54 >> Get your seatelt on. Everybody get your
38:56
38:56 hands ready. Put your seatelts on. Put
38:58
38:58 your uh trays in the upright position.
38:59
38:59 Here we go, buddy. I just pulled these
39:00
39:00 two random cards. Here we go. Ready?
39:02
39:02 Joshua, would you rather be unable to
39:06
39:06 say your own first name
39:09
39:09 or
39:12
39:12 have every bug you ever killed come back
39:14
39:14 to life and infest your bedroom? It's a
39:17
39:17 very that's a very long
39:19
39:19 >> [ __ ] dude. That That's crazy.
39:21
39:21 >> That is crazy.
39:24
39:24 >> Uh
39:24
39:24 >> I mean, how often are you referring to
39:26
39:26 yourself in the third person, though?
39:28
39:28 You know, that's the kind of, you know,
39:30
39:30 >> Yeah. I I I mean, if you want to torture
39:33
39:33 yourself for the rest of eternity,
39:34
39:34 maybe. I mean, how many bugs have you
39:36
39:36 killed, man?
39:37
39:37 >> I think I think every day we walk, we
39:39
39:39 just step on a bug and we kill a bug.
39:41
39:41 >> Say your like, do you really say your
39:43
39:43 name all the time?
39:45
39:45 >> Like, how how often do we speak in like
39:46
39:46 third person? Like,
39:48
39:48 >> Joshua said, you know,
39:50
39:50 >> exactly.
39:52
39:52 >> I mean, no, I I'm going to stay away
39:54
39:54 from the bugs, you I'd rather I'd rather
39:57
39:57 uh resurrect the bugs and uh yeah, my
39:60
39:60 name. Cool. My name
40:02
40:02 >> All right. Yeah, me too. I would go do
40:03
40:03 the name thing, too, because I don't
40:05
40:05 always speak to myself in third person.
40:07
40:07 If I did, that'd be really weird.
40:10
40:10 >> Sean feels happy today. Interesting.
40:12
40:12 >> Just in general, right?
40:15
40:15 >> All right, buddy. We can move on. That
40:17
40:17 was fun.
40:17
40:17 >> That was it. Holy [ __ ]
40:19
40:19 >> You know, you want another one? I can
40:20
40:20 give you another one.
40:21
40:21 >> Hey, give me another one. Come on, man.
40:22
40:22 You give me all work.
40:23
40:23 >> Another one. Another one. All right.
40:25
40:25 [ __ ] it. Top from bottom. Here we go,
40:27
40:27 buddy. Joshua,
40:29
40:29 would you rather lose all the pictures
40:32
40:32 you've ever taken or
40:36
40:36 talk with a bogus accent at all times
40:40
40:40 despite the fact that everyone knows
40:42
40:42 it's fake?
40:46
40:46 >> I don't know. I got way too many me
40:47
40:47 memories wrapped up in photos. I could I
40:50
40:50 could go with the accent for sure.
40:52
40:52 >> Yeah, the accent one seems like an easy.
40:53
40:53 These are too these are really easy. I'm
40:55
40:55 going to have to give you another one
40:56
40:56 cuz yeah, the accent thing is the better
40:58
40:58 choice rather than the [ __ ]
40:60
40:60 >> losing all your photos. Like that
41:02
41:02 [ __ ] sucks, dude. Like
41:03
41:03 >> Yeah,
41:04
41:04 >> I mean I guess you could do it if like
41:06
41:06 you just started taking video, right?
41:07
41:07 Because then they're not photos, they're
41:09
41:09 video work.
41:11
41:11 >> Yeah. But anyways, let me give you Let's
41:13
41:13 see. Let's hopefully the card gods have
41:15
41:15 given us something a little better. Here
41:16
41:16 we go. Joshua, would you rather drink
41:20
41:20 all the water from the toilet without
41:22
41:22 using your hands
41:24
41:24 or
41:26
41:26 only be able to stand still or sprint at
41:29
41:29 full speed?
41:31
41:31 You either got you go zero to 100 real
41:34
41:34 quick, buddy. Which drink all the water
41:37
41:37 out of the toilet without your hands?
41:40
41:40 Lord,
41:42
41:42 >> I don't even know. It's funny cuz they
41:43
41:43 they have to like throw hands in there
41:45
41:45 like that's even going to make a
41:46
41:46 difference. I know, right?
