Sorry For The Delay | EP.128 | Space Toilet, Butter Jogging & Summer Water
-WHAT’S IN OUR CUP-
Sean: Schilling Excelsior Imperials Passion Fruit Pineapple (limited edition cider)
Joshua: Whiskey (Name Not Mentioned)
-AI SONG OF THE WEEK-
AI Song Of The Week: “Summer Water” (Lyrics written by Sean.)
-CHAT WITH US-
• Hard Copy Humans
• A New Era
• Things We Forgot
-CHAPTERS-
00:00 EP.128 Intro, Hoarse Joshua & Moon Talk
02:24 What’s In Our Cup - Whiskey & Passion Fruit Pineapple Cider
04:34 Moon Mission - Launch Feelings, Space Toilets & Astronaut Plumbers
12:52 Pick Your Poison - Ostrich Death Match & Garbage Can Rules
16:16 Hard Copy Humans - Lost History, Plastic Futures & Ocean Secrets
23:26 A New Era - Sean’s New Music Experiment Begins
25:52 AI Song Of The Week "Summer Water"
30:10 Music, AI Ethics & The Future Of The Sound Lab
44:47 Things We Forgot - Cookie Tins, Motel Keys & Butter Churns
51:01 Fun Finds - Five Below Chase, Tiger Rock & Record Store Bitty Pop
55:10 Boozy Fortune, Lucky Numbers, Monday Monologue & NASA Joke
-SOUND BITES-
• “Maybe I finally hit puberty. This is how I’m really supposed to sound.” - Joshua, introducing the new voice era.
• “I think it’s a great step for humanity and mankind.” - Joshua, getting emotional about the moon mission.
• “I think every one of their asses has like a giant hickey on it.” - Sean, explaining the space toilet situation.
• “I think they’re just going to consume it and keep consuming it in the infinite people cycle.” - Sean, solving astronaut waste in the grossest way possible.
• “Would you rather wake up every morning unable to remember who you are or fight an ostrich to the death?” - Sean, pulling a truly cursed Pick Your Poison card.
• “It’d be like a brand new day. Every day would be a brand new day.” - Joshua, somehow making memory loss sound peaceful.
• “How many hard things still exist that we haven’t found or is being hidden from us?” - Joshua, opening the Hard Copy Humans spiral.
• “I think all that would be left is like some area in the middle of the Pacific Ocean that is just plastic.” - Joshua, imagining the world’s worst legacy.
• “There is a Chase Bitty Pop in this game right here.” - Joshua, celebrating the Five Below pull.
• “They have a butter churn that sits in like a little fanny pack that people can wear when they go jogging to make butter.” - Sean, proving the modern world is unsupervised.
-FORTUNE & FINDS-
Fortune: You have a high tolerance except for minorities.
Lucky Numbers: 1, 11, 22, 36, 39, 49, 51
Fun Finds / Value Finds:
Sean: Bitty Pop Record Store, a perfect little shelf piece for the music kick.
Joshua: Disney Bitty Pop game from Five Below with a Maleficent chase, plus Tiger Rock from Target Con.
Transcript
00:00 Welcome to episode 128 of Sorry for the
00:03
00:03 Delay. I'm your editor, Mia. This week,
00:06
00:06 Joshua sounds like puberty finally
00:08
00:08 cleared customs. Sean turns a moon
00:10
00:10 mission, space toilets, and AI
00:12
00:12 songwriting into a full identity crisis.
00:15
00:15 And somewhere in the middle, these two
00:17
00:17 are debating astronaut plumbers, garbage
00:19
00:19 can meals, and butter churns you can jog
00:21
00:21 with. Nobody came prepared. Then Sean
00:24
00:24 basically clones his own voice for the
00:26
00:26 future. Joshua finds a chase at 5 below
00:29
00:29 and they still land the plane like
00:31
00:31 nobody handed them a normal Tuesday.
00:33
00:33 Enjoy the show.
00:34
00:34 >> Hello and welcome to another episode of
00:36
00:36 Sorry for the Delay. We are your hosts.
00:39
00:39 My name is Sean and over there is
00:41
00:41 Joshua. He's not going to the moon and
00:44
00:44 this is episode
00:46
00:46 128. Another even episode buddy. I feel
00:49
00:49 like there can only be two options. Uh
00:52
00:52 even or odd. This week is an even
00:55
00:55 episode. So, buddy, how are you doing
00:58
00:58 this beautiful week?
01:01
01:01 >> I kind of feel like it's going to be an
01:03
01:03 even odd episode just the way this is
01:06
01:06 starting right now. It's already kind of
01:08
01:08 weird, man. Um, let's go places.
01:11
01:11 >> Despite how I sound, I feel good. I
01:13
01:13 don't I don't know if it's going to pick
01:14
01:14 this up on the mic or whatever, but I'm
01:16
01:16 like totally horse. My voice is like
01:18
01:18 gone. Um, and I don't even know what I
01:21
01:21 did.
01:22
01:22 >> Yeah, dude. It's like I went to a
01:23
01:23 concert and I just been jamming out all
01:25
01:25 night. But I don't know, something
01:26
01:26 happened to my voice which is weird. I
01:28
01:28 don't know if it's just a fluctuation in
01:29
01:29 weather or just what's going on. Um
01:31
01:31 because I feel like I'm a fairly healthy
01:33
01:33 person. So maybe maybe this is, you
01:36
01:36 know, I just I'm a little over 40 now.
01:38
01:38 Maybe I finally hit puberty. This is how
01:40
01:40 I'm really supposed to sound. So
01:42
01:42 congratulations everybody. You've made
01:44
01:44 it this far with me in life and the
01:45
01:45 balls have finally dropped and this is
01:48
01:48 my true voice. Um, but
01:51
01:51 >> congratulations. Congratulations.
01:53
01:53 >> Yeah, like I said, despite how I sound,
01:56
01:56 this is what's going on. And u I'm happy
01:58
01:58 to be here. I'm happy that you know,
01:60
01:60 whoever is listening, watching, thank
02:01
02:01 you for coming. Thank you for joining
02:02
02:02 us. Uh, yeah, I'm doing okay. What about
02:04
02:04 you, Sean? Are did you sound better? I
02:07
02:07 mean, you were so well.
02:09
02:09 >> Uh, I'm I'm feeling healthy. I have uh
02:11
02:11 somewhat of a good amount of energy
02:13
02:13 today. I'm actually pretty excited for
02:15
02:15 this episode. We're about to make
02:17
02:17 history. kind of like the rocket that
02:19
02:19 just had happened, Joshua. Um, but
02:21
02:21 before we even touch base on any of
02:23
02:23 that,
02:24
02:24 >> okay,
02:24
02:24 >> let's talk about what is inside of our
02:27
02:27 cups this evening, afternoon, morning,
02:30
02:30 whenever you're listening or watching.
02:32
02:32 What What is in there, buddy? What is
02:33
02:33 What do you got stirring up?
02:35
02:35 >> All right, for Well, for an even Otter
02:38
02:38 uh episode, I I'm just keeping it I
02:40
02:40 keeping it simple because I've heard
02:42
02:42 whiskey does really well for horse
02:44
02:44 throats.
02:45
02:45 >> It does. You got to gurgle it, though.
02:47
02:47 I'm not gurgling whiskey. I'll tell you
02:49
02:49 that right. And at least not on this
02:51
02:51 podcast.
02:52
02:52 I will spit it up all over. It would be
02:54
02:54 really really bad for all.
02:56
02:56 >> Sorry for the delay exclusive. Everybody
02:58
02:58 watch.
02:58
02:58 >> But honestly,
03:00
03:00 >> I'm just going to sip on whiskey for
03:02
03:02 this episode, man. So, if you're
03:03
03:03 listening to us in the morning, I I
03:05
03:05 promise like I don't drink whiskey in
03:06
03:06 the morning. Um but if you're listening
03:08
03:08 to us at night,
03:09
03:09 >> double people,
03:11
03:11 >> it's more likely this is when this is
03:13
03:13 when I would be drinking whiskey. So,
03:15
03:15 cheers everybody. That is what's in my
03:17
03:17 cup. What about you, Sean? What are you
03:19
03:19 sipping on over there this morning or
03:20
03:20 this evening? Whenever we're doing this.
03:22
03:22 >> Yeah, whenever the hell it is. Uh,
03:24
03:24 buddy, I got a new one. Uh, I'm a cider
03:26
03:26 connoisseur, as some would say. Uh, I
03:28
03:28 got a new cider. I'm trying. Another
03:30
03:30 limited edition release. Uh, this is by
03:33
03:33 Excelsior Imperials. Uh, this is
03:37
03:37 Imperial Passion Fruit Pineapple. Uh,
03:40
03:40 Joshua, I don't know if you remember,
03:42
03:42 uh, this brand here.
03:44
03:44 >> I do. Um,
03:45
03:45 >> I do. Yeah, this is a what is this? A
03:48
03:48 Washington brand up here. And so this is
03:50
03:50 the first time I'm having it. Uh it's by
03:52
03:52 a company called Schilling. And I'm
03:55
03:55 opening it up right now. I've never had
03:57
03:57 this flavor. Obviously, it's a limited
03:58
03:58 edition release. So here we go.
04:00
04:00 >> Smells like cider. Tastes like
04:07
04:07 a little sweet. Little too sweet for me
04:08
04:08 on this one.
04:09
04:09 >> Okay. All right.
04:09
04:09 >> Uh but it's got a lot of uh got a lot of
04:12
04:12 overwhelming pineapple taste to it. uh
04:14
04:14 which is sweet. So, if you don't like
04:17
04:17 the uh excuse me, if you don't like the
04:18
04:18 sweetness of a pineapple, you're
04:20
04:20 probably not going to enjoy this. Uh
04:21
04:21 expect it a little bit more tart. But,
04:24
04:24 you know, I'm going to drink it cuz I
04:25
04:25 got two next to me cuz we about to get
04:27
04:27 wild in here, buddy. Um now, while I
04:30
04:30 pull this into my cup, buddy. Hey, how
04:32
04:32 do you feel about making history?
04:35
04:35 >> How do I feel about making history? like
04:37
04:37 like me myself like I did something to
04:39
04:39 create some for like it's it's going to
04:41
04:41 be a part like what do you mean are
04:44
04:44 that's very a that's a big broad stroke
04:47
04:47 are you being
04:48
04:48 >> that's a big stroke
04:49
04:49 >> yeah something more specific you would
04:51
04:51 like to point the dial to
04:52
04:52 >> Yeah buddy uh how do you feel about the
04:54
04:54 US making a history I guess you could
04:57
04:57 say uh by sending people not directly to
04:60
04:60 the moon but
05:02
05:02 moon adjacent right they're they're
05:04
05:04 going to go uh they're going to go
05:05
05:05 around the moon kind of thing. How do
05:06
05:06 you feel about that?
05:07
05:07 >> Does that make you happy? Does that make
05:08
05:08 you proud? What What does that do for
05:10
05:10 you?