41:48
41:48 >> Does it does it really make a
41:49
41:49 difference? I mean, dogs do it without
41:51
41:51 their hands, so you could too, you know?
41:53
41:53 >> Like, no pun intended, but the kind of
41:55
41:55 [ __ ] I've seen in a toilet, um, I am not
42:00
42:00 going face first into a toilet to drink
42:03
42:03 water. I mean, if it, you know, the only
42:05
42:05 time I think you should be like allowed
42:07
42:07 is maybe it's like doomsday, you know,
42:09
42:09 like maybe that's the only bit of water
42:11
42:11 left
42:12
42:12 >> that you have in your house. Like maybe,
42:13
42:13 just maybe, but then you you run the
42:15
42:15 risk of getting sick.
42:17
42:17 >> Yep.
42:18
42:18 >> You die. I mean, there's a whole lot of
42:20
42:20 risk like drinking from a dirty pond.
42:22
42:22 It's like, you might as well be drinking
42:23
42:23 from a dirty toilet.
42:24
42:24 >> Yeah.
42:25
42:25 >> Um Yeah. I I
42:27
42:27 >> So, you're doing the the uh You're only
42:30
42:30 able to stand still or sprint at full
42:32
42:32 speed. That's what you're
42:33
42:33 >> Absolutely. Yeah. Yeah. I use toilets to
42:35
42:35 to get me to throw up. I'm not going to
42:37
42:37 put my
42:40
42:40 like Have you ever wanted to throw up
42:41
42:41 and just like where do I like how do I
42:43
42:43 make myself throw up? I just go put my
42:45
42:45 face in front of a toilet and just the
42:47
42:47 thought of your face in front of a
42:48
42:48 toilet.
42:49
42:49 >> Yep.
42:49
42:49 >> [ __ ] It will make you throw up every
42:51
42:51 single time. If that makes you smile,
42:54
42:54 you're weird. Okay, I'm just going to
42:55
42:55 say I don't like to call people weird
42:57
42:57 cuz I'm kind of weird, but if you do
42:59
42:59 that [ __ ] you're you're weird. Uh,
43:03
43:03 also, so the reason I'm not going with
43:05
43:05 the toilet thing either, not not only
43:07
43:07 because I don't want my hands involved
43:09
43:09 anywhere near the toilet, uh, but also
43:11
43:11 because I put the little bleach things
43:13
43:13 into my toilets.
43:14
43:14 >> So, the water is not safe to drink
43:16
43:16 either way. So, yeah, I'm going uh zero
43:18
43:18 to 100 real quick.
43:20
43:20 >> You're like double dead.
43:21
43:21 >> Yeah, I'm double dead. Yeah.
43:23
43:23 >> Bacteria and bleach. Let's go.
43:26
43:26 >> At least your insides will be clean. You
43:28
43:28 won't get CO.
43:31
43:31 That [ __ ] ain't touching me.
43:33
43:33 >> Yeah, you'll be good.
43:36
43:36 >> All right, buddy. Let's Let's go ahead
43:37
43:37 and do your final one here.
43:38
43:38 >> Oh, [ __ ] I forgot we even had another
43:40
43:40 topic.
43:40
43:40 >> Read. What is it? Read into reality.
43:43
43:43 Read into reality. Is that
43:44
43:44 >> read into reality? Okay. This was my my
43:48
43:48 dehydrated just off-the-wall thought.
43:52
43:52 Okay. So, I was thinking about this
43:54
43:54 because I'm the type of person that gets
43:56
43:56 lost with words on page, you know? Like,
43:58
43:58 I can't even read the [ __ ] script I
44:00
44:00 just wrote over here on the side, you
44:02
44:02 know? Like, I get lost in my own words,
44:03
44:03 taking my own notes, forget about it.
44:05
44:05 It's it's a problem for me just to look
44:07
44:07 at words on a screen. But I had this
44:10
44:10 thought
44:12
44:12 and you know how how you know we got
44:14
44:14 meta, we got [ __ ] that you can like look
44:16
44:16 into and just visually see the world
44:17
44:17 differently.
44:18
44:18 >> Yeah.