05:10
05:10 >> It's funny. I, you know, I knew this day
05:13
05:13 in history was coming. It was like on my
05:15
05:15 calendar, but I forgot to set a
05:16
05:16 reminder. Like, I don't have alarm for
05:18
05:18 everything that happens in my life. And
05:19
05:19 unfortunately, I did not set an alarm
05:21
05:21 for this one. And I was lucky enough
05:24
05:24 that the timing was so good that that my
05:27
05:27 lunch were at work happened to fall
05:30
05:30 within that window of when they actually
05:32
05:32 launched.
05:33
05:33 >> Yeah.
05:33
05:33 >> Uh Yeah. So it it worked out really
05:35
05:35 really well. But what I didn't know and
05:38
05:38 I'm I guess I'm surprised maybe not that
05:40
05:40 we haven't gone back at least like you
05:42
05:42 said moon adjacent. Um it's been like 53
05:46
05:46 years since we've made any type of like
05:49
05:49 mission towards that big old rock in the
05:51
05:51 sky. So for me I sat in my my car while
05:55
05:55 I ate my little my little sandwich. You
05:56
05:56 know I didn't eat I didn't get fast
05:58
05:58 food. Uh I made myself a little
05:60
05:60 sandwich. So it's kind of nice. Um, but
06:02
06:02 I watch it and it literally it moved me.
06:05
06:05 I'm not going to lie. It it moved me to
06:07
06:07 see that this happened because in the
06:09
06:09 back of my mind, I'm not going to lie. I
06:11
06:11 was still I still have visions even
06:14
06:14 though I don't think I don't think I was
06:15
06:15 alive yet when Colombia happened when
06:17
06:17 the when the shuttle exploded and we
06:19
06:19 lost all those astronauts. I I forget
06:21
06:21 the the year of that. I should have
06:22
06:22 looked that up. Um, but the whole time I
06:25
06:25 was watching it, I was like, "Please
06:27
06:27 God, do not let anything happen to this
06:29
06:29 because this would be such a setback for
06:32
06:32 mankind and humanity if this were to
06:35
06:35 explode." A lot of people would be
06:37
06:37 laughing in some people's faces. It'd be
06:38
06:38 a tragedy, man. But
06:41
06:41 >> it moved me in in a lot of different
06:42
06:42 ways. I'm happy to see that they all
06:45
06:45 made it up there safely, and I can't
06:47
06:47 wait for the rest of the mission to to
06:49
06:49 complete itself. Um because it just I
06:52
06:52 know when you go in in space like that,
06:54
06:54 I don't know personally, but there's
06:55
06:55 just a [ __ ] ton that goes wrong. And uh
06:58
06:58 real quick, I I watched some of it that
06:60
06:60 night and the conversation I caught is
07:02
07:02 they were having problems with their
07:03
07:03 toilet. Apparently, too, he's going to
07:06
07:06 bring that up.
07:06
07:06 >> There's something going on with the
07:08
07:08 toilet. And if you're in space and you,
07:10
07:10 you know, having problems with a toilet
07:12
07:12 on this in planet Earth in your own
07:14
07:14 house is a problem. You know, getting a
07:16
07:16 hold of a plumber here is just a [ __ ]
07:17
07:17 problem. try doing that, you know, as
07:20
07:20 you're going to the moon, it's you're
07:22
07:22 gonna have a hard time. Uh, but yeah,
07:25
07:25 man, it was it was moving for me. I'm
07:26
07:26 super happy to see that we're doing this
07:28
07:28 and um I think it's a great step for
07:30
07:30 humanity and mankind.
07:31
07:31 >> Yeah, man. For sure. I agree with you. I
07:33
07:33 think it's I think it's pretty [ __ ]
07:34
07:34 awesome. Uh I did see that toilet thing,
07:36
07:36 too. And in my mind, I was like, is NASA
07:40
07:40 going to have to start screening for
07:41
07:41 plumbers? You know, that's going to be
07:43
07:43 like part of the resume now. If you want
07:44
07:44 to be an astronaut, you also have to
07:45
07:45 know plumbing, you know, on top of the
07:47
07:47 multitude of other things that you have
07:49
07:49 to know to be an astronaut. Plumbing is
07:51
07:51 now going to be a part of that. And then
07:53
07:53 as I was thinking about that, I was also
07:55
07:55 thinking about where will they take
07:57
07:57 shits? Like how does that work? Like do
07:60
07:60 they have airlocks where they could just
08:01
08:01 [ __ ] like into the airlock and then let
08:04
08:04 it go, you know? Uh or do they have to
08:06
08:06 like put it in little baggies and then
08:08
08:08 they have just little baggies of [ __ ]
08:09
08:09 and piss floating everywhere beside
08:12
08:12 them? Like how does how do these how do
08:14
08:14 these things work? I have questions. I
08:16
08:16 need answers.
08:17
08:17 >> I honestly think it's a giant vacuum. So
08:19
08:19 every time they get off the toilet, I
08:20
08:20 think every one of their asses has like
08:22
08:22 a giant hickey on it. I think they get
08:24
08:24 sucked. I think the the poo literally
08:27
08:27 gets sucked out of their body.
08:29
08:29 >> [ __ ]
08:30
08:30 >> Yeah. So they So they're all coming back
08:31
08:31 with BBLs. Um vacuum plumped booties
08:35
08:35 from space courtesy of space.
08:38
08:38 >> It's like the billion dollar BBL.
08:40
08:40 They're all coming back with bigger
08:42
08:42 buttons.
08:42
08:42 >> BBL, the ship is uh literally eating ass
08:46
08:46 every time these astronauts are taking
08:48
08:48 shits. I love that. I love the idea.
08:52
08:52 >> Wonderful.
08:53
08:53 >> I just had this thought like, couldn't
08:54
08:54 they like jettison poo into the to to
08:57
08:57 space, you know? Do they have to?
08:58
08:58 Because obviously it carries weight,
08:60
08:60 right?
09:00
09:00 >> Yeah.
09:00
09:00 >> But I'm pretty sure they recycle waste
09:02
09:02 and there's probably I really hope they
09:04
09:04 don't turn into food. That'd be like
09:05
09:05 different.
09:06
09:06 >> That' be weird.
09:08
09:08 >> Yeah. like little popcorn kernels of
09:10
09:10 just poo food.
09:12
09:12 >> Um,
09:13
09:13 >> listen, we're getting to poo talk here.
09:14
09:14 If you don't want poo talk, I'd skip
09:16
09:16 ahead. U
09:19
09:19 talk, buddy.
09:20
09:20 >> I feel like what you just said, if they
09:21
09:21 were like to propulsion it out, I feel
09:24
09:24 like that would [ __ ] up their their trae
09:26
09:26 their trajectory,
09:28
09:28 >> right?
09:28
09:28 >> You know, just enough by like mill like
09:31
09:31 millimeters, right, that it just [ __ ]
09:33
09:33 everything up. So, I don't think that's
09:34
09:34 an option. Also, I don't think the
09:35
09:35 airlock thing would work either because
09:37
09:37 that would probably be the same same
09:38
09:38 effect. So, I think they're just going
09:40
09:40 to eat it. I think they're just going to
09:41
09:41 consume it and keep consuming it in the
09:44
09:44 infinite people cycle.
09:46
09:46 >> I think they do that with the uh pee. I
09:48
09:48 think the urine gets recycled and turned
09:50
09:50 into like water or I think there's
09:52
09:52 something they do with that.
09:54
09:54 >> A real turn back into
09:56
09:56 >> Yeah, I I think it's possible. It's
09:58
09:58 NASA. It's science, you know. They made
09:59
09:59 Velcro. I mean, they can figure out the
10:01
10:01 P thing, you know.
10:02
10:02 >> Yeah, they they figured it out. I'm sure
10:04
10:04 that was one of the things on the list
10:05
10:05 before they put people into rockets is
10:07
10:07 figuring out how to dispose of the
10:09
10:09 waste. So, yeah.
10:11
10:11 >> Before Hey, hey, I got I I do have a
10:13
10:13 question for you though. How do you
10:14
10:14 think you would do in this pod? And this
10:16
10:16 is a question for everybody. How do you
10:18
10:18 think you would be do how do you think
10:19
10:19 you'd feel just like locked in that
10:21
10:21 confined capsule for what is it? I think
10:24
10:24 it's like a um I looked it up. I think
10:26
10:26 it's like a 10day mission
10:29
10:29 >> between from when they left to when they
10:30
10:30 come back. I think it's 10 days.
10:34
10:34 Well, listen. I'm a homebody. I think
10:36
10:36 everybody listening to this podcast or
10:37
10:37 if you haven't listened to this podcast,
10:39
10:39 um, hi. We're Sean and Joshua, your two
10:40
10:40 base two favorite best friends now. Um,
10:44
10:44 I'm a homebody. So, I feel like if I was
10:46
10:46 in a pod, right, it's like if I was if
10:48
10:48 my pod was here in the apartment, um,
10:51
10:51 and I had to spend 10 days in here, uh,
10:53
10:53 I think I would be fine. I survived
10:55
10:55 COVID, you know, uh, barely, but
10:58
10:58 >> I think I can make it. I think I can do
10:59
10:59 10 days in a pod. You know, it's 10 days
11:03
11:03 in a pod with strangers where that gets
11:06
11:06 me, you know, because then you don't
11:08
11:08 know people's mannerisms and [ __ ] like
11:09
11:09 that. Like what if one of them, Dave,
11:14
11:14 really has a problem with like his
11:16
11:16 toenails, right? He just like has really
11:19
11:19 long toenails, you know, just
11:21
11:21 disturbingly gross, you know, and you
11:24
11:24 got to you got to stay next to that for
11:26
11:26 10 days. I don't know if I could do
11:27
11:27 that, right? or Becky kind of gives off
11:30
11:30 an odor, you know, like I I don't know.
11:33
11:33 I don't know. 10 days with that. 10 days
11:34
11:34 with strangers in a pod.
11:37
11:37 I don't know, man. I'm not a whale, so I
11:39
11:39 I I don't know.
11:41
11:41 >> That was dope. But good. Yeah, I like
11:42
11:42 that.
11:43
11:43 >> You're welcome. Yeah, it's good. Whales
11:45
11:45 pods. Yeah, I'm good. I'm good like
11:46
11:46 that.
11:47
11:47 >> I mean, for 10 days,
11:48
11:48 >> you think you can do it?
11:49
11:49 >> Oh, yeah. I mean, because I'm a tasker.
11:51
11:51 See, see, that's the thing about me.
11:52
11:52 Like if you give me something to do, I
11:55
11:55 would be fine cuz I I you know I would
11:57
11:57 be like oh I get you
11:58
11:58 >> counting stars or whatever you know. Hey
12:00
12:00 just put you like put me by the window
12:02
12:02 and just have me like count stars
12:08
12:08 >> Joshua. We need you to count all these
12:10
12:10 stars. All right.
12:12
12:12 >> The next guy can't really do anything. I
12:14
12:14 don't even know how he got here. Make
12:15
12:15 him count the stars. Bro,
12:17
12:17 >> it's like on his resume he said it was a
12:18
12:18 plumber and the and still broken. like
12:21
12:21 we got to do something with this guy.
12:24
12:24 Um,
12:26
12:26 yeah. So, I I don't you But if you give
12:28
12:28 me a task, if I got I got if I got a
12:30
12:30 task for 10 days,
12:31
12:31 >> I would be fine sitting still. I
12:33
12:33 wouldn't make it. So, I think with a
12:36
12:36 mission like this, there's going to be
12:37
12:37 plenty of tasking. So, I'd be fine. I to
12:39
12:39 I'd totally get along. And body odor
12:40
12:40 doesn't bother me cuz, you know, they
12:42
12:42 got deodorant. They got stuff. So,
12:45
12:45 >> I think I think it'd be fine. I think
12:46
12:46 it'd be fine.
12:47
12:47 >> We'd both make it out alive, buddy. We'd
12:48
12:48 be all right. We'd be cool. Doctor, do
12:50
12:50 you want to do a little pick your poison
12:51
12:51 before we go to the chat with this
12:52
12:52 section?
12:52
12:52 >> Oh, yeah. Let's do it, dude.
12:53
12:53 >> I've been craving I've been craving to
12:55
12:55 do some pick your poison with you,
12:56
12:56 buddy. I feel like last week's pick your
12:58
12:58 poison were kind of garbage. Kind of
12:60
13:00 garbage. So, I'm kind of hoping to the
13:01
13:01 the pick your poison gods that we uh we
13:04
13:04 get some good cards this time. So, here
13:05
13:05 we go, buddy. Going to give you two at
13:07
13:07 random, one from the top, one from the
13:09
13:09 bottom. Here's the top one. Here you go.
13:10
13:10 Joshua, would you rather wake up every
13:14
13:14 morning unable to remember who you are
13:17
13:17 or
13:20
13:20 fight an ostrich to the death?
13:26
13:26 >> Oh, man. Well, cuz I I fight an ostrich
13:30
13:30 to the death.
13:30
13:30 >> Yeah, buddy. Fight an ostrich to the
13:32
13:32 death.
13:33
13:33 >> I I mean, I'm not a fan of killing
13:35
13:35 animals. I I'd rather struggle within.
13:38
13:38 So, I would totally go with I think I
13:40
13:40 think I would go with uh the whole
13:43
13:43 waking up and not knowing who I am. It'd
13:44
13:44 be like a brand new day. Every every day
13:46
13:46 would be a brand new day.
13:48
13:48 >> Yeah.
13:48
13:48 >> Yeah. You'd be it'd be self-discovery
13:51
13:51 every day for you.
13:52
13:52 >> Every Yeah, I think that'd be awesome. I
13:54
13:54 mean,
13:55
13:55 >> I mean, maybe.
13:56
13:56 >> Um, for the record, buddy, I want to
13:58
13:58 first dates you on this one. So, I will
13:60
13:60 allow that and uh I will I will try to
14:03
14:03 fight the ostrich to death just so I can
14:05
14:05 uh try to make you love me every single
14:07
14:07 day, you know.
14:08
14:08 >> I think I think that's even Yeah, you
14:10
14:10 would stand a better chance with the
14:11
14:11 ostrich than I would.
14:12
14:12 >> Yeah, probably. I'm big man. Big man.
14:14
14:14 Big strong mental games. Yeah.
14:16
14:16 >> Yeah.
14:17
14:17 >> Yeah, you are. All right. Here's another
14:19
14:19 one, buddy. Uh Joshua, would you rather
14:22
14:22 be below average at everything?
14:25
14:25 >> Okay. or
14:28
14:28 never find anything funny ever again.
14:30
14:30 That's an easy one. Obviously, never be
14:33
14:33 funny at anything or find anything
14:34
14:34 funny, right?
14:34
14:34 >> Yeah, this it sounds too familiar
14:36
14:36 already, but it's fine.
14:38
14:38 >> Yeah, I think both these cards are just
14:39
14:39 who we are in general.
14:42
14:42 >> I I don't know what word
14:45
14:45 >> I think I think I think the only time I
14:48
14:48 was above average is when I was born
14:49
14:49 because I was like 10 pounds. I was like
14:51
14:51 above average. Everything after that I
14:53
14:53 just was blowing everything.
14:55
14:55 >> Oh god.
14:56
14:56 >> I never Yeah, it was bad.
14:58
14:58 >> One more buddy. One last one for you for
14:60
14:60 this week. Here you go. Joshua, would
15:02
15:02 you rather never brush your teeth again?
15:05
15:05 >> Okay.
15:06
15:06 >> Or eat the contents of the nearest
15:09
15:09 garbage can.
15:12
15:12 >> Wait, hold on. Let me see what's in my
15:13
15:13 garbage can.
15:14
15:14 >> What's in your trash can? I would assume
15:15
15:15 that it's like uh licorice wrappers, uh
15:18
15:18 whiskey caps, and fortune cookie
15:21
15:21 crumbles.
15:23
15:23 >> I'm Yeah, there's actually there still
15:25
15:25 is fortune cookie crumbles in there.
15:27
15:27 There's a bit of plastic, which probably
15:28
15:28 is already running through my system
15:29
15:29 already, so why not just add a little
15:31
15:31 bit of cookie and some more plastic to
15:34
15:34 uh to myself? Yeah, totally. Even
15:37
15:37 without my garbage.
15:38
15:38 >> Yep.
15:38
15:38 >> All right, I feel that. Uh I would, too,
15:40
15:40 because I just changed the garbage bag,
15:41
15:41 so there's nothing in there.
15:43
15:43 Kudos on me. Loophles. Big loopholes.
15:46
15:46 >> All right, buddy. Let's do the chat with
15:48
15:48 this section. Let's uh let's keep on
15:49
15:49 moving forward. Uh the chat with the
15:51
15:51 section. For those of you listening for
15:52
15:52 the first time, hello. Welcome.
15:54
15:54 >> Uh this is the topics that we're going
15:55
15:55 to be talking about for the week.
15:57
15:57 >> And they are as followed. Number one,
16:00
16:00 hard copy humans. Number two, a new era.
16:06
16:06 All right. And number three, things we
16:09
16:09 forgot. Wonderful. Three beautiful
16:12
16:12 topics, buddy. Uh, would you like to
16:13
16:13 start this first one off because I know
16:14
16:14 it's your topic.
16:16
16:16 >> All right. Hard copy humans. Okay. You
16:18
16:18 know, I I'd like to say this one came to
16:21
16:21 me because I was blitzed out of my mind.
16:23
16:23 You know, I was just I was on my like
16:24
16:24 seventh joint, but no, this is a
16:26
16:26 completely sober thought as I was
16:28
16:28 sitting around watching a movie. And
16:30
16:30 this is just this should just tell you
16:32
16:32 what kind of person I am when I'm just
16:34
16:34 like sitting there casually, not even on
16:36
16:36 one. Uh, maybe I had a glass of wine. I
16:38
16:38 don't know. I can't remember. This was a
16:39
16:39 while ago when I thought about this. Um,
16:41
16:41 so I started thinking about just again
16:43
16:43 history, everything that we're going
16:45
16:45 through right now. And I forget what the
16:47
16:47 exact movie I was watching, but it came
16:50
16:50 to me that I love movies. I I I get
16:53
16:53 ideas from movies, but every movie that
16:55
16:55 I've ever seen has always been just a
16:58
16:58 movie. It's not written on a wall. It's
16:59
16:59 not really in a book. It's not it's not
17:02
17:02 etched in granite, you know? It's not
17:03
17:03 it's not anything that's that say like
17:06
17:06 like it's hard. It's it's something that
17:08
17:08 will just go away at some point. So, I
17:11
17:11 started thinking about all the things in
17:14
17:14 just in real life, you know? You got the
17:16
17:16 pyramids of Egypt, you got like the
17:19
17:19 goleepy, [ __ ] that word. Um, but and you
17:21
17:21 got Stone Heads, you got you got all
17:23
17:23 these you got all these places, right,
17:24
17:24 that are just like hard human copy.
17:27
17:27 Like, it's it still exists over the
17:30
17:30 thousands of year millennia. Like, it's
17:31
17:31 just been here. So I started thinking
17:34
17:34 about all the stuff that's just soft
17:36
17:36 when it comes to human, our soft
17:38
17:38 features. How much of what is hard
17:42
17:42 that we actually still get to see and
17:44
17:44 how much of it is being kept from us?
17:47
17:47 Like how many secrets are there still
17:49
17:49 out there that that are hidden from our
17:52
17:52 hard future, our hard p our hard past
17:55
17:55 that that we can't find anymore? So, it
17:58
17:58 got me nervous because because again,
17:60
17:60 when everything goes to [ __ ] like if a
18:02
18:02 cataclysm hits the earth, like like if a
18:03
18:03 meteor hits the planet, if some crazy
18:05
18:05 thing happens,
18:07
18:07 the only thing that's going to exist
18:09
18:09 exists anymore is is are hard human
18:12
18:12 copies, like things that just is etched,
18:14
18:14 right?
18:14
18:14 >> Yeah.
18:15
18:15 >> So,
18:16
18:16 I I I don't know. It just made me kind
18:18
18:18 of think like where we are today, how
18:20
18:20 much of it's going to be erased when
18:22
18:22 [ __ ] happens. And I I was just my
18:25
18:25 thought was to you was like, Sean, do
18:28
18:28 you think the stuff that's being
18:29
18:29 presented in front of us now is is like
18:31
18:31 there's a lot of fact or there's still
18:33
18:33 stuff being hidden from us cuz we're
18:34
18:34 going to the moon, right? You know, who
18:36
18:36 knows if aliens still exist? Like
18:38
18:38 >> how many hard things still exist that we
18:42
18:42 haven't found or is being is being
18:44
18:44 hidden from us
18:46
18:46 >> that that we don't know about yet?
18:49
18:49 >> I think there's a lot. There's
18:51
18:51 definitely a lot of things that are
18:52
18:52 still being hidden from us. I mean, come
18:54
18:54 on. We know aliens exist. They've
18:55
18:55 announced aliens exist, but nobody
18:57
18:57 cares, right? Nobody cares. Nobody's
18:58
18:58 talking about it. Nobody's doing
18:59
18:59 anything cuz they're not hostile, right?
19:01
19:01 They're not coming over here to [ __ ]
19:02
19:02 probe us and [ __ ] Um, so I think
19:05
19:05 there's a lot of stuff that is not being
19:06
19:06 told to us. And I think we're we're
19:08
19:08 being shielded by a lot of that stuff.
19:10
19:10 And maybe some of that stuff is kind of
19:12
19:12 pointless. Maybe they discovered
19:13
19:13 penicellin way back in like BBC days,
19:16
19:16 you know?
19:17
19:17 >> Um, but like I don't Oh, I think it's I
19:21
19:21 think it's just stuff like that. Stuff
19:22
19:22 that doesn't really make a difference in
19:23
19:23 history unless you're like a real
19:25
19:25 history nerd, right? So, I don't know. I
19:28
19:28 think there's I think we've probably
19:29
19:29 found all the big stuff uh other than
19:32
19:32 like undersea like alien camps, you
19:36
19:36 know? I think that's the biggest thing
19:37
19:37 that we're probably not being told or
19:38
19:38 reptiles. Uh humanoid humanoid reptiles.