44:19
44:19 What if? What if? And and and correct me
44:22
44:22 if I'm wrong. If somebody knows that
44:23
44:23 this tech ex actually exists, this be
44:25
44:25 awesome. Just show show me the way. Um,
44:28
44:28 but I had this thought that every book
44:31
44:31 you buy, you now have your meta [ __ ]
44:34
44:34 right? The [ __ ] that you can put on. And
44:36
44:36 maybe there's like a little a video card
44:38
44:38 or something you got to put into the
44:39
44:39 glasses like that connects this whole
44:40
44:40 system. So, the thought the thought that
44:42
44:42 I had and and the person I work made fun
44:44
44:44 of me for this. They're like, "Hey,
44:45
44:45 you're gonna you might as well be
44:46
44:46 watching a [ __ ] movie." But it's not
44:48
44:48 what I'm talking about. So, okay, you
44:50
44:50 start to read the book, right? And as
44:52
44:52 you're reading the book,
44:54
44:54 >> through your words, the story comes
44:56
44:56 alive through the goggles you're
44:58
44:58 wearing.
45:00
45:00 >> So, when you speak, the person's coming
45:03
45:03 out of the shadows. You see the person
45:05
45:05 visually like you are literally reading
45:08
45:08 and the story is coming to life through
45:10
45:10 the through the glasses, through the
45:12
45:12 visuals that you're actually wearing.
45:14
45:14 And when you stop reading, it's
45:15
45:15 basically like pause. the thing stops
45:17
45:17 moving. So you're so I'm probably
45:20
45:20 [ __ ] this up the way I'm explaining
45:21
45:21 it, but literally you're reading words
45:23
45:23 on page and in through your visual what
45:26
45:26 you are reading is coming to life in
45:28
45:28 front of your eyes as a moving picture
45:30
45:30 or as a virtual reality or or you're are
45:33
45:33 now in that space.
45:34
45:34 So, I think this would be great if it
45:38
45:38 uses your own brain's mental imagery,
45:43
45:43 right, as you're reading to project
45:45
45:45 what's going on up here, your mental
45:47
45:47 >> Okay,
45:48
45:48 >> through the goggles. That would be
45:50
45:50 better than the goggles technology
45:53
45:53 trying to visualize what you're reading.
45:56
45:56 Right? If the goggles could use your
45:58
45:58 internal visualization and project it
46:01
46:01 out, that would be sensational. Like
46:04
46:04 that.
46:05
46:05 >> So, this is why I came up with like the
46:06
46:06 chip. I like the video card idea. Like
46:08
46:08 you plug it in, whatever it is, you plug
46:10
46:10 it in and as you go once upon a time,
46:12
46:12 the the thing starts in your visual,
46:14
46:14 right? Like the once upon a time starts
46:16
46:16 >> and then if you stop it pauses and you
46:18
46:18 go,
46:19
46:19 >> the man starts walking down, you know,
46:21
46:21 the yellow brick road or where the [ __ ]
46:23
46:23 it is. Then all of a sudden it that
46:25
46:25 visually you start seeing that happen in
46:28
46:28 the goggles or or you know whatever it
46:30
46:30 is you're wearing contacts or or what
46:32
46:32 have you. And the reason I say this and
46:34
46:34 this is the whole point to this is like
46:36
46:36 people who struggle with like sticking
46:38
46:38 to a page
46:39
46:39 >> with with text and just like learning or
46:41
46:41 whatever the [ __ ] you're trying to do
46:43
46:43 just just be captured by a book. I I I
46:47
46:47 generally love the idea of books and and
46:49
46:49 letting your imagination take over. But
46:51
46:51 when you just stray all the time like I
46:53
46:53 do, I get lost. If I could visually be
46:55
46:55 connected to the words on the page, I
46:58
46:58 think I would be stuck on the book I'm
47:01
47:01 reading if I visually was also connected
47:03
47:03 to the text. But because I'm not
47:06
47:06 visually connected, I need my own brain
47:08
47:08 to not stray cats and squirrels and
47:11
47:11 [ __ ] You know what I mean? Like
47:13
47:13 airplanes, you know? Like if I'm
47:16
47:16 visually connected to the words on the
47:18
47:18 page through the visual that connection,
47:22
47:22 I think I would be captured, I think
47:25
47:25 it'd be able to get somebody like me
47:26
47:26 more in tune with every single book
47:27
47:27 that's on the shelf. But without for me,
47:29
47:29 if I don't have the visual to go along
47:31
47:31 with the text,
47:33
47:33 >> there's too many distractions.