19:41
19:41 I think that might be another thing that
19:42
19:42 they're hiding from us. Um, but I think
19:45
19:45 all the other stuff in history is is
19:48
19:48 just so I don't know, just doesn't
19:51
19:51 matter. Doesn't matter kind of thing,
19:53
19:53 you know,
19:53
19:53 >> like a true anyways. It doesn't matter.
19:56
19:56 >> Yeah, exactly. That's Yeah, that's what
19:58
19:58 I feel like. And I feel like especially
19:59
19:59 with our like presence being society,
20:03
20:03 right? If there was something to just
20:05
20:05 wipe us all out to like glass the
20:07
20:07 planet, right? And the thing that we
20:09
20:09 would have left would probably just be
20:10
20:10 like an ocean of plastic, you know? Oh,
20:12
20:12 they like if like a giant a giant meteor
20:15
20:15 hit us, [ __ ]
20:17
20:17 >> burns everything down. I think all that
20:19
20:19 would be left is like some area in the
20:22
20:22 middle of the Pacific Ocean location
20:23
20:23 that is just plastic and aliens would be
20:26
20:26 floating by and being like that's a lot
20:28
20:28 of plastic
20:30
20:30 and just gone, you know, cuz nothing
20:32
20:32 else would hold up over time if that
20:35
20:35 were to happen. So
20:36
20:36 >> yeah, which is kind of crazy because
20:37
20:37 like if you think about all the creative
20:38
20:38 things that we've ever done, most of it
20:40
20:40 won't ever live on past, you know,
20:43
20:43 hundred years. Like most of it's just
20:44
20:44 gone.
20:46
20:46 >> Yeah, exactly.
20:47
20:47 >> Which is which is kind of crazy. And and
20:49
20:49 just to put the tin foil hat on real
20:51
20:51 quick, uh I like the fact that you
20:53
20:53 mentioned the oceans and aliens in the
20:55
20:55 oceans. And so I was talking to somebody
20:56
20:56 at work
20:57
20:57 >> and they were telling me so their
20:58
20:58 conspiracy was the reason we're going
21:00
21:00 back to the moon is because we have not
21:03
21:03 only recently but we found something in
21:06
21:06 the ocean that has told us that if we
21:09
21:09 don't leave this planet um this planet
21:12
21:12 won't be around for us much longer for
21:14
21:14 us to be here anyway. So we have to
21:16
21:16 leave like we've actually found
21:18
21:18 something. So, there's a bigger there's
21:20
21:20 a bigger urgency to get the hell out of
21:23
21:23 here and start now because something's
21:25
21:25 coming or we found something that we're
21:28
21:28 not being told about.
21:30
21:30 >> So, they're thinking that they found
21:31
21:31 something in the ocean that told them.
21:34
21:34 Is this like the universal the universe
21:36
21:36 turtle, the thing that knows everything,
21:38
21:38 right? They found a to a tortoise or
21:40
21:40 whatever and it's like, "Hey, these are
21:42
21:42 the secrets of the universe kind of
21:43
21:43 thing, you know?" And it's like, "If you
21:44
21:44 don't get off this planet, you're
21:45
21:45 [ __ ] you know?"
21:46
21:46 >> I think it was a dancing jelly. Maybe it
21:48
21:48 was a dancing jelly.
21:49
21:49 >> Oh, a dancing jellyfish.
21:51
21:51 >> I think a dancing jellyfish. Yeah.
21:53
21:53 >> Or a mermaid. Hey, sorry for a little
21:54
21:54 late March, you should get this mermaid
21:56
21:56 shirt.
21:56
21:56 >> There we go. That'd be good. Um,
21:59
21:59 actually, now that you've mentioned that
22:01
22:01 and we're talking about this whole not
22:03
22:03 being mentioned of like things not being
22:04
22:04 told to us, I heard an interesting
22:06
22:06 theory the other day when I was with the
22:07
22:07 old lady. Um, about death and how death
22:12
22:12 is probably one of the greatest things
22:14
22:14 that we will ever have in our life
22:16
22:16 >> and that everything suppresses us. Like
22:19
22:19 the government suppresses us and tells
22:21
22:21 us, "No, you can't kill yourself. You
22:23
22:23 got to be here." Because they're they're
22:25
22:25 fulfilling that greed, right? right? And
22:27
22:27 they just want to suck everything out of
22:28
22:28 us until we inevitably die and we
22:30
22:30 realize that death was even better than
22:33
22:33 living. And so I heard that theory and I
22:35
22:35 was like, that's a great theory because
22:37
22:37 this doesn't end here, you know? This
22:39
22:39 doesn't end with just us right now.
22:42
22:42 There has to be something more to this
22:44
22:44 right after this. And I feel like
22:48
22:48 everybody's hiding the after and nobody
22:49
22:49 wants to give us the truth on that. So
22:52
22:52 >> So the big G already knows it's better
22:54
22:54 after this.
22:55
22:55 >> Yeah, I think so. I think the big G
22:57
22:57 knows that it's better after this and
22:59
22:59 they're telling us to stay put because
22:60
23:00 they want to get our [ __ ] hardearned
23:03
23:03 body labor, you know, [ __ ] right.
23:06
23:06 Yeah, they need us. Yeah, they need us.
23:08
23:08 That's why they want us
23:08
23:08 >> to create AI to create, you know, we are
23:10
23:10 resource, right?
23:12
23:12 >> Yeah, we are resource.
23:12
23:12 >> People are resource.
23:14
23:14 >> Yeah. So, I think that's what they're
23:16
23:16 doing. And until the big day, the great
23:17
23:17 gods take us, uh, we'll never know the
23:20
23:20 answer. So, we'll find out. Um, but that
23:24
23:24 kind of leads me into this next thing,
23:26
23:26 Joshua.
23:26
23:26 >> Okay.
23:27
23:27 >> Because the great big debate on the
23:30
23:30 internet right now is ushinging a new
23:32
23:32 era of AI and technology, buddy. We're
23:34
23:34 we're entering a new era of
23:40
23:40 excitement. I'm I'm excited for this,
23:41
23:41 buddy. I know. Um, I talked to Joshua
23:44
23:44 about this a few days ago because uh I
23:46
23:46 needed the floor for what was about to
23:48
23:48 happen. And uh Joshua nodded his head,
23:51
23:51 took off his hat, and said, "Sean, it's
23:54
23:54 your time, buddy. It's your time." So,
23:57
23:57 as many of you know, we do this thing
23:59
23:59 called AI radio, or a sound lab, if you
24:01
24:01 will. And uh we we've been messing with
24:04
24:04 that for almost two years, close to
24:06
24:06 three, right? And uh something had
24:09
24:09 happened in that ecosystem, buddy, that
24:12
24:12 allowed us to do something very very
24:16
24:16 interesting and something that I know
24:17
24:17 Joshua has been hinting at a lot with
24:19
24:19 his own stuff. And uh I just had to jump
24:21
24:21 on the bandwagon quicker than Joshua
24:23
24:23 because I I discovered it as soon as it
24:26
24:26 was announced and I I went full deep
24:28
24:28 into it. Um I'll just spoil it right
24:31
24:31 now. Uh this AI song that I have created
24:35
24:35 was written by me. uh produced by Sono
24:39
24:39 and it uses a familiar voice uh that may
24:43
24:43 be talking right now. So Joshua, if you
24:46
24:46 would allow me this courtesy of playing
24:48
24:48 the AI song a little bit early uh and
24:50
24:50 then we can discuss how this leads to a
24:53
24:53 new era and a new sound and a new a new
24:57
24:57 dynamic of not only this podcast but
24:59
24:59 also a new era in kind of like music in
25:02
25:02 general. So, will you allow me, Joshua,
25:05
25:05 to play the song?
25:06
25:06 >> Absolutely. But I will not let you get
25:08
25:08 away without saying the name of the song
25:11
25:11 and giving us a little and a little bit
25:14
25:14 of, you know, backstory. You got you got
25:16
25:16 to give it, you know,
25:18
25:18 >> you know what, let the audience know.
25:19
25:19 >> I I am 100% with you because I nailed
25:22
25:22 Joshua on this all the time. So, this
25:25
25:25 song is called Summer Water and this
25:27
25:27 song is about uh I took in well, let me
25:30
25:30 put it this way. This is an inspired uh
25:33
25:33 song from the movie La La Land where a
25:35
25:35 couple meets, they fall in love, they
25:37
25:37 fall out of love, and then they realize
25:38
25:38 that they weren't even good together at
25:40
25:40 all. So that is the inspiration when I
25:42
25:42 went to the lyrics. Uh very simple, very
25:45
25:45 cut and dry. Uh but I was pretty excited
25:48
25:48 when I was writing it because I was just
25:49
25:49 inspired. So uh here it is. Uh summer
25:52
25:52 water. Uh don't mind the other parts of
25:54
25:54 this title. I just had to title it
25:56
25:56 something when I was rendering it out.
25:57
25:57 But Joshua, uh, everybody sit back,
26:01
26:01 relax, and, uh, enjoy
26:05
26:05 >> July. July,
26:08
26:08 passenger seat,
26:14
26:14 perfume in the hallway, sandals by the
26:17
26:17 sink, sunlight on the tile floor, gold
26:22
26:22 on everything, peach pit on the
26:25
26:25 dashboard. I was learning how to lose
26:28
26:28 you without losing me.
26:33
26:33 Blue light trucks roll past your voice
26:36
26:36 in the low glow. Your voice.
26:39
26:39 >> Your voice. And I know I'm your halfway
26:43
26:43 gone. Ghost with perfect timing always
26:48
26:48 at dawn.
26:49
26:49 >> So I let you go like some of the water.
26:53
26:53 Let you go. Let you go. But I keep you
26:56
26:56 like a radio station. Soft when I'm
26:60
27:00 alone.
27:01
27:01 >> Heat wave through the curtains. Smoke
27:04
27:04 after the spark. Goodbye. Not
27:07
27:07 completely.
27:08
27:08 >> Still in the dark.
27:10
27:10 >> August. August. Driver side. He don't
27:14
27:14 romanticize.
27:15
27:15 >> Sandals by the sink. Didn't mean I'd
27:17
27:17 stay. Didn't know my weight. I was
27:19
27:19 breaking fast. pills and headaches to
27:22
27:22 peach pit on the dash. I know
27:27
27:27 I know
27:29
27:29 story out of pain.
27:30
27:30 >> Lighter in the cup holder lipstick on
27:33
27:33 the glass like a bruise I want to keep.
27:38
27:38 You love the shine I gave the room,
27:42
27:42 not the pain behind the spark.
27:45
27:45 >> We were kids in parking lots watching
27:48
27:48 planes fade into blue. You called it
27:51
27:51 forever, forever, forever. Losing you.