47:35
47:35 >> I get you. I I guess I didn't think
47:36
47:36 about that because I I I'm not
47:38
47:38 distracted easy by a lot of things, but
47:41
47:41 I feel like you can get the same effect
47:44
47:44 is if you
47:47
47:47 I feel like you can get the same effect
47:49
47:49 if you took a real book and had an audio
47:53
47:53 book play while you're reading the real
47:56
47:56 book. You know, I feel like it's that
47:58
47:58 same effect except not super like
48:01
48:01 visualized, right? But you have
48:02
48:02 something to track while you're hearing
48:06
48:06 Okay. But I still don't visually see
48:08
48:08 anything, right?
48:09
48:09 >> Yeah.
48:10
48:10 >> There's still no visual prompt. There's
48:11
48:11 no visual aspect to it would be really
48:14
48:14 cool. And I I feel like from a
48:16
48:16 technology standpoint in our lifetime, I
48:18
48:18 think
48:19
48:19 >> the only way you can do that is if you
48:21
48:21 had No, I think it's possible, but I
48:23
48:23 think it'd have to be like pre
48:25
48:25 pre-done,
48:27
48:27 you know, like um like it'd be like a
48:30
48:30 certain like the Wizard of Oz, right? It
48:31
48:31 would be like, "Hey, they they made this
48:34
48:34 whole thing for the the Wizard of Oz
48:36
48:36 book, right?" Be like specific books,
48:39
48:39 you know, like kind of like how children
48:41
48:41 have like specific books that get read
48:44
48:44 to them through like the little book toy
48:46
48:46 thing, like the learning center things,
48:48
48:48 you know? It's like that, right?
48:50
48:50 >> So, they'd have to have like specific
48:51
48:51 books that they've done the whole like
48:54
48:54 as you like as it's reading to you, it's
48:56
48:56 showing you something on the screen kind
48:58
48:58 of thing.
48:59
48:59 >> Yeah. the story you're actually reading.
49:01
49:01 Like like you read a horror story,
49:03
49:03 somebody gets stabbed in the neck and
49:06
49:06 you could literally when you say stab in
49:08
49:08 the neck, if you don't read another line
49:09
49:09 in your goggles, you're literally seeing
49:12
49:12 that happen and it's paused because now
49:15
49:15 you got to go get dinner. You take these
49:16
49:16 things off, put it back on, you start
49:18
49:18 reading and it keeps going from that
49:19
49:19 point forward.
49:20
49:20 >> Yeah. No, I think I think it could
49:22
49:22 happen. It's a good idea. I mean I I
49:26
49:26 mean what like
49:27
49:27 >> I mean you hate it. I mean, you're
49:29
49:29 you're actually giving it more of a
49:30
49:30 chance than the person at work did.
49:32
49:32 >> Oh,
49:32
49:32 >> they were like, "You just want to watch
49:34
49:34 a [ __ ] movie."
49:34
49:34 >> Creative, bro.
49:35
49:35 >> No, they're just like, "You just want to
49:36
49:36 watch a movie. That's what you want to
49:38
49:38 do." And it's like, "No, that's what
49:39
49:39 that's
49:40
49:40 >> You're missing the point, man.
49:42
49:42 >> The point is for somebody who wants to
49:44
49:44 read a kick like Moby Dick, if you want
49:46
49:46 to read a kick-ass book
49:48
49:48 >> and have that come to life,
49:50
49:50 >> how you supposed to do that if you just
49:51
49:51 can't visually have the imagination?"
49:54
49:54 So, if there was a device out there, not
49:57
49:57 a movie, but something that could
49:60
49:60 visually be created as you read the
50:03
50:03 story, I think that'd be pretty I think
50:04
50:04 that'd be pretty cool.
50:06
50:06 >> I think it would be even better if it
50:09
50:09 took your brain's imagery
50:12
50:12 to project that story. I think that
50:14
50:14 would be cool. That would be even better
50:15
50:15 than the idea you're suggesting. But I
50:17
50:17 do understand the flaws and limitations
50:19
50:19 with that because a lot of people's
50:21
50:21 minds tend to wander. And so, yes, I can
50:24
50:24 see the flaws to that.
50:26
50:26 >> Yeah.
50:26
50:26 >> But
50:27
50:27 >> so it has to be prompted by the reading.
50:29
50:29 >> The reading is what gets the story
50:30
50:30 going.
50:31
50:31 >> Yes. Exactly.
50:31
50:31 >> You say squirrel, it's going to pause.
50:33
50:33 There's no squirrel in the [ __ ]
50:34
50:34 story.
50:35
50:35 >> Didn't read squirrel. Yeah. Stop.
50:37
50:37 >> Um, but I will say this would also solve
50:40
50:40 a bigger problem. Uh, people who like to
50:42
50:42 complain about books versus movies.
50:47
50:47 Just recently, Joshua, there was a
50:48
50:48 trailer for the new Harry Potter series
50:51
50:51 coming to HBO. Not sponsored by the way
50:55
50:55 and people have really reamed this
51:00
51:00 trailer
51:02
51:02 because people's visual of the book and
51:07
51:07 now the people's visual of the Harry
51:08
51:08 Potter original movie
51:12
51:12 I guess uh are conflicting now and
51:15
51:15 people are they're not happy with it
51:16
51:16 right and you have the people who just
51:19
51:19 recently saw the movie Project Hail Mary
51:22
51:22 who are praising that movie for sticking
51:25
51:25 semi close to the original book. And so
51:28
51:28 you're getting two different sides of
51:29
51:29 the coin. And this this product that
51:31
51:31 you've suggested will solve all that
51:33
51:33 because now if people just want to focus
51:36
51:36 on the book, they can just read the book
51:38
51:38 aloud and it'll be a visual component
51:40
51:40 that they came up with in their head,
51:42
51:42 you know. So
51:44
51:44 good on you, buddy. Good on you. Good
51:46
51:46 idea. Well, sorry for the a trademark on
51:48
51:48 that.
51:50
51:50 >> Right.
51:50
51:50 >> You know.
51:50
51:50 >> Yeah. Yeah, we'll see how many years it
51:52
51:52 takes for us to become millionaires.
51:55
51:55 >> Maybe uh $30 billion seem to get to the
51:57
51:57 moon.
51:58
51:58 >> Yeah, dude. [ __ ] $30 billion. I'll I'll
52:00
52:00 I'll put you on the moon. I'll tell you
52:03
52:03 that.
52:04
52:04 >> Yeah.
52:05
52:05 >> All right, my dude. You ready to start
52:06
52:06 landing this plane? Cuz I am.
52:08
52:08 >> Yeah, the the plane has been landing. Um
52:10
52:10 I think we normally will start off with
52:12
52:12 a couple fun finds here.
52:14
52:14 >> Yeah, let's do it.
52:14
52:14 >> And I think you mentioned last week like
52:16
52:16 your shelves are filling up just like
52:18
52:18 mine. We have so much to show off on
52:19
52:19 this podcast. I'm going to show off two
52:21
52:21 fun codes, two fun finds, um, which
52:24
52:24 happen to be one is the, uh, Target Con,
52:27
52:27 and this is Batman Ninja.
52:30
52:30 >> Oh, nice.
52:32
52:32 >> Very nice, dude.
52:33
52:33 >> That's awesome.
52:34
52:34 >> It's kind of hard to show off the purple
52:36
52:36 uh, and the lighting because the uh, the
52:38
52:38 lights.
52:38
52:38 >> Yeah, kind of glary. Yeah, I know.
52:40
52:40 >> Kind of glary,
52:41
52:41 >> but that one's actually pretty sick. And
52:43
52:43 because we love nostalgia on this
52:46
52:46 podcast and this it's basically part of
52:48
52:48 our, you know, whole mantra here. Um, if
52:51
52:51 you know who this person is and you're
52:53
52:53 in your car, at least keep one hand on
52:55
52:55 the wheel, but I want to see a raise of
52:56
52:56 hands. Um, for if you've ever heard this
53:00
53:00 person play a song or just, you know,
53:04
53:04 there you go.
53:05
53:05 >> Oh, Britney Spears. Good old Brit.
53:06
53:06 >> Oh, [ __ ]
53:07
53:07 >> Oh, what is her little uh There's a
53:09
53:09 little thought bubble in there or speech
53:10
53:10 bubble. What What does it say, buddy?
53:12
53:12 You better work, [ __ ]
53:17
53:17 >> That's what it says.
53:17
53:17 >> Good quote.