27:57
27:57 So I let you go like summer water. Let
28:01
28:01 you go, let you go. But I keep you like
28:05
28:05 a radio station. Soft when I'm alone.
28:10
28:10 Gold edges photograph the truth in that.
28:14
28:14 And I know I know you just couldn't put
28:18
28:18 me down. Ghosts are just what you call
28:23
28:23 women
28:24
28:24 >> when the real ones gone.
28:28
28:28 September
28:31
28:31 >> heard your song in a grocery store.
28:33
28:33 >> Soft through bad speakers.
28:36
28:36 >> You sounded prettier with all that
28:40
28:40 distance. Nothing caught fire. That was
28:43
28:43 how I knew.
28:46
28:46 >> Saw you once. Traffic light, ordinary
28:50
28:50 blue.
28:51
28:51 >> One year gone. You look smaller than the
28:55
28:55 summer made you. I guess I did, too.
29:01
29:01 >> I stopped calling it love when it
29:03
29:03 started looking staged.
29:06
29:06 >> I stopped writing you like weather on
29:09
29:09 every empty page.
29:11
29:11 >> The truth was smaller than the songs,
29:15
29:15 but heavier. You were not the dream. I
29:20
29:20 was not the rescue. Just two people
29:24
29:24 passing through.
29:26
29:26 >> Passing through.
29:27
29:27 >> Passing through.
29:28
29:28 >> So I let you go like summer water. Let
29:32
29:32 you go. Let you go.
29:34
29:34 >> But I keep you like a radio station.
29:38
29:38 >> Soft when I'm alone.
29:41
29:41 >> Heat wave through the curtains. Smoke
29:43
29:43 after the spark. Nothing caught fire.
29:47
29:47 The seat stayed empty. Still here in the
29:52
29:52 dark.
29:54
29:54 >> July,
29:55
29:55 >> late late August.
29:58
29:58 >> September in the rear view.
30:01
30:01 >> Soft blue. Soft blue.
30:04
30:04 >> Let you go.
30:05
30:05 >> Let you go.
30:07
30:07 >> Soft
30:10
30:10 alone.
30:10
30:10 >> There you go, buddy. So, we've ushered
30:13
30:13 in a new era into the sound lab
30:16
30:16 community and uh to the I don't know,
30:19
30:19 sorry for the late podcast era. Uh
30:21
30:21 Joshua,
30:23
30:23 I just want to say something real quick
30:25
30:25 before we get on this. Um
30:27
30:27 this was probably one of the most fun
30:30
30:30 times I've had creating some of these
30:32
30:32 things. And uh it I I don't know how to
30:36
30:36 express this without saying uh
30:40
30:40 it was just super fun to do this. I I
30:42
30:42 don't even know where my chain of
30:43
30:43 thought is going because I have so many
30:44
30:44 other things I want to talk about with
30:45
30:45 this. But first of all, how did you feel
30:48
30:48 about that?
30:50
30:50 >> You know, I I I didn't know I'm going to
30:53
30:53 be real honest is I didn't know that
30:55
30:55 that update came out until you till you
30:57
30:57 uh told me about it. Um,
31:00
31:00 and after you had told me about it, I
31:04
31:04 realized when I I did open uh Suno the
31:07
31:07 other day is it said use your own voice
31:09
31:09 and I hit the X button. I was like, I
31:11
31:11 hit the X. I don't even know what that
31:12
31:12 was.
31:12
31:12 >> I just closed it. I just closed it. I
31:14
31:14 didn't even see it was like an update.
31:15
31:15 It was like the flashing thing at the
31:17
31:17 top. I'm going to get the [ __ ] that
31:18
31:18 thing out of there cuz I cuz you know
31:19
31:19 Sean already knows I was working on a
31:21
31:21 song. Um, but then you hit me with
31:23
31:23 Joshua. I I've been working hard on this
31:24
31:24 thing and I think it's going to be super
31:26
31:26 fun. And it w it clearly is really fun.
31:28
31:28 Um, and I'm glad Sean took the I mean I
31:32
31:32 I'm glad you took the reigns on that be
31:34
31:34 because I would have not known what to
31:37
31:37 do with that. So I'm glad you went out
31:39
31:39 on the limb there and and did that cuz
31:41
31:41 the song came out really cool. Um, and
31:43
31:43 you can you obviously can tell it is
31:45
31:45 your voice in there. shitty, too. So, it
31:49
31:49 makes me so happy though because I know
31:51
31:51 this is just the first iteration and I
31:53
31:53 knew I knew going into it that it's not
31:55
31:55 going to be perfect, right? It's not
31:57
31:57 perfect. Um, clearly you can only it can
32:00
32:00 only do so much with what you give it
32:02
32:02 and I spent to to get this buddy. I
32:04
32:04 spent four You have to spend four
32:07
32:07 minutes consistently singing to get it
32:11
32:11 to to process this, right? And then
32:13
32:13 after that, you have to do like this uh
32:15
32:15 this like you basically read off a few
32:17
32:17 things of text uh for like another two
32:19
32:19 minutes and so that it kind of like
32:21
32:21 captures your voice and your natural
32:22
32:22 speaking voice. And by far singing for 4
32:26
32:26 minutes is really difficult. Like it's
32:29
32:29 hard to do. And so yeah, I've been out
32:33
32:33 of practice for a little while, right? I
32:35
32:35 don't consistently sing anymore. And so
32:37
32:37 to do that was difficult. And then what
32:40
32:40 it created was pretty good for what I
32:42
32:42 gave it, you know. Uh, and I can only
32:44
32:44 see this getting insanely
32:48
32:48 like incredible sounding. It can it can
32:51
32:51 only go it can only get better. And it
32:54
32:54 kind of scares me, buddy. It scares me
32:56
32:56 in a way that I've never felt before
32:58
32:58 other than uh like the kid on Christmas
33:01
33:01 Day, you know, as he's opening his
33:03
33:03 presents, you know, it's going to be
33:04
33:04 that kind of feeling for a long time. Uh
33:07
33:07 because I don't want to stop there,
33:08
33:08 buddy. I just want to I did too many.
33:10
33:10 Like I said, I I we get credits on Sonu
33:13
33:13 on um and I wasted a lot of them, buddy.
33:15
33:15 So Mia is gonna be have a [ __ ] field
33:17
33:17 day with this [ __ ] But I want to share
33:19
33:19 another song. Uh these ones aren't
33:21
33:21 aren't so long. These are like 2
33:22
33:22 minutes, a minute songs. Uh because I'm
33:24
33:24 so I'm so [ __ ] excited, buddy. And
33:26
33:26 I'm going to share you the song uh that
33:28
33:28 kind of inspired that song you just
33:30
33:30 heard um right now with you. And this
33:33
33:33 song is called,
33:36
33:36 sorry, it's called uh what is this one?
33:38
33:38 Uh it's called summer trilogy. And uh
33:41
33:41 I'm going to share with you and the
33:42
33:42 people watching just keep on watching.
33:43
33:43 And for those of you listening, keep on
33:44
33:44 listening, buddy. Uh here, take take a
33:46
33:46 minute and 15 seconds to get inspired by
33:48
33:48 this one.
33:52
33:52 July July.
33:56
33:56 Passenger seat
33:58
33:58 screen heat.
34:02
34:02 >> Perfume in the hallway. Sandals by the
34:05
34:05 sink. Sunlight on the tile floor. Gold
34:09
34:09 on everything. Peach pit on the
34:13
34:13 dashboard. Blue light trucks roll past
34:15
34:15 your voice in the low glow. Your voice.
34:19
34:19 >> Your voice.
34:21
34:21 I know. I know. Have gone. Ghost with
34:26
34:26 perfect timing. Always at
34:29
34:29 >> so I let you go like summer. Let you go.
34:34
34:34 Let you go. But I keep you like a radio
34:38
34:38 station. Soft when I'm alone.
34:41
34:41 >> Heat wave through the curtains. Smoke
34:44
34:44 after the spark. Goodbye. Not
34:47
34:47 completely. I still keep you in the
34:50
34:50 dark. Wait till
34:53
34:53 engine cooling. Save you a seat.
34:58
34:58 Save you a
35:01
35:01 >> All right. So, that was kind of like the
35:03
35:03 one of the inspiration songs that I was
35:05
35:05 writing when I was kind of going through
35:06
35:06 this process. Uh, and then I kind of
35:08
35:08 fell onto that one. There's also a whole
35:13
35:13 mini album, as I called it, that I wrote
35:15
35:15 that I'm not going to play for you, but
35:17
35:17 I'm going to put it on Sorry for the
35:18
35:18 Little Laid Out Live as an exclusive.
35:19
35:19 And if you guys want to hear, you guys
35:21
35:21 can go to the website and check that
35:22
35:22 out. Uh, but it is a mini album, but
35:24
35:24 maybe we can do like a supplemental for
35:25
35:25 that and you can listen to the whole
35:27
35:27 thing with me and we can kind of talk
35:28
35:28 about it. Uh, but one last thing, one
35:30
35:30 last song because I know where you're
35:32
35:32 going to go with this and I kind of
35:35
35:35 wanted to do something that I felt like
35:38
35:38 was going to be more in your vibe,
35:40
35:40 buddy. So, this I'm going to share this
35:42
35:42 one. Uh, this this I'm not going to play
35:43
35:43 the whole thing because it's not that
35:45
35:45 great, but it's I feel like it's going
35:47
35:47 to be where you're at. No, I think you
35:49
35:49 should play the whole song.
35:50
35:50 >> I don't Well, you listen. We Well, I'm
35:52
35:52 going to play it and then we'll kind of
35:54
35:54 judge it from there. Uh, but this song
35:56
35:56 is called No Air Up Here. And buddy, I
35:59
35:59 just kind of took a swing for the fences
36:01
36:01 on this one. So, here you go, everybody.
36:09
36:09 >> Blueprint in the dust.
36:12
36:12 No air up here.
36:16
36:16 Black sky deaded stars. No prayer of
36:20
36:20 fear.
36:26
36:26 Dark side creep. Sunlight fail. Rifle on
36:30
36:30 my back. Crack in the veil. Came from
36:33
36:33 the crater. Teeth all chrome. Thought
36:36
36:36 they found a new world. Now they die on
36:38
36:38 stone. No mercy in the vacuum. No saints
36:41
36:41 in the dark. Just me and the trigger and
36:44
36:44 the beat in my heart. Eliminate.
36:47
36:47 Eliminate.
36:49
36:49 Alens on the moon. Cold hands, black
36:54
36:54 boots. Send them to the tomb. No life,
36:60
37:00 no love. Dust and the doom. Eliminate.
37:06
37:06 Eliminate.
37:08
37:08 Alens on the moon.
37:15
37:15 Have cracked. Alarms all scream. Blood
37:19
37:19 on the patch. Suit light green bone and
37:22
37:22 wire. Eyes on fire. Cut the power. Drop
37:26
37:26 the hive. If the signal slips,
37:30
37:30 tell them I went in.
37:33
37:33 Steel not skin.
37:37
37:37 Let the war begin.
37:40
37:40 Eliminate.
37:42
37:42 Eliminate.
37:44
37:44 Aliens on the moon. Coat hands. Black
37:49
37:49 boots. Send them to the tomb. No leaves
37:55
37:55 and no love. The dust and the doom.
37:59
37:59 Eliminate.
38:01
38:01 Eliminate.
38:03
38:03 Alensions on the moon.
38:05
38:05 >> All right, that's enough of that. That's
38:07
38:07 enough. That's enough of that one. But
38:10
38:10 buddy,
38:11
38:11 >> what
38:11
38:11 >> this this kind of stuff is what I'm
38:14
38:14 talking about. As soon like when this
38:16
38:16 gets even better, like you can only
38:18
38:18 imagine how exciting it is to be doing
38:21
38:21 this. Now we get to the portion of the
38:23
38:23 podcast where we actually talk about
38:26
38:26 what is happening here because after all
38:28
38:28 that excitement wears down,
38:31
38:31 >> we have to have a bigger conversation.
38:33
38:33 >> Okay. First question I want to ask you
38:35
38:35 buddy is
38:36
38:36 what does this do for
38:41
38:41 people like myself musicians and stuff
38:43
38:43 like that uh who create these kind of
38:45
38:45 things right like this is borderline
38:49
38:49 like I don't know I I even know how to
38:52
38:52 explain it is this borderline
38:53
38:53 >> it's like cheating are you saying it's
38:54
38:54 >> cheating yeah is it cheating because you
38:58
38:58 are essentially
38:60
38:60 like for example the song that I played
39:01
39:01 first I wrote the lyrics to that song.
39:04
39:04 I'm technically singing in that song,
39:07
39:07 right? The only thing I didn't do was
39:09
39:09 play the music,
39:11
39:11 but from a musician standpoint, you can
39:15
39:15 do that, too.
39:17
39:17 But you just pay the musicians to play
39:19
39:19 the song and you do the writing and you
39:22
39:22 do the singing over that. You know
39:25
39:25 what is saying that Sono isn't the
39:28
39:28 musician that I'm playing that I'm
39:29
39:29 paying money to to play the music for me
39:32
39:32 while I do all this stuff.
39:34
39:34 >> So, would you consider because I don't
39:36
39:36 know much about music, right? I'm just
39:37
39:37 like a very beginner, you know, I'm
39:40
39:40 striking not even a single chord yet.
39:42
39:42 I'm very very virgin when it comes to
39:45
39:45 music. Um, literally have never sang a
39:48
39:48 song on my own. So, this is going to be
39:49
39:49 very interesting when I when I put my
39:51
39:51 lips
39:52
39:52 >> I can't wait
39:53
39:53 >> up to the mic.
39:54
39:54 >> It's going to be fun. It's going to be
39:56
39:56 fun. I can already see how much fun you
39:57
39:57 have. I know I'm going to have fun. So,
39:59
39:59 so would Sunno kind of be the engineer
40:02
40:02 in this thing? Is is they basically
40:05
40:05 mastering everything you're putting into
40:08
40:08 the song and they're mixing it all
40:10
40:10 together. Is that what like an engineer
40:12
40:12 does when it comes to music?
40:13
40:13 >> Yeah. Soon would be the engineer in
40:14
40:14 this. I would I would feel that. Soon it
40:15
40:15 would be an engineer and like the
40:16
40:16 instrument like the tool, right?
40:19
40:19 >> So
40:21
40:21 >> like does that
40:21
40:21 >> so this really hurts the engineers of
40:23
40:23 the industry?
40:24
40:24 >> Yeah, I guess so. I guess that's the
40:26
40:26 bigger qu like who in the industry does
40:28
40:28 this hurt? And I guess it would be the
40:30
40:30 engineers and also I guess the people
40:32
40:32 who play the music, right? But at that
40:35
40:35 point,
40:37
40:37 >> but again it is a tool like none of this
40:39
40:39 is this none of this gets created
40:41
40:41 without uh you or I putting keystrokes
40:44
40:44 in and creating some kind of dialogue
40:46
40:46 and creating some lyrics and some sort
40:48
40:48 of
40:49
40:49 >> Yeah. So, I mean, I I kind of feel like,
40:52
40:52 you know, autotune's been a thing. You
40:54
40:54 know, the days of of walking out with a
40:56
40:56 microphone and like catching the sound
40:58
40:58 of the seagulls on your own because you
40:60
40:60 want to put the seagulls in your song or
41:03
41:03 like going out to the city and holding a
41:05
41:05 a shotgun mic and and listening for the
41:07
41:07 train to go by and like getting original
41:09
41:09 sound. Like, I'm sorry, but like those
41:11
41:11 days are kind of over. The sampling of
41:14
41:14 sounds of the the planet are kind of
41:17
41:17 already in the cloud. So they're already
41:20
41:20 there.
41:20
41:20 >> And what we can do with the sounds that
41:22
41:22 exist already, we can raise the the the
41:25
41:25 honk of the horn. We can add different
41:26
41:26 pitches to it. Like we can add all that
41:28
41:28 via, you know, AI and prompts and we I
41:31
41:31 mean, so yeah, the engineer is kind of
41:34
41:34 [ __ ] because we can figure that all
41:36
41:36 out now with these programs and these
41:38
41:38 systems, you know, but then it comes
41:40
41:40 down to the rights of the the ownership
41:43
41:43 of the music because now Sunno is the
41:45
41:45 engineer, right? So, so you're using
41:48
41:48 their platform
41:50
41:50 >> to to write to basically put it all
41:52
41:52 together. So, I think there's going to
41:53
41:53 be a split in hairs at some point when
41:55
41:55 they realize how much money is being
41:57
41:57 made on this platform and they either
41:59
41:59 continue to keep it like an open source
42:01
42:01 open AI code, you know, they just like
42:03
42:03 keep it open source, let people have
42:05
42:05 fun, let people be creative. Sure, we
42:07
42:07 pay our subscriptions and maybe the
42:09
42:09 subscriptions go up and whatever have
42:11
42:11 you, but you're basically paying the
42:14
42:14 subscription to go into a sound studio
42:17
42:17 is what I see these credits in these.
42:19
42:19 It's now I don't have to drive down the
42:21
42:21 block to this fancy studio, wait for
42:24
42:24 some dude to show up, the engineer, and
42:26
42:26 to have his own vision, what I want to
42:27
42:27 put on my song, and then he basically
42:29
42:29 mashes my [ __ ] up and then
42:32
42:32 >> makes it sound his way maybe versus mine
42:34
42:34 because he's the engineer, right? it's
42:36
42:36 his studio. I don't want to step on his
42:37
42:37 toes. So, sometimes they even have more
42:40
42:40 say in your song than you do.
42:42
42:42 >> For sure.
42:42
42:42 >> You know, because it's their their space
42:44
42:44 now. You're in their ecosystem. So, I
42:46
42:46 don't know, man. I I I love this this
42:48
42:48 space and I and I like how creative we
42:50
42:50 can we are going to get with this.
42:53
42:53 >> Um, and it would be really [ __ ]
42:55
42:55 awesome if uh
42:58
42:58 >> yeah, we created something great out of
42:59
42:59 this. I think we are going to it's it's
43:01
43:01 going to be it's going to
43:02
43:02 >> Oh, it's going to happen. It's going to
43:03
43:03 happen. And it's going to be [ __ ]
43:05
43:05 incredible because now all I'm picturing
43:08
43:08 is every single
43:10
43:10 AI song that we come out with is either
43:12
43:12 going to be Joshua's voice or my voice.
43:14
43:14 You know, there there ain't no gray line
43:16
43:16 now. You know, there ain't no AI artist.
43:18
43:18 This is this is my voice being mimicked.
43:21
43:21 And I'm okay with that. You know, we're
43:23
43:23 on the internet. It's it's out there.
43:25
43:25 You know, like there's no ifands or buts
43:28
43:28 about it. Why not use it for something
43:30
43:30 that I really enjoy doing, right? So,
43:33
43:33 >> and you know what we could do? I'll just
43:35
43:35 throw it out there right now. We could
43:36
43:36 even take the the dialogue from one of
43:38
43:38 these episodes, throw it into chat, and
43:41
43:41 have a rap battle between me and you in
43:42
43:42 an episode.
43:43
43:43 >> Oh, definitely.
43:45
43:45 >> Yeah,
43:46
43:46 >> that'll be amazing. Uh, we'll have to
43:48
43:48 work on that in the background, but
43:49
43:49 it'll be great. I can't wait.
43:51
43:51 >> Um, I love it. So, we're ushering in a
43:54
43:54 new era thanks to Sunno, and it's it's
43:57
43:57 pretty [ __ ] exciting. And there may
43:59
43:59 be a gray area and people may not like
44:01
44:01 it, but the creative outlet for like us
44:06
44:06 in general is outstanding. Like it just
44:10
44:10 feels great to have something like this
44:12
44:12 that's using our own voice and that is
44:16
44:16 [ __ ] amazing. Like I I have no other
44:19
44:19 words to describe it other than I spent
44:20
44:20 all my credits and uh
44:23
44:23 >> the next few episodes of shorts may not
44:25
44:25 have music in them because they're all
44:26
44:26 the credits are all gone. So, there's
44:28
44:28 that.
44:30
44:30 But I can't I cannot wait, buddy, for
44:32
44:32 you
44:33
44:33 >> to come in hot with some of your own
44:36
44:36 vocal stuff on there. That's going to be
44:38
44:38 [ __ ] incredible.
44:39
44:39 >> So,
44:40
44:40 >> with that being said, buddy, let's move
44:42
44:42 on. Let's do the final topic for here.
44:44
44:44 Uh, this is called Things We Forgot. And
44:47
44:47 buddy, I didn't halfass this episode
44:49
44:49 like I did last week, buddy. I put a lot
44:50
44:50 of time and effort into this one. Uh,
44:53
44:53 and Mia is going to [ __ ] hate me
44:54
44:54 because there's a lot of things that's
44:56
44:56 got to go on here. and a lot of things
44:58
44:58 that got to get put in. So Joshua, I'm
44:60
44:60 going to share my screen with you and
45:01
45:01 for the people watching, keep on
45:02
45:02 watching. For those of you listening,
45:04
45:04 I'll kind of describe what is happening
45:05
45:05 right here. Uh but Joshua, this segment
45:07
45:07 is called things we forgot. And this is
45:11
45:11 the things we forgot midnight archive.
45:14
45:14 There is a list of 121 things um we can
45:18
45:18 add to later on. Uh but we're just going
45:20
45:20 to pick Joshua, you have 121. Pick a
45:23
45:23 number and we're going to see if you
45:25
45:25 forgot about this thing or you didn't
45:27
45:27 forget about this thing.
45:28
45:28 >> Between what? What did I pick in
45:30
45:30 between? What are my numbers?
45:31
45:31 >> One to 121.
45:33
45:33 >> Okay. Uh, well, I can see what the first
45:36
45:36 one is. I'm always going to re forget
45:38
45:38 the last one. So, let's just go with
45:40
45:40 121.