53:18
53:18 >> Good old Britney. One of one. I don't
53:20
53:20 know. I saw Britney on the shelf and I
53:22
53:22 said, "Hey, you know what,
53:23
53:23 >> Britney? If you're listening to this
53:24
53:24 right now, I still love you. Don't I
53:26
53:26 love a good crazy every once in a while,
53:28
53:28 but you can you can be crazy on this
53:29
53:29 podcast anytime you want. We'll
53:30
53:30 interview you. Come on, have a good
53:32
53:32 time.
53:32
53:32 >> Come on down.
53:33
53:33 >> Love you, Britney.
53:33
53:33 >> Appreciate it."
53:34
53:34 >> Yeah.
53:36
53:36 >> Good job, buddy. That was great. Um, I
53:38
53:38 got a few things that I want to show
53:39
53:39 off. Uh, I'm going to show off just one
53:41
53:41 Funko and then I have some artwork that
53:43
53:43 I'm going to show off. Um, so first
53:45
53:45 thing I got is going to be this little
53:47
53:47 guy right here. Another Bitty Pop. I got
53:48
53:48 a Bitty Pop fortune in front of me right
53:50
53:50 now. Uh, this is the beautiful Stitch
53:54
53:54 and his little uh his little car, little
53:57
53:57 spaceship car right there.
53:59
53:59 >> Okay. Bitty Pop. All right.
54:00
54:00 >> Little Bitty Pop going into the little
54:02
54:02 bitty town to my left over there. Uh,
54:04
54:04 but I
54:05
54:05 >> town. That's awesome.
54:06
54:06 >> Yeah, I know what I did there. I know.
54:09
54:09 Uh, but what I'm really excited for is
54:11
54:11 what I did today with the old lady. Uh,
54:15
54:15 Josh, I'm going to show off two pieces
54:16
54:16 of art uh by myself and by the old lady.
54:20
54:20 I'm going to show you both of them. I'm
54:22
54:22 show you one of them at a time and I
54:24
54:24 want you to tell me which one I made.
54:27
54:27 Okay? It's going to be a fun interactive
54:30
54:30 game.
54:30
54:30 >> So, I'm going to show you the first one
54:32
54:32 and then So, hang on. I'm going to show
54:35
54:35 you them.
54:36
54:36 You don't you don't need to you don't
54:38
54:38 need to respond to anything or anything
54:41
54:41 like that. Uh because I'm going to show
54:43
54:43 you them and you may have questions and
54:46
54:46 just hold off. Okay. This is show and
54:47
54:47 tell.
54:48
54:48 >> Uh I will show.
54:49
54:49 >> Okay.
54:50
54:50 >> And then we can talk about it after.
54:52
54:52 Okay.
54:53
54:53 >> All right. So, here is the first one I'm
54:56
54:56 going to show you. Ready? Here we go.
55:02
55:02 >> All right. I'm showing Joshua off the
55:04
55:04 piece of art. So you can see here. All
55:07
55:07 right. Beautiful, beautiful work of art.
55:10
55:10 And now I will show him the second work
55:12
55:12 of art. I forget that this is still an
55:14
55:14 audio podcast, so somebody has to be
55:16
55:16 here explaining everything. Sorry, this
55:17
55:17 is hard to do with one hand, by the way,
55:19
55:19 because they're kind of large. Uh, but
55:21
55:21 here is the second work of art right
55:24
55:24 here. So there it is. Second work right
55:27
55:27 there. All right. Okay. So buddy, I've
55:31
55:31 shown you two works of art. Now, how
55:34
55:34 would you describe the two works of art
55:36
55:36 that I showed you?
55:37
55:37 >> I I would I would describe them as very
55:40
55:40 original pieces, handmade, clearly. Uh,
55:45
55:45 with love and hate and everything, all
55:48
55:48 the above,
55:49
55:49 >> I think. Um, why are you holding that
55:51
55:51 one in particular? You trying to trying
55:53
55:53 to trying to sway me towards picking one
55:56
55:56 or the other?
55:57
55:57 >> I'm showing them off. Um, now that I've
56:00
56:00 shown them off to you, buddy, you want
56:02
56:02 to take a guess as to which one is mine
56:03
56:03 and which one was the old ladies?
56:05
56:05 >> Okay. So, first of all, your lady's not
56:08
56:08 old. Okay.
56:11
56:11 >> Teterminative endearment.
56:13
56:13 >> Respect. I'm just I'm just kidding. I I
56:16
56:16 know you're old lady. I'm just having
56:18
56:18 fun. Um,
56:20
56:20 I'm gonna go with based upon some of the
56:24
56:24 some of the um the little the little
56:26
56:26 add-ons that were in all of those. I I
56:29
56:29 don't think the old lady is a fan of
56:32
56:32 guns.