45:41
45:41 >> All right. 121. So, Joshua, do you
45:44
45:44 remember
45:46
45:46 uh cookie tins full of sewing supplies?
45:48
45:48 Was that ever a thing for you?
45:50
45:50 >> No. No. Never once a cookie tin full.
45:52
45:52 No. No.
45:53
45:53 >> No. Really?
45:54
45:54 >> Never once. No.
45:56
45:56 >> Really? So, you're saying those cookie
45:58
45:58 tins that had like the the blue blue and
46:02
46:02 brown cookie tins?
46:03
46:03 >> No. The ones people made with their
46:05
46:05 feet? Those tins?
46:07
46:07 >> The the ones over Christmas? You know,
46:09
46:09 the one you remember you saw the the
46:11
46:11 reels of the people making those
46:13
46:13 cookies, those Christmas cookies and the
46:15
46:15 blue tins with their feet.
46:17
46:17 >> What? I don't think I've seen that.
46:19
46:19 >> You never saw that? Yes. Dude, there was
46:20
46:20 a big old thing about this. There were I
46:22
46:22 don't want to be Okay, somebody fact
46:24
46:24 checked this. They were saying all these
46:25
46:25 things are like made in India and a lot
46:27
46:27 of them were made in factories where
46:28
46:28 there was like
46:30
46:30 >> [ __ ] cockroaches all over the floor and
46:32
46:32 people are making them with their feet
46:33
46:33 and [ __ ] Like maybe this Okay, maybe
46:35
46:35 this is fake news. Somebody fact check
46:37
46:37 it.
46:38
46:38 I know for a while people were not
46:40
46:40 buying the the cookie tins, the blue
46:43
46:43 ones specifically
46:45
46:45 >> because there was, you know, there was
46:47
46:47 videos of of uh these factories in poor
46:50
46:50 conditions and and being made in sloppy
46:52
46:52 ways.
46:53
46:53 >> So
46:54
46:54 >> interesting. All right. I I honestly
46:55
46:55 have not seen that. So I I don't know. I
46:58
46:58 don't know.
46:59
46:59 >> Um let's do a random one.
47:00
47:00 >> No. Okay. Let's do 73.
47:03
47:03 >> 73. What do you got? Here we go. Uh 73
47:07
47:07 is motel room key tags.
47:10
47:10 >> You remember that?
47:11
47:11 >> What?
47:12
47:12 >> Motel room key tags.
47:13
47:13 >> I do remember that. Now they just all
47:14
47:14 have cards. Now it's all
47:16
47:16 >> Yeah, they all have cards now. There's
47:17
47:17 no there's no such thing as a key and a
47:20
47:20 key tag. That's crazy. Like I don't know
47:23
47:23 when that went away. And I'm sure some
47:25
47:25 sketchy motel will probably still have
47:27
47:27 keys, but I think for the majority of
47:30
47:30 them, they're they're keys. They're taps
47:32
47:32 tap cards.
47:33
47:33 >> Yeah. Well, because people lose keys all
47:34
47:34 the times. And then if people don't
47:36
47:36 return the key, then you have to
47:37
47:37 >> I don't know. I feel like I would lose
47:38
47:38 my card more often than if I lost a key
47:41
47:41 set, you know? I feel like I would lose
47:43
47:43 that card. It's just easy to like just
47:44
47:44 let like like let go.
47:46
47:46 >> But what's easier to replace? The little
47:48
47:48 the reloadable card or the key that you
47:50
47:50 have to take to [ __ ] Home Depot or a
47:51
47:51 Lowe's or an Ace Hardware make?
47:53
47:53 >> Oh, yeah. Good point. Good point. Yeah.
47:55
47:55 Yeah. Cuz
47:56
47:56 >> the keys are expensive. They're like $6
47:57
47:57 a kino. You know, you have seven guests.
47:59
47:59 You know, that's seven. you know, you
48:00
48:00 just do the math over a course of a year
48:02
48:02 versus these plastic are are wooden
48:04
48:04 bamboo. I I I uh I've seen some wooden
48:07
48:07 bamboo ones, you know.
48:08
48:08 >> Oh, granted. Interesting. Yeah. But
48:11
48:11 you're right. Yeah. Cuz then if you lose
48:12
48:12 the key, then you have to like replace
48:14
48:14 the door knob and the door like the door
48:17
48:17 lock like cuz it's gone.
48:19
48:19 >> Locksmith. I mean, the overhead on that.
48:21
48:21 Yeah. Yeah. So, I could see. Yeah.
48:22
48:22 Crazy.
48:23
48:23 >> Crazy. All right. One more. Give me one
48:24
48:24 more.
48:24
48:24 >> Give me another one.
48:25
48:25 >> Okay. Let's go with the number 48.
48:30
48:30 >> 48. Oop, sorry. 48. There we go. It is
48:36
48:36 butter churns. I don't think these are
48:38
48:38 gone, but there is still
48:41
48:41 like like I guess the old butter churns.
48:43
48:43 Do you know actually do you know what a
48:44
48:44 butter churn is, Joshua?
48:46
48:46 >> I've never turned butter in my life.
48:50
48:50 >> Okay.
48:51
48:51 >> No, I don't. I I I don't even think I've
48:53
48:53 seen it uh somebody churning butter.
48:56
48:56 >> You've never seen somebody churn I think
48:58
48:58 I've watched a lot of YouTube videos of
48:60
48:60 people churning butter.
49:01
49:01 >> Not for anything weird, but you know,
49:05
49:05 I've seen a lot of them.
49:07
49:07 >> I mean, I've churned a few butts, but
49:09
49:09 I've never churned butter before.
49:12
49:12 >> This is kind of funny because they
49:13
49:13 actually have a butter churn that sits
49:15
49:15 in like a little uh fanny pack that
49:17
49:17 people can wear when they go jogging to
49:19
49:19 make butter. And I feel like the
49:21
49:21 overhead on that is really high because
49:22
49:22 I like you need like whipped cream and
49:24
49:24 whipped cream is kind of expensive and
49:26
49:26 butter is cheaper than whipped cream. So
49:28
49:28 like or whipping cream, sorry, not
49:30
49:30 whipped cream. Um but now
49:32
49:32 >> Well, you wear it as you jog and it
49:34
49:34 turns it as you jog.
49:36
49:36 >> Yeah. No, this is a real thing. This is
49:37
49:37 a real Mia. Go ahead and put the picture
49:39
49:39 in there and you can show Joshua in the
49:41
49:41 episode. U but yeah, this is a real
49:43
49:43 thing that people can buy and wear to
49:45
49:45 make butter. It's not very
49:47
49:47 cost-effective, but it works. How how
49:49
49:49 long has this been around? Has this been
49:51
49:51 >> uh I think this thing specifically not
49:53
49:53 that long. It's probably been a few
49:55
49:55 years.
49:56
49:56 >> This is a modernday invention.
49:58
49:58 >> Yeah. Yeah. Yeah, it is. Yep. Someone
50:00
50:00 made the the modern day butter churn
50:05
50:05 using jogging as its it's uh
50:08
50:08 >> I I would think they would have invented
50:09
50:09 this like during the time of like horse
50:11
50:11 and buggy. You know, you're going
50:13
50:13 somewhere churns the butter. Like I I'm
50:14
50:14 thinking this [ __ ] should have been
50:16
50:16 invented back,
50:18
50:18 you know, back in the day. Like this
50:20
50:20 should not be a new invention. [ __ ]
50:22
50:22 we're way behind. Bring back Atrax if
50:24
50:24 we're going to be doing that [ __ ]
50:26
50:26 That's old.
50:28
50:28 >> It took now somebody to figure that [ __ ]
50:30
50:30 out.
50:31
50:31 >> Yep. Oh [ __ ] All right. There you go.
50:33
50:33 That's what I wanted to talk about with
50:34
50:34 things we forgot. Just a cool little
50:36
50:36 website that I was able to create and uh
50:37
50:37 we got a whole bunch of stuff in there
50:38
50:38 and we might bring it back. I might add
50:40
50:40 some more stuff on there. So there you
50:42
50:42 go. With that being said, buddy, let's
50:44
50:44 uh [ __ ] land this plan. Let's start
50:46
50:46 wrapping up this episode. Let's do some
50:47
50:47 fun finds. Let's do some lucky numbers.
50:49
50:49 Let's get the chat out of here and
50:50
50:50 [ __ ] All right, bud.
50:51
50:51 >> You know, call it a night, dude.
50:54
50:54 I've had so much energy and bent up like
50:56
50:56 a
50:57
50:57 >> oo just the adrenaline from that last
51:00
51:00 one. So,
51:01
51:01 >> well, let me let me uh you've been
51:02
51:02 talking so much. Let me jump ahead here
51:04
51:04 and get to my fun find for the week. I
51:07
51:07 actually have two. And because Sean's
51:10
51:10 been showing off a lot of these things,
51:12
51:12 I thought I'd make it one of my two fun
51:14
51:14 finds I show for this week. But this
51:16
51:16 one's kind of special because I found
51:17
51:17 this at a store called Five Below.
51:20
51:20 Generally
51:21
51:21 >> generally the store has a lot of unique
51:23
51:23 things. There's a lot of candies, a lot
51:24
51:24 of toys, a lot of cool [ __ ] But
51:26
51:26 surprisingly,
51:28
51:28 they had some Bitty Pops. And not only
51:30
51:30 did they have Bitty Pops, they had the
51:32
51:32 Bitty Pops in the form of a game.
51:38
51:38 Whoa. Oh, look at that. Is that a chase?
51:40
51:40 I see.
51:41
51:41 >> And you I'm glad you picked that up,
51:43
51:43 Sean, because in this Bitty Pop game,
51:46
51:46 there is a Chase Bitty Pop in this game
51:51
51:51 right here. It's uh what is her name? Um
51:54
51:54 Maleficent.
51:55
51:55 >> Okay. So, who are they? Who? Because I
51:57
51:57 can It's kind of blurry for me on this.
51:59
51:59 >> Okay. So, it's a game. So, there is uh
52:01
52:01 Mickey Mouse. There's one of the I don't
52:04
52:04 know who this is. This is some like
52:05
52:05 green she I mean, she has a green dress.
52:07
52:07 It's like some kind of princess. Who the
52:09
52:09 hell is that?
52:09
52:09 >> That's Fiona.
52:10
52:10 >> Yeah. Yeah. Whatever. That person. And
52:13
52:13 then um and then Dash is the other one.
52:16
52:16 So you got Mickey, Fiona. Did you say
52:18
52:18 Fiona? Uh Dash and or whoever.
52:22
52:22 Maleficent.
52:22
52:22 >> Tiana.
52:23
52:23 >> Oh, Tiana. There you go. That
52:25
52:25 >> he's not racist. I promise.
52:27
52:27 >> No, I'm just saying like I don't know
52:28
52:28 who that is, man. I I don't
52:30
52:30 >> Have you never seen Princess and the
52:31
52:31 Frog?
52:32
52:32 >> No, I have never seen that ever.