56:35
56:35 >> I don't I don't think she's a, you know,
56:38
56:38 she's a rifle person. I I don't I don't
56:41
56:41 think that's something
56:43
56:43 >> she's into. Um,
56:46
56:46 I'm going to go with that is the young
56:48
56:48 ladies piece of art right there.
56:50
56:50 >> It is. It is. And now I can describe
56:52
56:52 what these are. So, this was a Tik Tok
56:55
56:55 trend that I saw that I really wanted to
56:57
56:57 do and it's been a few weeks. Uh, these
56:59
56:59 are like little taxiderermied
57:02
57:02 uh fake taxiderermy stuffed animal
57:04
57:04 things. Uh, and this is the old ladies.
57:06
57:06 This is a Highland cow that we got from
57:08
57:08 a little mystery box. And she put a
57:10
57:10 little uh she put a little little thing
57:12
57:12 on there. It's really
57:14
57:14 >> I can see that that shouts the old
57:16
57:16 lady's personality. I I don't like
57:19
57:19 saying old lady, man. She's not old, but
57:20
57:20 I get it.
57:21
57:21 >> It's that one. So, that one's nice. And
57:22
57:22 then, yeah, this is this is definitely
57:24
57:24 mine. Uh I made the fox one. The little
57:27
57:27 fox here, but they're like little
57:28
57:28 taxiderermy. So, Joshua, uh I I have I
57:32
57:32 have pictures, but I I can't share them
57:35
57:35 uh cuz they're kind of graphic. Uh, but
57:38
57:38 we took stuffed animals, we chopped
57:40
57:40 their heads off, and we mounted them to
57:42
57:42 wood boards. Uh, so if you want to see
57:44
57:44 what these look like, head on over to
57:45
57:45 Sorry for the light outlive, and you can
57:47
57:47 see them for yourself. But yeah, this is
57:49
57:49 mine, and I'm very happy with him. He's
57:51
57:51 beautiful. He's called the fox. And uh,
57:53
57:53 yeah, there you go. These these are my
57:54
57:54 artworks for the week. Two stuffed
57:57
57:57 animal taxiderermy
58:00
58:00 uh, and Highland cow. So,
58:03
58:03 >> can I ask you a quick question?
58:04
58:04 >> Sure.
58:05
58:05 >> What does the fox say?
58:14
58:14 All right, let's go ahead and move on
58:15
58:15 from that,
58:17
58:17 >> buddy. Let's do some fortunes and let's
58:18
58:18 get the people their lucky numbers and
58:20
58:20 then out of here with your monologue and
58:21
58:21 [ __ ]
58:22
58:22 >> All right. Okay. So, we going um boozy
58:25
58:25 or dirty?
58:27
58:27 >> Uh I think last week we did boozy. So,
58:29
58:29 let's do dirty.
58:30
58:30 >> Dirty. Okay. All right. If uh this is
58:32
58:32 your first time, sorry that you have to
58:35
58:35 sit through this. Uh, what did you just
58:36
58:36 say right now? Cuz I was already
58:38
58:38 thinking about what I was going to say.
58:39
58:39 Did you say Did you say dirty?
58:41
58:41 >> Dirty. Yes. Yeah.
58:42
58:42 >> Okay. Dirty.
58:42
58:42 >> I even questioned myself for a second.
58:44
58:44 >> Yeah. If this is your first time, we
58:46
58:46 usually open these things at the very
58:47
58:47 end of the podcast. This is a misfortune
58:48
58:48 cookies. And occasionally they are
58:50
58:50 funny. It's like it's like a 7030 split.
58:54
58:54 I would love to say 70 is the positive
58:56
58:56 side, but it's more like the 30. Sorry.
58:59
58:59 Um, but we keep doing these just because
59:02
59:02 they're kind of [ __ ] fun. So, let's
59:03
59:03 do it. I got to boost this up on my way
59:06
59:06 here.
59:07
59:07 All right, everybody. Here is your
59:09
59:09 misfortune cookie for this episode 137,
59:13
59:13 which comes out on what, March 31st.
59:16
59:16 >> Here you go. You were born under a lucky
59:19
59:19 star, conceived under a freeway
59:22
59:22 overpass.