52:34
52:34 >> Oh my god. I think we need to grill him
52:36
52:36 on that, ladies and gentlemen. Just
52:37
52:37 grill him for not watching Princess and
52:38
52:38 the Frog. That's
52:40
52:40 >> great. Great movie.
52:41
52:41 >> I thought it was cool. It had the chase.
52:43
52:43 Let me show it off one more time. It had
52:44
52:44 a chase in here cuz there there was a
52:45
52:45 few in there was a few in Five Below and
52:48
52:48 none of the other ones had a chase in
52:50
52:50 them. So, I got the game with the chase
52:52
52:52 in it, which I thought was pretty pretty
52:54
52:54 cool.
52:54
52:54 >> Good job, my dude. Good job.
52:56
52:56 >> And then for the uh number two of my fun
52:59
52:59 find, the more traditional find. This is
53:01
53:01 part of the Target Con 2006
53:04
53:04 uh drop. And this is the uh Tiger Rock
53:08
53:08 >> uh here.
53:10
53:10 >> Yeah. So,
53:10
53:10 >> hey, uh were you able to find the Ghost
53:12
53:12 Face um Target Con?
53:15
53:15 >> Um it's not Halloween yet. Uh that is to
53:17
53:17 be determined.
53:20
53:20 >> Okay. All right. Sorry. I'll wait a few
53:22
53:22 months. I'll wait a few months before I
53:24
53:24 ask that again.
53:26
53:26 >> Yeah. circle back to episode 128 and you
53:28
53:28 could ask me again when we get there.
53:32
53:32 >> All right, sounds good, buddy. Sounds
53:33
53:33 good. Can I show you my fun finds?
53:35
53:35 >> Absolutely. Cannot confirm or deny that
53:38
53:38 I found that one. Just saying.
53:39
53:39 >> Perfect. All right, I only got one. It's
53:41
53:41 another Bitty Pop, obviously, cuz I'm on
53:43
53:43 a Bitty Pup [ __ ] kick. Uh, but I
53:45
53:45 figured it was fitting because I played
53:47
53:47 a lot of records for you guys. Uh, this
53:49
53:49 is a new Bitty Popup that they just came
53:51
53:51 out with recently. Uh, this is the Biddy
53:54
53:54 Pop record store. So, you can see, boom,
53:59
53:59 little record store action there with
54:01
54:01 the beautiful uh uh what is that guy?
54:04
54:04 Record store uh patron. So, it kind of
54:06
54:06 looks like uh me when I had long hair,
54:08
54:08 buddy. So, buying some records. So,
54:11
54:11 there you go. My Funko for the week.
54:13
54:13 >> Awesome. It's great.
54:14
54:14 >> Joshua.
54:15
54:15 >> Yes, sir.
54:16
54:16 >> Let's start landing this plane, buddy.
54:17
54:17 Let's get a fortune, buddy.
54:19
54:19 >> Actually, we took off. We're headed to
54:21
54:21 the moon already. Um, but I'll go ahead
54:22
54:22 and whip out one of these fortunes for
54:23
54:23 you.
54:26
54:26 All right, buddy. So, um, hey, if this
54:28
54:28 is your first time listening, first time
54:29
54:29 watching, congratulations. You've made
54:31
54:31 it to the stupidest part of the episode.
54:34
54:34 We show off
54:34
54:34 >> the best part of the episode.
54:36
54:36 >> Okay, the best part where we show off
54:38
54:38 some fortune. I let Sean pick since
54:40
54:40 nobody else has picked uh in the
54:41
54:41 comments what they want to see. So Sean,
54:44
54:44 do you want to see a boozy
54:47
54:47 boozy uh fortune or a dirty fortune?
54:51
54:51 >> A little boozy. So let's do a little
54:52
54:52 boozy dozen.
54:53
54:53 >> Okay, let's go boozy. Going boozy. Uh
54:56
54:56 and make sure I pull it from the boozy
54:58
54:58 cuz Sean accused me of pulling the wrong
54:60
54:60 cookie one time.
55:01
55:01 >> Uh you did pull the wrong
55:02
55:02 >> I did. I saw. In fact, I was fact
55:04
55:04 checked and I did do that.
55:08
55:08 >> All right, here we go everybody. Here is
55:10
55:10 your fortune as I crack this open.
55:13
55:13 for this episode. Here we go, everybody.
55:17
55:17 Are you ready for this one, Sean?
55:19
55:19 >> Yeah, I'm ready. Ready?
55:20
55:20 >> Okay, here it is.
55:22
55:22 >> You have a high tolerance except for
55:26
55:26 minorities.
55:30
55:30 >> What? Wait, what?
55:33
55:33 Can you read that? Can you read that
55:34
55:34 again?
55:35
55:35 >> It says here, I can show it to you.
55:37
55:37 Here. It says you have a high tolerance
55:43
55:43 except for minorities.
55:47
55:47 Okay. All right.
55:49
55:49 >> I mean, it is dirty. I mean, is that
55:52
55:52 racist? I mean, I don't know. It like
55:55
55:55 >> Wait, you pulled it from the dirty. You
55:57
55:57 said the I said the boozy.
55:58
55:58 >> Oh, wait. Yeah, I know. I meant boozy. I
56:00
56:00 pulled it from the boozy. Yeah, I think
56:02
56:02 so.
56:03
56:03 >> Oh, I No, that makes sense cuz you have
56:04
56:04 a high tolerance except for minorities.
56:07
56:07 All right, I get it. I get it.
56:08
56:08 >> I mean, I still don't get it. I just
56:10
56:10 read it and I'm still trying to figure
56:11
56:11 it out.
56:13
56:13 >> Let me
56:14
56:14 >> let me read the lucky numbers to you as
56:17
56:17 you try to figure that out. Here are
56:18
56:18 your seven lucky numbers for the week.
56:20
56:20 They are as followed. Use them for
56:22
56:22 whatever nefarious reasons you would
56:23
56:23 like. They are 1, 11, 22, 36, 39, 49,
56:28
56:28 and 51. Once again, your seven lucky
56:31
56:31 numbers for the week are 1, 11, 22, 36,
56:34
56:34 39, 49, and 51. That had a pretty good
56:37
56:37 flow to it. I like that. That that set
56:39
56:39 of numbers was good. Rolled off the
56:40
56:40 tongue real well. Um Joshua, we've come
56:43
56:43 to the end of the episode. Uh this is
56:45
56:45 where I stand aside. I'm not going to
56:46
56:46 hype you up too high on this one. Uh
56:48
56:48 just give me your [ __ ] beautiful
56:50
56:50 monologue for the week and for the the
56:52
56:52 new week that people are going to be
56:53
56:53 listening. Just what do you want to tell
56:54
56:54 them, buddy? What do you want to say to
56:55
56:55 them?
56:56
56:56 >> All right, everybody. Thank you for
56:58
56:58 listening. Thank you for watching.
56:59
56:59 You've made it to episode 128 with me
57:01
57:01 and Sean. And if you are barely finding
57:04
57:04 out now from this short or whatever this
57:07
57:07 is, Sean came out with a brand new AI
57:11
57:11 song, everybody. And uh you should
57:14
57:14 really check it out because he uses his
57:15
57:15 own voice. He wrote the damn thing. And
57:18
57:18 uh check out the episode. Uh if this
57:21
57:21 does end up being a short, um you're
57:23
57:23 going to have to watch it till the end
57:24
57:24 of the episode or the middle of the
57:25
57:25 episode. But um I have nothing else to
57:27
57:27 say other than happy Monday if this
57:29
57:29 doesn't come out on Monday. Happy
57:30
57:30 Tuesday. The whenever this comes out. I
57:32
57:32 wish you well everybody. Thank you for
57:34
57:34 listening. Thank you for watching. Sean,
57:37
57:37 do you have a joke for us?
57:39
57:39 >> I do, buddy. I do. Hey, can I just say
57:41
57:41 that was pretty good. That was really
57:43
57:43 good. You kind of set the week up for
57:44
57:44 everybody. That was really nice and you
57:46
57:46 gave people a reason to watch the
57:47
57:47 episode because that will be a short and
57:49
57:49 thank you, Mia, for putting that
57:50
57:50 together. Uh, but yes, Joshua, I do have
57:53
57:53 something for you to end the week. Um,
57:57
57:57 thank you for watching. Thank you for
57:58
57:58 listening. all the stuff he said. Uh,
57:60
57:60 but buddy, here it is. The last thing
58:02
58:02 I'm going to say to the Yeah, I'm just
58:04
58:04 [ __ ] saying it. Joshua,
58:07
58:07 >> how does NASA organize a party?
58:11
58:11 >> I don't know, Sean.
58:14
58:14 >> They plan it.
58:18
58:18 >> Ladies and gentlemen, we will see you
58:20
58:20 next week. And maybe Joshua has a cool
58:22
58:22 AI song for you guys. Maybe not. We'll
58:25
58:25 see if it's his own voice. I will.
58:27
58:27 >> Uh, yeah. Deuces.
58:52
58:52 Not as good as you clap, but it'll some
58:54
58:54 face.
58:56
58:56 It's still a hit.
58:57
58:57 >> Still a hit, baby. You hit me with Wait,
59:00
59:00 what is that uh what is that saying? Uh
59:02
59:02 to the moon Alice. You know, you were
59:04
59:04 old enough for that, right? That show
59:06
59:06 where the guy wife and [ __ ]
59:09
59:09 >> I don't Alice.
59:11
59:11 >> I think the only Alice I know is Alice
59:12
59:12 in Wonderland.
59:14
59:14 >> Oh, [ __ ] me then.
59:17
59:17 >> To the moon Alice. Is that like Morg and
59:20
59:20 Mindy or who? I don't know who that is.
59:22
59:22 >> I don't know.
59:23
59:23 >> That's all I remember though. That's all
59:24
59:24 I remember. and beating his wife and
59:26
59:26 saying to the moon, Alice,
59:27
59:27 >> I I mean, I I can look it up, but you
59:30
59:30 know, whatever.
59:31
59:31 >> It's whatever. It's fine. It's full.
59:32
59:32 It's all right. We'll move on. Uh thank
59:34
59:34 you guys for watching and thank you for
59:35
59:35 listening. We appreciate it. If you made
59:36
59:36 it this far into the episode, you made
59:38
59:38 it to the end. Congratulations. Uh if
59:39
59:39 you're sleeping, uh I hope you have
59:41
59:41 really good dreams.
59:45
59:45 >> All right, let's hold on, dude. Just for
59:48
59:48 the record, that [ __ ] was back from the
59:49
59:49 50s. I was not [ __ ] alive, man.
59:55
59:55 Come on.
59:56
59:56 >> Am I supposed to know? Am I supposed to
59:57
59:57 know? All right,
59:58
59:58 >> dude. I just I just looked it up really
59:60
59:60 quick and it's from the Honeymooners, a
60:02
60:02 1950s show, dude, with Jackie Gleason.
60:06
60:06 Like, what the [ __ ] man?
60:10
60:10 >> That [ __ ] old
60:12
60:12 [ __ ] You got a short