59:29
59:29 Don't know how that's a fortune, but
59:32
59:32 sure.
59:34
59:34 I mean this this this may ring true for
59:37
59:37 some uh [ __ ]
59:40
59:40 >> There you go.
59:41
59:41 >> All right. Well,
59:42
59:42 >> there is your miss lucky unfortune
59:44
59:44 there.
59:46
59:46 >> Here you go, Sean.
59:47
59:47 >> All right. Let Let me give the people
59:49
59:49 their seven lucky numbers. Feel free to
59:50
59:50 use them for whatever nefarious reasons
59:52
59:52 you would like this week. Uh but they
59:54
59:54 are as followed. 5 29 37 54 59 60 and
59:60
59:60 62. Once again, seven lucky numbers are
60:03
60:03 5, 29, 37, 54, 59, 60, and 62.
60:10
60:10 Joshua,
60:11
60:11 we've come to the end of the episode.
60:15
60:15 And just like last week, my dude, will
60:18
60:18 you let the people know how to handle
60:20
60:20 their week this coming week? And uh, you
60:23
60:23 know, give them give them some hope. You
60:25
60:25 know, this one again, this one comes out
60:27
60:27 before the next week's episode. So, if
60:31
60:31 you have any parting words of wisdom uh
60:33
60:33 on this Monday morning short, let let
60:37
60:37 the people hear it. Let let them know
60:39
60:39 this is your time. Take it. All right,
60:42
60:42 everybody. Uh thank you for listening.
60:43
60:43 Thank you for watching. I'll kick it off
60:45
60:45 with that. And for your Monday adventure
60:48
60:48 monologue, everybody, can you please
60:51
60:51 everybody just have a little bit of
60:52
60:52 patience? You're probably sitting in
60:54
60:54 traffic. You're probably honking the
60:57
60:57 horn. Maybe somebody just flipped you
60:58
60:58 off. But just know patience goes a long
61:00
61:00 ways in today's world. And uh no matter
61:05
61:05 what you're doing, just please have a
61:06
61:06 little patience. Thank you for
61:08
61:08 listening. Thank you for watching. I
61:10
61:10 know that wasn't 40 seconds, but Sean,
61:12
61:12 that's all I got for you. That's all I
61:13
61:13 got it for everybody listening. We will
61:15
61:15 see you next week on episode
61:18
61:18 128. Have some patience.
61:21
61:21 Joshua. Couldn't have said it better
61:22
61:22 myself. Sorry for blood alive. Uh come
61:25
61:25 check us out. And uh just one last time,
61:27
61:27 just want to show these off real quick
61:29
61:29 because I'm so proud of them. They're
61:30
61:30 beautiful. I love each and every one of
61:33
61:33 these little things that we've created.
61:34
61:34 Um you know, something for the thumbnail
61:36
61:36 real quick. Uh don't watch the new Willy
61:40
61:40 Wonka movies. Simple. Don't watch the
61:43
61:43 new Willy Wonka movies. Easy. Buddy,
61:45
61:45 before I leave you, like I do every
61:48
61:48 week, I got one for you, my dude. Are
61:50
61:50 you ready? Are you ready?
61:51
61:51 >> I'm ready.
61:52
61:52 >> All right, here we go.
61:54
61:54 >> Joshua, did you hear about the girl who
61:57
61:57 ate a frog?
61:59
61:59 >> I did not.
62:02
62:02 >> They say she's going to croak.
62:07
62:07 >> Ladies and gentlemen, we will see you
62:09
62:09 next week. Aducuses.
62:35
62:35 Perfect. Perfect. Perfect. Just going
62:37
62:37 right into it, buddy. It's going to be
62:39
62:39 one of those ones. Whatever. Yeah.
62:43
62:43 >> All right. Here we go. Sorry, buddy. No.
62:45
62:45 No ranting at the beginning or end of
62:46
62:46 this episode, guys. We're just We're
62:48
62:48 just going straight in. Straight in.
62:51
62:51 Maybe if I can find my position. There
62:53
62:53 we go. Think I'm good. I'm good.
62:56
62:56 >> Yeah. Okay.
62:57
62:57 >> I think you're real good. You're fine.
62:58
62:58 >> Thanks, buddy. I appreciate that. Yeah.
63:00
63:00 >> Give you kisses later. All right.
63:05
63:05 Three, two, one.
